Showing titles in Media Studies

Mark Devlin is a long-standing DJ and music journalist. Musical Truth is the culmination of his five years of research into the true nature of the industry and its objectives - from dark occult rituals, to mind-controlled artists, and all points in between. The book shows how these agendas fit into the much wider picture of what’s really going on in the world, and - crucially - how the power lies with us to bring it to an end."

In A Convenient Death, investigative reporters Alana Goodman and Daniel Halper search for the truth of what really happened to Jeffrey Epstein. With access to Epstein's victims and lawyers, to doctors, Wall Street insiders, and law enforcement officers, they reveal the dirty secrets and sinister ties that may have driven someone in Epstein’s circle to take matters into their own hands.

Our lives are minefields of misinformation. Stories, statistics and studies lie to us on a daily basis. Not only this but, as Professor Alex Edmans reveals, our brains lie to us too. He argues that we need to acknowledge and understand the role that our own human biases play in interpreting and digesting the information that we consume. It's only when we do, that we can actively resist being manipulated, and make informed decisions that improve our lives.

The age of print is a grand exception in history. For five centuries it fostered what some call print culture – a worldview shaped by the completeness, permanence, and authority of the printed word. As a technology, print at its birth was as disruptive as the digital migration of today. Now, as the internet ushers us past print culture, journalist Jeff Jarvis offers important lessons from the era we leave behind. To understand our transition out of the Gutenberg Age, Jarvis first examines the transition into it.

Unlikeable Female Characters traces the evolution of highly memorable female characters, examining what exactly makes them popular, how audiences have reacted to them, and the ways in which pop culture is finally allowing us to celebrate the complexities of being a woman. Anna Bogutskaya, film programmer, broadcaster, and cofounder of the horror film collective and podcast The Final Girls takes us on a journey through popular film, TV, and music, looking at the nuances of womanhood on and off-screen to reveal whether pop culture—and society—is finally ready to embrace complicated women.

More and more people are beginning to realize that we are being manipulated and lied to. We are denied access to secrets that shouldn’t be secrets. Our politicians obfuscate, deny, and outright lie. No one knows whom to trust. The nightly news is being replaced by carefully orchestrated propaganda. Our iPhones are monitored, as are our laptops and our landlines. As for social media, that too is ripe for spying by men in black suits. No wonder, then, that the last few years have seen an incredible rise in conspiracy theories about deceptions and cover-ups.

Owned is the story of the underreported and growing collusion between new wealth and new journalism. In recent years, right-wing billionaires like Elon Musk, Peter Thiel, Marc Andreessen, and David Sacks have turned to media as their next investment and source of influence. Their cronies are Glenn Greenwald and Matt Taibbi—once known as idealistic and left-leaning voices, now beneficiaries of Silicon Valley largesse. Together, this new alliance aims to exploit the failings of traditional journalism and undermine the very idea of an independent and fact-based fourth estate.

We now live in a new age of beauty. With advancements in cosmetic surgery, accessible tweakments, augmented reality face filters, photo editing apps, and exposure to more images than we were ever meant to see, we have the ability to craft ourselves in whichever way we please. We pinch, pull, squeeze, tweeze, smooth and slice ourselves beyond recognition. But is modern beauty culture truly empowering? Are we really in control?

" Alors que j’achevais la rédaction de ce livre, la cérémonie d’ouverture des Jeux olympiques est venue raviver le feu de ma plume : la France est la victime d’un mémoricide. Une ablation de sa mémoire. Une spoliation, une péremption de ses souvenirs. L’Esprit français a été immolé. Toute ma vie, je me suis battu. Contre un progressisme en quête incessante des figures nouvelles de l’insolite et du fantasque.

According to the author of this book, we are currently living through the rise of a phenomenon known as "commercial democracy," in which public relations, promotional culture, and the media play a new and vital role. By providing the public with the promise of representation, voice, and agency, commercial democracy results in the formation of new types of social contracts.

The Illuminati is everywhere! Imagine a world controlled and manipulated by an occult secret society made up of the world's most powerful political and financial families. This is no imaginary world - it's a reality! Satanic Ritual abuse is an extreme, sadistic form of abuse against children and non-consenting adults. It is a methodical, systematic sexual, physical, emotional, and spiritual abuse, which often includes mind control, torture, and highly illegal and immoral activities.

Today it's routine to take photos from an airplane window, use a camera underwater, or watch a movie or view an X-ray. But the photographic innovations more than a century ago that made such things possible were experimental, revelatory, and sometimes dangerous. In Flashes of Brilliance, New York Times photo editor Anika Burgess engagingly blends art, science, and social history to reveal the most dramatic developments in photography from its birth in the 1830s to the early twentieth century.

This book presents frightening, but truthful, facts that will shake many of your deepest beliefs to the core. A dark plan, put into place centuries ago, has come to fruition. Consider

Battle Hymn

For more than forty years, Diana, Princess of Wales, has been mythologized to the most extraordinary degree. Adored and lionized by some, ridiculed and traduced by others, Diana has always commanded a cultural presence unmatched by any other member of the royal family. In Dianaworld, Edward White offers both a portrait of the princess and a group portrait of those who existed in her orbit—from her royal in-laws, her servants, and the dilapidated ranks of the British aristocracy from which she rose, to drag performers, artists, Britain’s ethnic minorities, and the Gen Z superfans.

Among the many enigmas in the saga of the Kennedy assassination, Lee Harvey Oswald remains among the most enigmatic. The Warren Commission painted a portrait of a lone malcontent, but still could find no motive for his alleged actions. Some conspiracy books attempt to turn Oswald into a deep cover intelligence agent, always on assignment whether defecting to the Soviet Union or distributing pro-Castro pamphlets. Other authors ignore Oswald altogether.

In April 1991, the New York Times ran an op-ed alleging that Ronald Reagan’s 1980 presidential campaign had conspired with the Iranian government to delay the release of 52 American hostages until after the 1980 election. The Iranian hostage crisis was President Jimmy Carter’s largest political vulnerability, and his lack of success freeing them ultimately sealed his fate at the ballot box. In return for keeping Americans in captivity until Reagan assumed the oath of office, the Republicans had secretly funneled arms to Iran.

Coup in Dallas leaves speculation and theory aside to give the hard details of who killed President John F. Kennedy, how the murder was carried out, and why Kennedy was assassinated.

We are in the midst of a devastating takeover of our world. The Global Coup d’Ètat shows how, why, and what we can do to stop it.

In this explosive account of wrongful acts and ongoing cover-ups, Jesse Ventura takes a systematic look at the wide gap between what the American government knows and what it reveals to the American people. For too long, we the people have sat by and let politicians and bureaucrats from both parties obfuscate and lie. And according to this former Navy SEAL, former pro wrestler, and former Minnesota governor, the media is complicit in these acts of deception.

In The Quiet Damage, celebrated reporter Jesselyn Cook unfolds the heartbreaking stories of five representative families from couples young and old to rural white parents to urban Black siblings, to show how QAnon shattered bonds once believed unbreakable. Cook paints a portrait of American suffering, of the vulnerabilities that have left people susceptible to outrageous theories promising order and control in a world where both are increasingly in short supply.