Showing titles in Racism & Discrimination

Witches and humans have always had issues. Cayden is well aware of that: her witch mom was shunned by her high-society parents when she fell in love with Cayden’s human dad. Now, the family business is in trouble due to wealthy witches gentrifying her historic Texas neighborhood. So Cayden is appalled when she realizes she unknowingly went on a date with Coven it-boy Khy Carter. But when her father’s bakery has an influx of new customers, she realizes Khy might just be a solution to her family’s problems: Cayden absolutely cannot be with a Coven boy, but that doesn’t mean she can’t pretend.

John Paul Reyes wants to escape the worst truths in his life—other people's pity since his dad died, and everyone else's expectations about what he should do with his life now that he's graduated high school. When he arrives at the Majestic Mountain resort with his Tita Abrigo's wealthy family, he sees a way to escape—he can be JP Abrigo, rich and set, and he can lie his way to feeling fine.

Told in multiple points of view, Together We See follows Ulá Dominguez, a Bribri-American teenager, searching for the truth behind her land-activist father's mysterious death on their Native territory in Costa Rica. Ulá and her brother, Kabék, uncover secrets and corruption as they face off against illegal loggers, kidnappers, settlers, and the local government in the hunt for clues. Their only allies are a few family friends and relatives still living in Bribri, as well as a young journalist, who may be in danger himself.

The Great Disillusionment of Nick and Jay has descriptive copy which is not yet available from the Publisher.

When sixteen-year-old Naomi Stoakes and her family head to a secluded cabin in the Shenandoah Valley for summer vacation they don’t know the small, mountainous town of Sparksburg, Virginia has a dark and twisted past. But when they arrive, Naomi can’t shake the feeling that something about Sparksburg just isn’t right. When she learns Sparksburg had once been a Sundown Town—a town where Blacks weren’t allowed after sunset lest they be murdered—well Naomi’s unease starts to make sense.

Dans « On dit, Cap !! », nous suivons Handi, une jeune fille en fauteuil roulant, qui partage ses craintes, espoirs et luttes quotidiennes dans une société souvent hostile. Son déménagement dans la capitale marque le début d’une exploration des relations humaines et de l’acceptation de soi dans un nouveau lycée où préjugés et moqueries coexistent avec empathie et amitié. À travers ses interactions, notamment avec Youssouf, un garçon mystérieux, Handi navigue les complexités des dynamiques sociales et cherche à forger son identité.

What they can’t see can hurt you. In Myra’s world, some people can flicker—become invisible—at will. The ability to flicker is a burden, not a gift. Flickerkin are viewed with suspicion by the ruling Plats: an invisible person might be a spy, a traitor, an assassin. Flickerkin discovered in New Heart City, the Plat capital, can be put to death. Myra, who is part Flickerkin, has never dared to use her inherited power.

Anais tries her hardest to protect Bronwyn from the shadows of Hillwoods. She follows her own rituals to avoid any unnecessary attention—and if she can just get Bronwyn to stop asking questions, she can protect her too. The less Bronwyn pays attention to Hillwoods, the less Hillwoods will pay attention to Bronwyn. She doesn't get that the lore is, well, truth. History. Pain. The living aren't the only ones who seek retribution when they're wronged. But when Bronwyn does more exploring than she should, they are both in for danger they couldn't expect.

Yolanda Alvarez is having a good year. She’s starting to feel at home Julia De Burgos High, her school in the Bronx. She has her best friend Victory, and maybe something with José, a senior boy she’s getting to know. She’s confident her initiation into her family’s bruja tradition will happen soon. But then a white boy, the son of a politician, appears at Julia De Burgos High, and his vibes are off. And Yolanda’s initiation begins with a series of troubling visions of the violence this boy threatens.

This is not how seventeen-year-old Gil imagined beginning his senior year—on the subway dressed in a tie and khakis headed towards Manhattan instead of his old public school in Brooklyn. Augustin Prep may only be a borough away, but the exclusive private school feels like it's a different world entirely compared to Gil's predominately Caribbean neighborhood in Brooklyn. If it weren't for the partial scholarship, the school's robotic program and the chance for a better future, Gil wouldn't have even considered going.

