Showing results by author "Gore Vidal" in All Categories

Julian the Apostate, nephew of Constantine the Great, was one of the brightest yet briefest lights in the history of the Roman Empire. A military genius on the level of Julius Caesar and Alexander the Great, a graceful and persuasive essayist, and a philosopher devoted to worshipping the gods of Hellenism, he became embroiled in a fierce intellectual war with Christianity that provoked his murder at the age of thirty-two, only four years into his brilliantly humane and compassionate reign.

Here is an extraordinary portrait of one of the most complicated - and misunderstood - figures among the Founding Fathers. In 1804, while serving as vice president, Aaron Burr fought a duel with his political nemesis, Alexander Hamilton, and killed him. In 1807, he was arrested, tried, and acquitted of treason. In 1833, Burr is newly married, an aging statesman considered a monster by many. But he is determined to tell his own story, and he chooses to confide in a young New York City journalist. Burr is the first novel in Gore Vidal's Narratives of Empire series.

Cyrus Spitama, grandson of the prophet Zoroaster and lifelong friend of Xerxes, spent most of his life as Persian ambassador for the great king Darius. He traveled to India, where he discussed nirvana with Buddha, and to the warring states of Cathay, where he learned of Tao from Master Li and fished on the riverbank with Confucius. Now blind and aged in Athens - the Athens of Pericles, Sophocles, Thucydides, Herodotus, and Socrates - Cyrus recounts his days as he strives to resolve the fundamental questions that have guided his life’s journeys.

Lincoln is the cornerstone of Gore Vidal’s fictional American chronicle, which includes Burr; 1876; Washington, D.C.; Empire; and Hollywood. It opens early on a frozen winter morning in 1861, when President-elect Abraham Lincoln slips into Washington, flanked by two bodyguards. The future president is in disguise, for there is talk of a plot to murder him. During the next four years there will be numerous plots to murder this man who has sworn to unite a disintegrating nation.

This explosively entertaining memoir abounds in gossip, satire, historical apercus, and trenchant observations. Vidal’s compelling narrative weaves back and forth in time, providing a whole view of the author’s celebrated life, from his birth in 1925 to today, and features a cast of memorable characters - including the Kennedy family, Marlon Brando, Anais Nin, and Eleanor Roosevelt.

Gore Vidal’s reputation as America’s finest essayist is an enduring one. This collection, chosen by the author from 40 years of work, contains about two-thirds of what he published in various magazines and journals. He has divided the essays into three categories, or states. State of the art covers literature, including novelists and critics, bestsellers, pieces on Henry James, Oscar Wilde, Suetonius, Nabakov, and Montaigne (a previosly uncollected essay from 1992).

While America struggles to define its destiny, beautiful and ambitious Caroline Sanford fights to control her own fate. One of Vidal’s most inspired creations, she is an embodiment of the complex, vigorous young nation. From the back offices of her Washington newspaper, Caroline confronts the two men who threaten to thwart her ambition: William Randolph Hearst and his protégé, Blaise Sanford, Caroline’s half brother.

Jim, a handsome, all-American athlete, has always been shy around girls. But when he and his best friend, Bob, partake in “awful kid stuff,” the experience forms Jim’s ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship.

It is 1917, and President Woodrow Wilson is about to lead the country into the Great War in Europe. In California, a new industry is born that will irreversibly transform America. Caroline Sanford, the alluring heroine of Empire, discovers the power of moving pictures to manipulate reality as she vaults to screen stardom under the name of Emma Traxler. Just as Caroline must balance her two lives - West Coast movie star and East Coast newspaper publisher and senator’s mistress - so too must America balance its two power centers: Hollywood and Washington. Here is history as only Gore Vidal can re-create it: brimming with intrigue and scandal, peopled by the greats of the silver screen and American politics.

