Showing results by publisher "Wavesound from W. F. Howes Ltd" in Psychological

It's an ordinary Tuesday morning when Ruby Williams' name starts trending online. She's uploaded an interview that has outraged journalist Felicity Cartwright, a social media personality who has built her profile by policing exactly what women are allowed to say and how they're allowed to say it. Ruby is at the centre of a brutal public shaming, watching on in horror as her reputation is torn apart.

Darren has two big talents: cricket and trouble. It is no surprise, then, that he becomes an Australian sporting star of the bad-boy variety - one of those men who's always got away with things and just keeps going...until the day we meet him, middle aged and in the boot of a car, and everything pointing towards a shallow grave.

Em has lived a quiet life with her complicated mother and is now looking for love and a potential escape from her small hometown. When a masked man kidnaps her in the dark of night, though, she is drawn into a terrifying world. Jodie has been trying to forget a troubling time in her life, pouring her trauma into her work and out of her mind. Until one night her daughter is kidnapped and Jodie is dragged back into the violence. As Em and Jodie race into the darkness, the agony of the past rushes up to meet them. It will take all their devotion and courage to escape this night alive.

Once you're online, there's nowhere to hide. Is it paranoia – or is someone watching? For years, Reagan Carsen has kept her life offline. No socials. No internet presence. No photos. Safe. Until the day she stumbles on a shocking murder in a Sydney laneway. The victim looks just like her. Coincidence? As more murders shake the city and she's increasingly drawn out from hiding, Reagan is forced to confront her greatest fear. She's been found.

In 2005, Marin Katich, living in Croatia under an alias, is being watched. Before the year is out, he has been assaulted, arrested, charged with serious war crimes and locked up in Scheveningen Prison in The Hague, waiting for his case to come before the International War Crimes Tribunal for the former Yugoslavia. In Sydney, Anna Rosen, a freelance journalist, is sent photos on her computer of a man she knows to be dead - gunned down in a brutal ambush in Bosnia over a decade ago. A man she'd once loved but who had betrayed her. Is it possible the photos really are of Marin Katich?

Forensic psychiatrist Natalie King works with victims and perpetrators of violent crimes. She rides a Ducati a size too big and wears a tank top a size too small. Likes men but doesn't want to keep one. And really needs to stay on her medication. Now she's being stalked. Anonymous notes, threats, strangers loitering outside her house. Natalie doesn't know who it could be. A hostile former patient? Or someone connected with a current case?

Alison is an actress who no longer acts, Patrick a musician past his prime. The eccentric couple live an isolated, debauched existence in an old manor house in Scotland, a few miles outside their village. That is, until Patrick's teenage daughter, Neve, flees Australia to spend a year abroad with her doting, if unreliable, father, and Alison, the stepmother she barely knows. On the weekend of Neve's eighteenth birthday, her father insists on a celebratory feast to mark her coming of age. Despite Neve's objections, her mother Shannon arrives in Scotland to join the celebrations.

Bridget and Simone aren't friends. But their daughters are in the same dance troupe, so they're flying to Los Angeles for the girls to perform at Disneyland. Simone's daughter Zahra is indisputably a leader in the group, but Bridget's daughter Becky is a talent on the rise. Simone and her husband are accustomed to business class, but Bridget is less comfortable there. Both lonely women are surprised to find something in common, until Bridget discovers images of Zahra and other dancers that shock her. Are they exploitative or art?

Art dealer Alex Clayton and conservator John Porter are thrilled to be previewing the Melbourne International Museum of Art’s (MIMA) newest exhibition, until they witness a museum worker collapse and badly damage a reportedly cursed painting. Belief in the curse is strengthened when MIMA’s senior conservator, Meredith Buchanan, dies less than 24 hours later while repairing the work. But Alex and John are convinced there is a decidedly human element at work in the museum.

In a busy street market, Abbie lets go of six-year-old Sarah's hand. She isn't a bad mother, just exhausted. When she turns around, her daughter isn't there. Six years later, Abbie is in love and getting married. But her fragile peace is constantly threatened: not knowing what happened to Sarah is like living with a curse. Then she receives a phone call from an unknown number. A man claims to know what happened to Sarah, but if Abbie tells anyone or fails to follow his instructions, she'll never find out. How far will Abbie go to know the truth?

Lucie hasn’t forgotten a man called Martin who was tragically killed 20 years ago in the 9/11 attacks. When she was working in New York as a young intern, Lucie had fallen in love with him and he vowed to leave his wife to be with her permanently. As an inexplicable series of events occur Lucie wonders if her long-dead lover could have staged his own disappearance under the cover of that fateful day. Or could it be that someone else is stalking her, or that her vivid imagination is playing tricks?