Showing results by author "Norman Mailer" in All Categories

In 1974 in Kinshasa, Zaïre, two African American boxers were paid five million dollars apiece to fight each other. One was Muhammad Ali, the aging but irrepressible "professor of boxing." The other was George Foreman, who was as taciturn as Ali was voluble. Observing them was Norman Mailer, a commentator of unparalleled energy, acumen, and audacity.

In this Pulitzer Prize-winning classic, a convicted killer becomes the first prisoner to be executed in the United States. The Executioner's Song follows the true story of cold-blooded murderer Gary Gilmore, who, after being tried and convicted, insisted on being executed for his crimes. To do...

Hailed as one of the finest novels to come out of the Second World War, The Naked and the Dead received unprecedented critical acclaim upon its publication and has since become part of the American canon. This fiftieth anniversary edition features a new introduction created especially for the occasion by Norman Mailer.

With unprecedented scope and consummate skill, Norman Mailer unfolds a rich and riveting epic of an American spy. Harry Hubbard is the son and godson of CIA legends. His journey to learn the secrets of his society - and his own past - takes him through the Bay of Pigs, the Cuban Missile Crisis, and the "momentous catastrophe" of the Kennedy assassination. All the while, Hubbard is haunted by women who were loved by both his godfather and President Kennedy.

Norman Mailer's dazzlingly rich, deeply evocative novel of ancient Egypt breathes life into the figures of a lost era: the eighteenth-dynasty Pharaoh Rameses and his wife, Queen Nefertiti; Menenhetet, their creature, lover, and victim; and the gods and mortals that surround them in intimate and telepathic communion. Mailer's reincarnated protagonist is carried through the exquisite gardens of the royal harem, along the majestic flow of the Nile, and into the terrifying clash of battle.

"Writing is spooky," according to Norman Mailer. "There is no routine of an office to keep you going, only the blank page each morning, and you never know where your words are coming from, those divine words." In The Spooky Art, Mailer discusses with signature candor the rewards and trials of the writing life, and recommends the tools to navigate it. Addressing the listener in a conversational tone, he draws on the best of more than fifty years of his own criticism, advice, and detailed observations about the writer's craft.

When Tim Madden, an unsuccessful writer living on Cape Cod, awakes with a gruesome hangover, a painful tattoo on his upper arm, and a severed female head in his marijuana stash, he has almost no memory of the night before. As he reconstructs the missing hours, Madden runs afoul of retired prizefighters, sex addicts, mediums, former cons, a world-weary ex-girlfriend, and his own father, old now but still a Herculean figure.

As America's foremost public intellectual, Norman Mailer was a ubiquitous presence in our national life - on the airwaves and in print - for more than sixty years. With his supple mind and pugnacious persona, he engaged society more than any other writer of his generation. The trademark Mailer swagger is much in evidence in these pages as he holds forth on culture, ideology, politics, sex, gender, and celebrity, among other topics.

In perhaps his most important literary feat, Norman Mailer fashions an unprecedented portrait of one of the great villains - and enigmas - in United States history. Here is Lee Harvey Oswald - his family background, troubled marriage, controversial journey to Russia, and return to an "America [waiting] for him like an angry relative whose eyes glare in the heat."

The final work of fiction from Norman Mailer, a defining voice of the postwar era, is also one of his most ambitious, taking as its subject the evil of Adolf Hitler. The narrator, a mysterious SS man in possession of extraordinary secrets, follows Adolf from birth through adolescence and offers revealing portraits of Hitler's parents and siblings. A crucial reflection on the shadows that eclipsed the 20th century, Mailer's novel delivers myriad twists and surprises along with characteristically astonishing insights into the struggle between good and evil that exists in us all.

1968. The Vietnam War was raging. President Lyndon Johnson, facing a challenge in his own Democratic Party from the maverick antiwar candidate Eugene McCarthy, announced that he would not seek a second term. In April, Martin Luther King Jr. was assassinated and riots broke out in inner cities throughout America. Bobby Kennedy was killed after winning the California primary in June. In August, Republicans met in Miami, picking the little-loved Richard Nixon as their candidate.

Paret lay on the ground, quivering gently, a small froth on his mouth. The house doctor jumped into the ring. He knelt. He pried Paret's eyelid open. He looked at the eyeball staring out. He let the lid snap shut. He reached into his satchel, took out a needle, jabbed Paret with a stimulant. Paret's back rose in a high arch. He writhed in real agony. They were calling him back from death. One wanted to cry out, "Leave the man alone. Let him die."

Amid the cactus wilds some two hundred miles from Hollywood lies a privileged oasis called Desert D'Or. It is a place for starlets and would-be starlets, directors, studio execs, and the well-groomed lowlifes who cater to them. And, as imagined by Norman Mailer in this blistering classic of 1950s Hollywood, Desert D'Or is a moral proving ground, where men and women discover what they really want - and how far they are willing to go to get it.

There was entertainment at the Republican Gala on Sunday night. The climax was a full marching band of bagpipers. They must have been hired for the week since one kept hearing them on the following days, and at all odd times, heard them even in my hotel room at four am for a few were marching in the streets of San Francisco, sounding through the night, giving off the barbaric evocation of the Scots, all valor, wrath, firmitude, and treachery - the wild complete treachery of the Scots finding its way into the sound of the pipes.

Norman Mailer fused fact and fiction to create indelible portraits of such figures as Marilyn Monroe, Gary Gilmore, and Lee Harvey Oswald. In The Gospel According to the Son, Mailer reimagines, as no other modern author has, the key character of Western history. Here is Jesus Christ's story in his own words: the discovery of his divinity and the painful, powerful journey to accepting and expressing it, "as if I were a man enclosing another man within."

He prepared therefore for the meditative journey that proves most excruciating in Limbo, a rounding through the past, a trip back! It is a venture full of perils. To meditate on TV might prove equal to writing a recollection of an enemy one has never met and cannot quite believe in. Indeed, how to conceive of an enemy who is without personal animosity? It was like writing a memoir of an oxymoron. Limbo set its tasks.

The Armies of the Night chronicles the famed October 1967 March on the Pentagon, in which all of the old and new Left - hippies, yuppies, Weathermen, Quakers, Christians, feminists, and intellectuals - came together to protest the Vietnam War. Alongside his contemporaries, Mailer went, witnessed, participated, suffered, and then wrote one of the most stark and intelligent appraisals of the 1960s.

For many, the moon landing was the defining event of the twentieth century. So it seems only fitting that Norman Mailer - the literary provocateur who altered the landscape of American nonfiction - wrote the most wide-ranging, far-seeing chronicle of the Apollo 11 mission. A classic chronicle of America's reach for greatness in the midst of the Cold War, Of a Fire on the Moon compiles the reportage Mailer published between 1969 and 1970 in Life magazine

As Stephen Rojack, a decorated war hero and former congressman who murders his wife in a fashionable New York City high-rise, runs amok through the city in which he was once a privileged citizen, author Norman Mailer peels away the layers of our social norms to reveal a world of pure appetite and relentless cruelty. One part Nietzsche, one part de Sade, and one part Charlie Parker, An American Dream grabs the listener by the throat and refuses to let go.

Originally published in 1959, Advertisements for Myself is an inventive collection of stories, essays, polemic, meditations, and interviews. It is Mailer at his brilliant, provocative, outrageous best. Emerging at the height of "hip", Advertisements is at once a chronicle of a crucial era in the formation of modern American culture and an important contribution to the great autobiographical tradition in American letters.