Showing results by publisher "Random House Audio" in Judaism

After a decade as a political speechwriter - serving as head speechwriter for First Lady Michelle Obama, a senior speechwriter for President Barack Obama, and chief speechwriter for Hillary Clinton on her 2008 presidential campaign - Sarah Hurwitz decided to apply her skills as a communicator to writing a book...about Judaism. And no one is more surprised than she is. Sarah Hurwitz is on a mission to close this gap by sharing the profound insights she discovered on everything from Jewish holidays, ethics, and prayer to Jewish conceptions of God, death, and social justice.

If you're not daring to believe God for the impossible, you may be sleeping through some of the best parts of your Christian life. This book is not a Snuggie. The words on these pages will not go down like Ambien. I’m not writing to calm or coddle you. With God’s help, I intend to incite a riot in your mind.

From award-winning scholar John Bergsma comes an intriguing audiobook that reveals new insights on the Essenes, a radical Jewish community predating Christianity, whose existence, beliefs, and practices are often overlooked in the annuls of history. Bergsma reveals how this Jewish sect directly influenced the beliefs, sacraments, and practices of early Christianity and offers new information on how Christians lived their lives, worshiped, and eventually went on to influence the Roman Empire and Western civilization.

From one of our most trusted spiritual advisers, a thoughtful, illuminating guide to that most fascinating of biblical texts, the book of Job, and what it can teach us about living in a troubled world.

Ben Katchor retells the history of where we choose to eat - a history that starts with the first man who was allowed to enter a walled garden and encouraged by the garden's owner to enjoy its fruits. He examines the biblical milk-and-meat taboo, the first vegetarian practices, and the invention of the restaurant. Katchor illuminates the historical confluence of events and ideas that led to the development of a “milekhdike (dairy) personality” and the proliferation of dairy restaurants in America.

The image of the Golden Calf haunts the commentaries that thread through Leviticus. This catastrophic episode, in which the Israelites (freed from Egyptian slavery and forty days after their momentous encounter with God at Mount Sinai) worship a pagan idol while Moses is receiving the Torah from God on the mountaintop, gives the mostly legalistic text a unique depth and resonance. According to midrashic tradition, the post-traumatic effects of the sin of the Golden Calf linger through the generations, the sin to be “paid off” in small increments through time. 

Pope John Paul II, as part of his effort to improve Catholic-Jewish relations, himself called for a clear-eyed historical investigation into any possible link between the Church and the Holocaust. An important sign of his commitment was the decision to allow the distinguished historian David I. Kertzer, a specialist in Italian history, to be one of the first scholars given access to long-sealed Vatican archives. The result is a book filled with shocking revelations.

In 1948, after surviving World War II by escaping Nazi-occupied France for refugee camps in Switzerland, the author's grandparents, Anna and Armand, bought an old stone house in a remote, picturesque village in the South of France. Five years later, Anna packed her bags and walked out on Armand, taking the typewriter and their children. Aside from one brief encounter, the two never saw or spoke to each other again, never remarried, and never revealed what had divided them forever.

God Is in the Crowd is an original and provocative blueprint for Judaism in the 21st century. Presented through the lens of Tal Keinan’s unusual personal story, it a sobering analysis of the threat to Jewish continuity. As the Jewish people has become concentrated in just two hubs - America and Israel - it has lost the subtle code of governance that endowed Judaism with dynamism and relevance in the age of Diaspora. 

Since the late-1990s, the fate of Nazi stolen art has become a cause célèbre. In Belonging and Betrayal, Charles Dellheim turns this story on its head by revealing how certain Jewish outsiders came to acquire so many old and modern masterpieces in the first place—and what this reveals about Jews, art, and modernity. This book tells the epic story of the fortunes and misfortunes of a small number of eminent art dealers and collectors who, against the odds, played a pivotal role in the migration of works of art from Europe to the United States and in the triumph of modern art.

Segundo Villanueva was born in 1927 in a tiny farming village perched in the Andes; when he was seventeen, his father was murdered and Segundo was left with little more than a Bible as his inheritance. This Bible launched Segundo on a lifelong obsession to find the true message of God contained in its pages. He found himself looking for answers outside the Catholic Church, whose hierarchy and colonial roots embodied the gaping social and racial inequities of Peruvian society. 

Avi Steinberg is stumped. After defecting from yeshiva to Harvard, he has only a senior thesis essay on Bugs Bunny to show for his effort. While his friends and classmates advance in the world, he remains stuck at a crossroads, unable to meet the lofty expectations of his Orthodox Jewish upbringing. And his romantic existence as a freelance obituary writer just isn’t cutting it. Seeking direction - and dental insurance - Steinberg takes a job as a librarian in a tough Boston prison.

Al Jolson, born Asa Yoelson, immigrated from a shtetl in Lithuania to the United States in 1894 after his father secured a job as a rabbi in Washington, D.C. A poor, Yiddish-speaking newcomer navigating a racially segregated and antisemitic America, young Jolson dreamed of becoming a star, and he did. Through Jolson, Bernstein simultaneously breaks open the history and legacy of the cultural sensation The Jazz Singer. Not only was The Jazz Singer the first feature-length film with synchronized music and dialogue, but it was also taboo smashing in its content.