Showing titles in Linguistics

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle.

L' Audio Antologia della Letteratura Italiana (AALI) è un'opera in due volumi. Questo PRIMO VOLUME contiene un totale di 90 brani audio di 42 autori...

This is the handwritten book that Carroll wrote for private use before being urged to develop it later into Alice in Wonderland. It was meant to entertain his family and friends. When a sick child in a hospital enjoyed it so much, the mother wrote him saying it had distracted her for a bit from her pain and led eventually to Carroll expanding the story.

This brilliant novel depicts cultural clashes between a middle-class English family and a penniless Italian. His marriage to a young widow from Sawston leads to a tumultuous situation within the family.

Stevenson's brooding historical romance demonstrates his most abiding theme, the elemental struggle between good and evil, as it unfolds against a hauntingly beautiful Scottish landscape, amid the fierce loyalties and violent enmities that characterized Scottish history.

This is a bitter, satiric comedy which concerns a wealthy, lecherous old man who pretends to be dying in order to profit from his greedy acquaintances.

Analogies are far more complex than their SAT stereotype and lie at the very core of human cognition and creativity. Once we become aware of this, we start seeing them everywhere - in ads, apps, political debates, legal arguments, logos, and euphemisms, to name just a few. At their very best, analogies inspire new ways of thinking, enable invention, and motivate people to action. Unfortunately, not every analogy that rings true is true. That's why, at their worst, analogies can deceive, manipulate, or mislead us into disaster.

Unlike many of his contemporaries, the English poet Francis Thompson (1859-1907) was a true mystic. While more celebrated poets, like Wordsworth, Tennyson, and Arnold, were content to express their religious leanings in traditional devotional formulae, Thompson strove to portray the divine directly, in all its terrifying majesty. In this way he is more akin to earlier masters, like Henry Vaughan and George Herbert, than to the poets of his own day.

All humans, but no other species, have the capacity to create and understand language. It provides structure to our thoughts, allowing us to plan, communicate, and create new ideas, without limit. Yet we have only finite experiences, and our languages have finite stores of words. Where does our linguistic creativity come from? How does the endless scope of language emerge from our limited selves? Drawing on research from neuroscience, psychology, and linguistics, David Adger takes the listener on a journey to the hidden structure behind all we say (or sign) and understand.

Swift's allegorical satire about religion and politics follows the lives of three brothers, Martin, Peter, and Jack, each of who represents a faction of the Christian faith - Anglicanism, Roman Catholicism, and the dissenting faiths, respectively. Each brother inherits a coat (representing religious practice) from their father (God) on the condition that they do not change it. But instead the three quarrelsome youths disobey their father and change their coats beyond recognition.

Many of the animals we encounter in everyday life, from the creatures in our fields to those in our fantasies, have remained the same since medieval times - but the words we use, and the ways we describe them, have often changed beyond recognition. Old English was spoken over a thousand years ago, when every animal was a deor. In this glittering Old English bestiary we find deors big and small, the ordinary and the extraordinary, the good, the bad and the downright baffling.

Una peculiar gramática que se hace eco de las dificultades que el autor ha detectado en sus alumnos, los medios de comunicación y la sociedad en general. Una amena síntesis sobre el buen uso de nuestro idioma y una denuncia de los abusos que cometen los hablantes.

Charlemagne is reported to have said that “to speak another language is to possess another soul”. The Art of Learning a Foreign Language consists of all the things I wish I knew at various stages of my language learning journey during the last 15 years—as a hobbyist, student, academic, and professional linguist. This book is designed to help the learner avoid many pitfalls and seize opportunities, with lessons on choosing a target language, travel, accent, immersion, technology, learning approaches, and the lifestyle habits of professional linguists.

Charles Dickens' classic novel of mystery, read by Alex Jennings. A body is found in the River Thames and is identified as John Harmon. He was due to inherit a great fortune on the condition that he marry a young woman called Bella Wilfer. And so the story begins and unravels and we are introduced to the mysterious John Rokesmith, Our Mutual Friend.

With Storytelling and the Sciences of Mind, David Herman proposes a cross-fertilization between the study of narrative and research on intelligent behavior. The book as a whole centers on two questions: How do people make sense of stories, and how do people use stories to make sense of the world? Examining narratives from different periods and across multiple media and genres, Herman shows how traditions of narrative research can help shape ways of formulating and addressing questions about intelligent activity, and vice versa.

"Rozhdennaja v nochi" - sbornik rasskazov amerikanskogo pisatelja Dzheka Londona. Opublikovan v 1913 godu. Geroi rasskazov - sil'nye i muzhestvennye ljudi, kotorym v zhizni vypadaet nemalo ispytanij, no nesgibaemaja volja, ostroe zhelanie borot'sja za svoju zhizn' i svoe mesto "pod solncem" ne pokidajut ih. Zdes' net mesta miloserdiju, nereshitel'nost' pochitaetsja za trusost' i vedet k gibeli.

"Le poète est semblable au prince des nuées / Qui hante la tempête et se rit de l'archer ; / Exilé sur le sol au milieu des huées, / Ses ailes de géant l'empêchent de marcher." (L'Albatros)

A sinister masterpiece, Our Mutual Friend was Dickens' last completed novel. It is perhaps his ultimate vision of a dark, macabre London and the corrupting power of money.

Stephen Leacock (1869-1944) may be considered the Canadian counterpart to Mark Twain. For many years he was professor of economics at Magill University and published a number of well-regarded texts on economics and political science. However, he is best known today for his many volumes of humorous fiction. During the 1920s he was one of the most widely read authors in the English-speaking world and was considered by Jack Benny and Groucho Marx to be one of the greatest comic writers of all time.

Evoking Chaucer's Canterbury Tales, this is a story of interlocking tales from a group of steamboat passengers traveling down the Mississippi toward New Orleans. Aboard the Fidèle can be found all manner of con men, from those selling stock in failing companies and herbal cure-all "medicines" to those who are raising money for supposed charitable organizations and those who simply ask for money outright.