Showing results by narrator "James Michael" in All Categories

Twenty-year-old Violet Sorrengail was supposed to enter the Scribe Quadrant, living a quiet life among books and history. Now, the commanding general—also known as her tough-as-talons mother—has ordered Violet to join the hundreds of candidates striving to become the elite of Navarre: dragon riders. But when you’re smaller than everyone else and your body is brittle, death is only a heartbeat away...because dragons don’t bond to “fragile” humans. They incinerate them.

Supernatural Bounty Hunter isn’t the sort of thing you see on LinkedIn. But with a rare type of magic like mine, I don’t have many options. So dangerous or not, the job is mine. And it was going fine, until an old as sin vampire stole my mark, and with it, my pay day.

I’ve spent too many nights caught between reality and nightmare, each bleeding into the other like a twisted dream I can’t wake from. The Devil’s Backbone Society continues to host our deepest terrors. The weight of betrayal crushes me, pressing down on my chest—bitter and suffocating. I don’t know what would be worse: losing the ones I love, the ones who have become my anchors, or losing myself entirely. In the end, is there even a difference?

A collection of BBC Radio 3's iconic Shakespeare productions: six tragedies with all star casts including Michael Sheen, Juliet Stevenson, Kenneth Cranham, Corin Redgrave, Ken Stott, Geraldine James, Bill Wallis, Siân Phillips and Sophie Dahl.

Trinity Marrow has lost the battle and her beloved Protector. Even with both demons and Wardens on her side, Trin may not win the war against the Harbinger. Bringing Lucifer back to the world to fight the Harbinger is probably a really, really bad idea, but they’re out of options—and the world’s ultimate fallen angel is the only being powerful enough to impact the outcome. As Trin and Zayne form a new and more dangerous bond and Lucifer unleashes Hell on earth, the apocalypse looms and the world teeters on the end of forever. Win or lose, one thing is certain—nothing will ever be the same.

You want my advice? Never look a gift horse in the mouth. You don’t want to see the rotten teeth. In this case, the gift is a scholarship to attend the prestigious Neveah University. The rotten teeth? Well, they came in the form of my brand new stepbrother and his little cohort of entitled, arrogant best friends. Four dangerously handsome and stupidly wealthy men who made up their minds about me long before we met. Men who are used to getting everything they want no matter what the price.

When H. G. Wells first published The War of The Worlds in 1898, the novel quickly became a sci-fi classic. The story of extraterrestrials from Mars invading Earth captured the public’s imagination, inspiring a famed 1938 radio broadcast with Orson Welles, several feature films, countless video games, and a best-selling musical concept album by Jeff Wayne in 1978, among others.

When The Sandman, also known as Lord Morpheus - the immortal king of dreams, stories and the imagination - is pulled from his realm and imprisoned on Earth by a nefarious cult, he languishes for decades before finally escaping. Once free, he must retrieve the three “tools” that will restore his power and help him to rebuild his dominion, which has deteriorated in his absence.

This series contains mature themes and strong language and listener discretion is advised.

The city of the gods. Elantris once stood as the symbol of all that is beautiful. A sprawling metropolis of unrivaled grandeur, it was a symbol of power and strength, built to be as imposing as it was magnificent. The only thing more glorious than the city itself was its inhabitants, Godlike beings, with silvery skin and hair of the purest flowing white. Able to create powerful magics with a mere wave of their hands, the Elantrians were able to heal mortal wounds and create any object they desired. But Elantris fell...10 years ago.

The killings that once plagued New Orleans are cropping up again in Seattle. The local office is stumped. I’m called out to lend a fresh set of eyes, and my unique magical touch. It’s only when I get there that I realize the Seattle office isn’t stumped at all. They’re being silenced by the Mages’ Guild, a corrupt magical institution that doesn't want word to get out of what is plaguing the city. Worse, news of my magic might’ve slipped down to the underworld, hitting the ears of some extremely powerful demons.

John has failed. The apocalypse has come. But it's been awfully quiet for an apocalypse. After stopping Kythov the Eyeless, John and the gang barely managed to stabilize the world’s mana supply, only sort of poisoning the world in the process. With a farm to run, a valley to develop, and a mysterious door to another dimension to study, John is going to have his hands full. Even worse, despite the apparent peace, turmoil stirs and ancient threats have begun to surface.

Gaelan Starfire is a farmer, happy to be a husband and a father; a careful, quiet, simple man. He’s also an immortal, peerless in the arts of war. Over the centuries, he’s worn many faces to hide his gift, but he is a man ill-fit for obscurity and all too often he’s become a hero, his very names passing into legend: Acaelus Thorne, Yric the Black, Hrothan Steelbender, Tal Drakkan, Rebus Nimble.

Kieran is here for revenge. He's here to kill the most powerful man in Magical San Francisco—his father. He'll destroy anything in his way. And I've managed to catch his eye. I live in the shadows for a reason, split between the worlds of the magical and the mundane. I'm a punching bag for both societies, but with the magic of Hades, it's the only way to stay alive. To stay free. If the powers that be knew what I was, they'd slap me in a cage and make me their weapon.

On his 13th birthday, foster child Alcatraz Smedry gets a bag of sand in the mail - his only inheritance from his father and mother. He soon learns that this is no ordinary bag of sand. It is quickly stolen by the cult of evil Librarians who are taking over the world by spreading misinformation and suppressing truth. Alcatraz must stop them, using the only weapon he has: an incredible talent for breaking things.

The day Death comes to Lazarus Gaumond’s town and kills everyone in one fell swoop, the last thing he expects to see is a woman left alive and standing. But Lazarus has her own extraordinary gift: she cannot be killed—not by humans, not by the elements, not by Death himself.

It isn’t often that Kate Daniels and the Beast Lord Curran get to take a break from protecting their pack and enjoy some time for themselves. So when Curran offers Kate a romantic dinner in town, there’s no way she’s going to pass. But their quiet night doesn’t stay quiet for long. The trouble starts with a necromancer dying at a nearby table, continues with bloodthirsty vampires crashing through the windows, and ends with more blood on the walls than any dining establishment needs.

Everything feels off—especially me. I’ve returned to Katmere Academy, but I’m haunted by fragments of days I have no recollection of living and struggling to understand who, or what, I really am. Just when I start to feel safe again, Hudson is back with a vengeance. He insists there are secrets I don’t know about, threatening to drive a wedge between Jaxon and me forever. But far worse enemies are at our doorstep.

The elves come for two things: war and wives. In both cases, they come for death. Three-thousand years ago, humans were hunted by powerful races with wild magic until the treaty was formed. Now, for centuries, the elves have taken a young woman from Luella's village to be their Human Queen. To be chosen is seen as a mark of death by the townsfolk. A mark nineteen-year-old Luella is grateful to have escaped as a girl. Instead, she's dedicated her life to studying herbology and becoming the town's only healer. That is, until the Elf King unexpectedly arrives... for her.

Get Rid of Your Accent is a speech training manual for mastering British-English pronunciation. The audiobook is based on a tried and trusted method, used in London drama schools, that helps British people with provincial accents learn standard British English. It includes humorous sentences, tongue twisters, period verses, and rhyme exercises. Relevant subjects are received pronunciation, elocution, and phonetics.