Showing titles in Latin American Studies

The city of Salinas, California, is the birthplace of John Steinbeck and the setting for his epic masterpiece East of Eden, but it is also the home of Nuestra Familia, one of the most violent gangs in the United States. Born in the prisons of California in the late 1960s, Nuestra Familia expanded to control drug trafficking and extortion operations throughout the northern half of the state and left a trail of bodies in its wake.

In May 2001, a group of men attempted to cross the Mexican border into the desert of southern Arizona, through the deadliest region of the continent, the "Devil's Highway." Three years later, Luis Alberto Urrea wrote about what happened to them. The result was a national bestseller, a Pulitzer Prize finalist, a "book of the year" in multiple newspapers, and a work proclaimed as a modern American classic.

At age five Sonia Rodriguez's stepfather began to abuse her; at 10 she was molested by her uncle and beaten by her mother when she told on him; and by 13 her home had become a hangout for the Latin Kings and Queens who were friends with her older sister. Threatened by rival gang members at school, Sonia turned away from her education and extracurricular activities in favor of a world of drugs and violence.

In Colonize This!, Daisy Hernandez and Bushra Rehman have collected a diverse, lively group of emerging writers who speak to the strength of community and the influence of color, to borders and divisions, and to the critical issues that need to be addressed to finally reach an era of racial freedom. With prescient and intimate writing, Colonize This! will reach the hearts and minds of listeners who care about the experience of being a woman of color, and about establishing a culture that fosters freedom and agency for women of all races.

Written during the last decade of her life, Light in the Dark represents the culmination of Gloria E. Anzaldúa's mature thought and the most comprehensive presentation of her philosophy. Throughout, Anzaldúa weaves personal narratives into deeply engaging theoretical readings to comment on numerous contemporary issues—including the September 11 attacks, neocolonial practices in the art world, and coalitional politics.

Raised in Miami and the daughter of Cuban refugees, Crucet examines the political and personal contours of American identity and the physical places where those contours find themselves smashed: be it a rodeo town in Nebraska, a university campus in upstate New York, or Disney World in Florida. Crucet illuminates how she came to see her exclusion from aspects of the theoretical American Dream, despite her family's attempts to fit in with white American culture - beginning with their ill-fated plan to name her after the winner of the Miss America pageant. 

In this dual polemic and manifesto, Julissa dives into and tears apart the lie that assimilation leads to belonging. She combs through history and her own story to break down this myth, arguing that assimilation is a moving finish line designed to keep Black and brown Americans and immigrants chasing racist American ideals. She talks about the Lie of Success, the Lie of Legality, the Lie of Whiteness, and the Lie of English - each promising that if you obtain these things, you will reach acceptance and won’t be an outsider anymore.

Upon becoming a new mother, Vanessa Angélica Villarreal was called to Mexico to reconnect with her ancestors and recover her grandmother’s story, only to return to the sudden loss of her marriage, home, and reality. In Magical/Realism, Villarreal crosses into the erasure of memory and self, fragmented by migration, borders, and colonial and intimate violence, reconstructing her story with pieces of American pop culture, and the music, video games, and fantasy that have helped her make sense of it all.

Hay una región del mundo donde veinte países y más de 400 millones de personas comparten una lengua, una historia, una cultura, preocupaciones y esperanzas. La conocemos mal; conocemos sobre todo sus mitos, sus reflejos, sus lugares comunes; la pensamos tal como eraen otros tiempos. Esta región se llama o se podría llamar Ñamérica –y este libro quiere contarla y entenderla tal como es ahora.

American Brujeria is about the fascinating blend of American and Mexican folk magic currently used by those living in the US but whose roots are steeped in Mexican culture. This type of Mexican American folk magic, which the author calls “American brujeria”, features its own unique saints and spirits as well as familiar ones, such as the infamous Santa Muerte.

The Deportation Machine traces the long and troubling history of the US government's systematic efforts to terrorize and expel immigrants over the past 140 years. This provocative, eye-opening book provides needed historical perspective on one of the most pressing social and political issues of our time. In a sweeping and engaging narrative, Adam Goodman examines how federal, state, and local officials have targeted various groups for expulsion, from Chinese and Europeans at the turn of the 20th century to Central Americans and Muslims today. 

Emerging from the ruins of Aztec civilization and from centuries of Spanish contact with indigenous people, Mexican culture followed the Spanish colonial frontier northward and put its distinctive mark on what became the southwestern United States. Shaped by their Indian and Spanish ancestors, deeply influenced by Catholicism, and often struggling to respond to political and economic precarity, Mexicans play an important role in United States society even as the dominant Anglo culture strives to assimilate them.

Spanning more than 200 years, An African American and Latinx History of the United States is a revolutionary, politically charged narrative history arguing that the "Global South" was crucial to the development of America as we know it. Ortiz challenges the notion of westward progress, and shows how placing African American, Latinx, and Indigenous voices unapologetically front and center transforms American history into the story of the working class organizing against imperialism.

In 2004, four Latino teenagers arrived at the Marine Advanced Technology Education Robotics Competition at the University of California, Santa Barbara. They were born in Mexico but raised in Phoenix, Arizona, where they attended an underfunded public high school. No one had ever suggested to Oscar, Cristian, Luis, or Lorenzo that they might amount to much—but two inspiring science teachers had convinced these impoverished, undocumented kids from the desert who had never even seen the ocean that they should try to build an underwater robot.

Brown Enough, Christopher Rivas's first book, is a literary memoir about what it truly means to be Brown in America. Holding the weight of being a Latino man, Christopher wonders where he falls on the color line, widened through his experience as an ethnically am­biguous actor of color in Holly­wood and the many dangers and pitfalls that come from owning one's Brownness. Told through the lens of his personal stories and in a unique and literal voice, Christopher examines the deep history of his Dominican and Colombian heritage. 

All They Will Call You is the harrowing account of "the worst airplane disaster in California's history", which claimed the lives of 32 passengers, including 28 Mexican citizens - farmworkers who were being deported by the US government. Outraged that media reports omitted only the names of the Mexican passengers, American folk icon Woody Guthrie penned a poem that went on to become one of the most important protest songs of the 20th century. 

Between 1910 and 1920, vigilantes and law enforcement-including the renowned Texas Rangers - killed Mexican residents with impunity. The full extent of the violence was known only to the relatives of the victims. The Injustice Never Leaves You offers an invaluable account of why these incidents happened, what they meant at the time, and how a determined community ensured that the victims were not forgotten.

The first new edition in 10 years of this important study of Latinos in US history, Harvest of Empire spans five centuries - from the first New World colonies to the first decade of the new millennium. Latinos are now the largest minority group in the United States, and their impact on American popular culture - from food to entertainment to literature - is greater than ever.

Around the world, certain drinks - especially those of the intoxicating kind - are synonymous with their peoples and cultures. For Mexico, this drink is tequila. For many, tequila can conjure up scenes of body shots on Cancún bars and coolly garnished margaritas on sandy beaches. Its power is equally strong within Mexico, though there the drink is more often sipped rather than shot, enjoyed casually among friends, and used to commemorate occasions from the everyday to the sacred.

As late as the 1960s, tacos were virtually unknown outside Mexico and the American Southwest. Within fifty years the United States had shipped taco shells everywhere from Alaska to Australia, Morocco to Mongolia. But how did this tasty hand-held food - and Mexican food more broadly - become so ubiquitous? In Planet Taco, Jeffrey Pilcher traces the historical origins and evolution of Mexico's national cuisine, explores its incarnation as a Mexican American fast-food, shows how surfers became global pioneers of Mexican food, and how Corona beer conquered the world.