Showing titles in Media Studies

With far-reaching implications, this urgent treatise promises to revolutionize our understanding of what it means to be human in the digital age. We used to say "seeing is believing"; now googling is believing. With 24/7 access to nearly all of the world's information at our fingertips, we no...

Just as "spin" has taken over politics in America, so too has it come to define the long bull market on Wall Street. The booming trade in stocks has produced an insatiable demand for financial intelligence. On television and the Internet, commentators and analysts are not merely reporting the...

In the executive offices of the four major networks, sweeping changes are taking place and billions of dollars are at stake. Now Bill Carter, bestselling author of The Late Shift, goes behind the scenes to reveal the inner workings of the television industry, capturing the true portraits of the...

“Weller rivetingly recounts these gutsy ladies' time on the front lines... an inspiration for future generations of journalists.” --Vanity Fair For decades, women battered the walls of the male fortress of television journalism. After fierce struggles, three women—Diane Sawyer, Katie...

Brad Steiger, the world-renowned authority on unexplained phenomena, presents a collection of UFO encounters and abductions. His provocative theories provide answers to the most puzzling questions: Why are they here? What do they want? And how will they change the fate of the human race?

New York Times bestselling author Sharyl Attkisson takes on the media’s misreporting on Black Lives Matter, coronavirus, Joe Biden, Silicon Valley censorship, and more. When the facts don’t fit their Narrative, the media abandons the facts, not the Narrative. Virtually every piece of...

Army Wives goes beyond the sound bites and photo ops of military life to bring listeners into the hearts and homes of today's military wives. Biank tells the story of four typical Army wives who, in a flash, find themselves in extraordinary circumstances that ultimately force them to redefine who they are as women and wives.

In Hunting Girls, Kelly Oliver examines popular culture's fixation on representing young women as predators and prey and the implication that violence - especially sexual violence - is an inevitable, perhaps even celebrated, part of a woman's maturity. In such films as Kick-Ass (2010), The Girl with the Dragon Tattoo (2011), and Maleficent (2014), power, control, and danger drive the story, but traditional relationships of care constrict the narrative. Even the protagonist's love interest adds to her suffering.

If someone knew when and where the next major terrorist attack was to be to take place against America, wouldn't the US intelligence community want to know about it? In Countdown to Terror, US Congressman Curt Weldon, proves that "Ali," an informant with access to the minutes of the most secret Iranian councils does have details about many plots against the US. In fact, he has outright predicted - days, weeks, or months in advance - numerous terrorist plots that were actually carried out our thwarted at the last minute.

This work was supported, in part, by a fund-raising effort in which approximately 330 persons contributed funds in support of the New Earth technology team and Urban Global Health Alliance. It is released under a Creative Commons license CCBY-NC-SA. Any derivative use of this dossier must be made public for the benefit of others. All documents, references, and disclosures contained herein are subject to an AS-IS representation. The author does not bear responsibility for errors in the public record or references therein.

At twenty-four years old, Josh Owens was a college dropout who had already been listening to Alex Jones for five years. When the opportunity arose to work for Jones, he jumped at it, packing up his life and moving halfway across the country to start his first job as an adult. As he rose through the ranks, his skepticism grew, and Josh underwent a personal transformation just as Infowars too changed from a fringe community to a mainstream disinformation machine.

Dead Wrong is a study of the scientific and forensic facts of four assassinations of the 1960s (President John F. Kennedy, Senator Robert F. Kennedy, Dr. Martin Luther King, Jr. and Black Panther leader Fred Hampton), as well as an examination of new and incriminating evidence indicative of murder, not suicide, in the deaths of Marilyn Monroe, White House Counsel Vincent Foster, U.N. Weapons Inspector Dr. David C. Kelly and bioweapons expert Frank Olson. It also examines the cases of two murders directly linked to Lyndon B. Johnson, 36th President of the United States.

Award-winning investigative journalist Liz Collin sets the record straight. She uncovers what really happened on a street in Minneapolis that set off the riots, the demands to defund the police, and the skyrocketing crime across the country. Based on conversations with those who were there—including Derek Chauvin, Thomas Lane, and other Minneapolis police officers who’ve never spoken out before—Liz exposes how the media and the Left manipulated the facts to dupe and divide America.

The one real difference between the American press and the Soviet state newspaper Pravda was that the Russian people knew they were being lied to. To expose the lies our media tell us today, controversial journalist James O'Keefe created Project Veritas, an independent news organization whose reporters go where traditional journalists dare not. Their investigative work - equal parts James Bond, Mike Wallace, and Saul Alinsky - has had a consistent and powerful impact on its targets.

“A beautiful book… an instant classic of the genre.” —Dwight Garner, New York Times A New York Times Critics’ Top Book of 2021 A New York Times Book Review Editors' Choice Named a Best Nonfiction Book of 2021 by Kirkus Winner of the 2021 National Jewish Book Award in...

Thousands of American soldiers are returning from the battlefields of Iraq and Afghanistan with severe wounds from chemical war. They are not the victims of ruthless enemy warfare, but of their own military commanders. These soldiers, afflicted with rare cancers and respiratory diseases, were sickened from the smoke and ash swirling out of the "burn pits" where military contractors incinerated mountains of trash, including old stockpiles of mustard and sarin gas, medical waste, and other toxic material.

Seeing Red breaks new ground in investigating the scope of Russian disinformation, arguing that key politicians and media outlets in the United States have facilitated the dissemination of Russian propaganda. From the 2020 elections to the Capitol Insurrection to the war in Ukraine, Sarah Oates and Gordon Neil Ramsay examine the penetration of key Kremlin strategic narratives that attempt to project Russian power, blame NATO for Russian aggression, and attack democracy via the US news.

#1 NEW YORK TIMES BESTSELLER Jo Nesbø’s Detective Hole is now streaming on Netflix In this installment of the New York Times bestselling series, Inspector Harry Hole heads to Thailand to investigate the murder of a Norweigian ambassador. "Nesbø never lets a page go by without making...

In the following keynote address given at Baylor University, author Paul Levinson discusses Canadian philosopher and academic Marshall McLuhan's seminal book, "Understanding Media: The Extensions of Man," which proposed that the media—not the content that they carry—affects the society in which it plays a role and, thus, should be the focus of study. Levinson, a colleague of McLuhan’s, lays out, how in the decades since its 1964 publication, McLuhan’s study of media theory and the concept that "the medium is the message," still holds true.

The millions of fans who watch World Wrestling Entertainment (WWE) programs each year are well aware of their role in building the narrative of the sport. #WWE: Professional Wrestling in the Digital Age explores the intersections between media, technology, and fandom in WWE's contemporary programming and business practices. In the Reality Era of WWE (2011 to the present), wrestling narratives have increasingly drawn on real-life personalities and events that stretch beyond the story-world created and maintained by WWE.