A year after losing their best friend, JD and Danny are still brokenhearted. JD’s decision to join the Air Force only makes him yearn for “before” more than ever. Danny, who’d rather paint murals than open a book and certainly never thought of himself as college material, makes the equally impulsive choice to do what Juan will never be able to and enrolls in a community college. Danny’s father, The Sarge, is proud of him for the first time ever for living out Sarge’s own dream of being a first-generation college student, but Danny can’t shake the thought that it should be Juan, not him

Cerulean Gene is free everywhere except school, where they’re known for repeatedly challenging authority. Raised in a free-spirited home by two loving parents who encourage Cerulean to be their full self, they’ve got big dreams of moving cross-country to live off the grid with their friends after graduation. But a fight with a teacher spirals out of control, and Cerulean impulsively drops out to avoid the punishment they fear is coming. Why wait for graduation to leave an oppressive capitalist system and live their dreams?

Lamb's family strives to better their lives in Jackson, Mississippi, in the late 1930s. Lamb’s mother is a hard-working, creative seamstress who cannot reveal she's a lesbian. Lamb’s brother has a brilliant mind and has even earned a college scholarship for a black college up north—if only he could curb his impulsiveness and rebellious nature.

This is a true tale about a great friendship between two very different people. But are they really that different in the end? When Nadia starts in Kara's class, she's a little shy but Kara happily shows her around. That makes Nadia feel right at home. When Kara meets Nadia in the local park, Nadia is surrounded by her entire family. They all speak in a different language and some of them are wearing scarfs around their head. Suddenly, Kara is the one who's feeling shy and almost doesn't want to go and talk to Nadia.

Sixteen-year-old Maya Krishnan is fiercely protective of her friends, immigrant community, and single mother, but she knows better than to rock the boat in her conservative Florida suburb. Her classmate Juneau Zale is the polar opposite: she’s a wealthy white heartbreaker who won’t think twice before capsizing that boat. When Juneau invites Maya to join the Pugilists—a secret society of artists, vandals, and mischief-makers who fight for justice at their school—Maya descends into the world of change-making and resistance.

Clementine Chan believes in the power of the written word. Under the pseudonym Hibiscus, she runs a popular blog reviewing tea shops and discussing larger issues within her Chinatown community. She has a loyal, kind following, save for this one sour grape named BobaBoy888. Danny Mok is allergic to change, and the gentrification seeping into Chinatown breaks his heart. He channels his frustration into his internet alter ego, BobaBoy888, bickering with local blogger Hibiscus over all things Chinatown and tea.

Seventeen-year-old Pavol has watched his country's freedoms disappear in the wake of the Soviet Union's invasion. He's seen his own dreams disappear too. In a desperate, fatal act of protest against the oppressive new government, he sets himself on fire in public, hoping to motivate others to fight for change.

Harriet Douglass lives with her historian father on an old plantation in Louisiana, which they’ve transformed into one of the South's few enslaved people’s museums. Together, while grieving the recent loss of Harriet’s mother, they run tours that help keep the memory of the past alive. Harriet's world is turned upside down by the arrival of mother and daughter Claudia and Layla Hartwell—who plan to turn the property next door into a wedding venue, and host the offensively antebellum-themed wedding of two Hollywood stars.

Andre Jackson is determined to reclaim his identity. But returning from juvie doesn’t feel like coming home. His Portland, Oregon, neighborhood is rapidly gentrifying, and COVID-19 shuts down school before he can return. And Andre’s suspicions about his arrest for a crime he didn’t commit even taint his friendships. It’s as if his whole life has been erased. The one thing Andre is counting on is his relationship with the Whitaker kids—especially his longtime crush, Sierra.

When Louise Wolfe’s first real boyfriend mocks and disrespects Native people in front of her, she breaks things off and dumps him over e-mail. It’s her senior year, and she’d rather spend her time with her family and friends and working on the school newspaper. The editors pair her up with Joey Kairouz, the ambitious new photojournalist, and in no time the paper’s staff find themselves with a major story to cover: the school musical director’s inclusive approach to casting The Wizard of Oz has been provoking backlash in their mostly white, middle-class Kansas town.