When Gore Vidal’s New York Times bestseller Perpetual War for Perpetual Peace was published, the Los Angeles Times described Vidal as the last defender of the American republic. In Dreaming War, Vidal continues this defense by confronting the Cheney-Bush junta head-on in a series of devastating essays that demolish the lies American Empire lives by, unveiling a counter-history that traces the origins of America’s current imperial ambitions to the experience of World War Two and the post-war Truman doctrine.

The third volume of Gore Vidal's magnificent series of historical novels aimed at demythologizing the American past, 1876 chronicles the political scandals and dark intrigues that rocked the United States in its centennial year.

Gore Vidal - novelist, playwright, critic, screenwriter, memoirist, indefatigable political commentator, and controversialist - is America’s premier man of letters. No other writer brings more sparkling wit, vast learning, indelible personality, and provocative mirth to the job of writing an essay.

Widely regarded as Vidal's ultimate comment on how the American political system degrades those who participate in it, Washington, D.C. is a stunning tale of corruption and diseased ambitions. It traces the fortunes of James Burden Day, a powerful conservative senator who is eyeing the presidency; Clay Overbury, a pragmatic young congressional aide with political aspirations of his own; and Blaise Sanford, a ruthless newspaper tycoon who understands the importance of money and image in modern politics.

In a series of penetrating and alarming essays, whose centerpiece is a commentary on the events of September 11, 2001 (deemed then too controversial to publish), Gore Vidal challenges the comforting consensus following September 11th and goes back and draws connections to Timothy McVeigh’s bombing of the federal building in Oklahoma City. He asks were these simply the acts of “evil-doers?”

Messiah traces the collapse of Christianity and the rise of the next great religion of Western civilization: Cavism. Founded by undertaker John Cave, Cavism holds that it is a holy thing to die. Packaged by a marketing genius, the new religion conquers the world more quickly than any prior memeplex, but pockets of resistance remain. Eugene Luther, formerly an apostle of Cavism, now a hunted apostate, writes his memoirs as a last gesture of freedom while the noose of a totalitarian religious state tightens around him.

"I am Myra Breckinridge, whom no man will ever possess." So begins the irresistible testimony of the luscious instructor of Empathy and Posture at Buck Loner's Academy of Drama and Modeling. Myra has a secret that only her surgeon shares; a passion for classic Hollywood films, which she regards as the supreme achievements of Western culture; and a sacred mission to bring heteronormative civilization to its knees. Fifty years after its first publication unleashed gales of laughter, delight, and ferocious dissent, Myra's moment to instruct and delight has once again arrived.

In the tiny Central American republic of Tenango, a place of orchid-scented jungle, crumbling palaces, and baroque cathedrals, the rainy season is over and the dusty days of winter have begun. It is time for revolution. In an old plantation house the conspirators meet: General Jorge Alvarez, returned from exile in New Orleans with his hothead of a son and his proud, beautiful daughter; a volatile entourage of disenchanted colonels and rebel priests; and Peter Nelson, an American soldier of fortune with his own reasons for joining the rebels.

Myra caused a second furor when she returned in Myron to battle it out with her eponymous alter ego, a drab little man fallen into marriage and a job in Chinese catering. Theirs is a contest of hormonal roulette, with glorious Myra off on time-travelling missions of mercy back to 1948 to try to change cinema history and to introduce her own radical theories of popuation control. Meanwhile Myron tries desperately to stay in the present as inconspicuously as Myra will allow.

It’s 1939, and a teenage math genius is mysteriously summoned to the Smithsonian Institution, where a crash program to develop the atomic bomb is being conducted in the basement. The boy turns out to hold the key to both the secrets of nuclear fission and breakthroughs in the time continuum. As he brainstorms with Robert Oppenheimer, he catches a glimpse of the coming war and becomes determined to ward off the cataclysm.

Timothy (later St. Timothy) is in his study in Thessalonika, where he is bishop of Macedonia. It is A.D. 96, and Timothy is under terrific pressure to record his version of the Sacred Story, since, far in the future, a cyberpunk (the Hacker) has been systematically destroying the tapes that describe the Good News, and Timothy's Gospel is the only one immune to the Hacker's deadly virus.