Showing results by publisher "Highbridge Audio" in Modern Detectives

1959. Delpha Wade killed a man who was raping her. Wanted to kill the other one, too, but he got away. Now, after 14 years in prison, she's out. It's 1973, and nobody's rushing to hire a parolee. Persistence and smarts land her a secretarial job with Tom Phelan, an ex-roughneck turned neophyte private eye. Together, these two pry into the dark corners of Beaumont, a blue-collar, Cajun-influenced town dominated by Big Oil.

The new novel from award-winning author Lisa Sandlin catches up with the almost-murdered secretary Delpha Wade (The Do-Right, 2015, set in 1973) as she's released from a hospital in order to be tucked into the back seat of a police cruiser. Her boss, PI Tom Phelan, sets out to spring her. He needs her back in his investigation business, where he'll soon be chasing a skulking grand larcenist and plotting how to keep a ganjapreneur out of the grabby hands of a brand new agency, the DEA.

Aleksander Granovsky has dedicated his life to exposing the brutality of the Russian penal system. In two days, he will be tried for the crime of smuggling essays to the West. It is a show trial, and there is no doubt he will be convicted and executed, yet before he dies, he intends to tell the truth one more time. But this is Moscow, where death is never heroic. While writing his final speech in his government flat, Granovsky is surprised by an assassin, who pierces his heart with the point of a rusty scythe.

On the 12th floor of the Acme Building, on a cold February day in St. Paul, Guy Noir looks down the barrel of a loaded revolver in the hands of geezer gangster Joey Roast Beef, who is demanding to hear what lucrative scheme Guy is cooking up with stripper-turned-women's-studies-professor Naomi Fallopian. Everyone wants to know, and Guy faces them one by one, as he and Naomi pursue a dream of earning gazillions by selling a surefire method of dramatic weight loss.

The Moscow Film Festival is in town, and the elite artists of the East and West have convened at the legendary Metropole Hotel to drink, gossip, and flirt. But the party is about to come crashing down. Four men - one American, one Japanese, and two Russians - will all be dead by morning, poisoned. To keep the killings under wraps, the Kremlin hands the investigation over to the famously discreet police investigator Porfiry Rostnikov.

It's 1941, and the Marx Brothers' first movie for MGM, Go West, has the country in stitches. But now Chico Marx is worried he's going to need stitches when he receives a severed ear in the mail - a simple message from a Chicago bookie who wants $120,000, or else. Chico is baffled because, although he loves to gamble, he's never made a bet in Chicago. Desperate, he turns to the king of Hollywood, Louis B. Mayer, who puts in a call to Toby Peters.

Hollywood, 1940: It's been four years since security guard Toby Peters got fired from the Warner Brothers lot for breaking a screen cowboy's arm. Since then he's scratched out a living as a private detective - but now his old friends, the Warners, have a job for him. Someone has mailed the studio a picture of Errol Flynn caught in a compromising position with an underage woman. Although Flynn insists it's a fake, the studio is taking no chances. Peters is to deliver the blackmailer 5,000 dollars and return with the photo negative.

Angelo DiNoto is the most powerful crime lord in New Jersey, his empire sustained by pure heroin from the poppies of an old Turkish farmer. That is, until a $5 million dollar shipment goes missing. Richard Mundi, a shady developer, sees the lost heroin as capital infusion for his failing business. His daughter, Gloria, literally in bed with would-be revolutionaries, thinks it's her ticket out. "Mailman", a long-time postal clerk dying of cancer, believes finding the heroin would be perfect ending to a failed life....

Rick and Frank are recovering addicts and accomplished house thieves. They do not steal randomly—they steal according to order, hired by a mysterious handler. The jobs run routinely until they're tasked with taking a seemingly worthless trophy: an object that generates interest and obsession out of proportion to its apparent value. Just as the robbery is completed, the two are involved in a freak car accident that sets off a chain of events and Frank disappears with the trophy.

While in the hospital recuperating from a gunshot wound, Chicago PI Sam Kelson is approached by a nurse who's troubled by three recent deaths. No pattern, no connection—except that three patients died when they shouldn't have. Initially skeptical, Kelson starts asking questions—and the more he uncovers, the clearer it becomes that something isn't right. What exactly has been going on at Clement Memorial Hospital? Has someone been killing patients? If so, why? As Kelson digs deeper, he comes to realize that someone is determined to prevent him finding out the truth. Whatever it takes.

Git O'Rourke is from the wrong side of the tracks - even if, in the depressed Rust Belt town of Baxter, it's not always clear where that designation begins. A single mother, she works hard to support her daughter, Charlie, but still finds time to cut loose every once in a while, to go to a local bar, drink martinis, and find a companion for the night. Which is exactly how she ends up in a hotel room with a strange man passed out on heroin and how she comes to possess the bag of money and guns that he left open as he got his fix.

Blood seeps into the gutters at the Children's Zoo in Central Park. Two deer have been slaughtered, one stabbed fifty-seven times and the other slashed across the neck. Normally it would be a case for the Parks Department, but these are no ordinary deer. The pride of the small menagerie, they were given to the zoo by a prominent socialite who cannot afford bloody headlines. The NYPD hands the case to Detective Reardon, star of the homicide squad. A recent widower at fifty-six, Reardon has seen too many human victims to care much about the two butchered animals.

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Dashiell Hammett and Raymond Chandler, Erle Stanley Gardner and John D. MacDonald got their start in Black Mask. The urban crime stories that appeared in Black Mask helped to shape American culture. Modern computer games, films, and television are rooted in the fiction popularized by the magazine.

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Dashiell Hammett and Raymond Chandler, Erle Stanley Gardner and John D. MacDonald got their start in Black Mask. The urban crime stories that appeared in Black Mask helped to shape American culture. Modern computer games, films, and television are rooted in the fiction popularized by “the seminal and venerated mystery pulp magazine” ( Booklist).

>From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Dashiell Hammett and Raymond Chandler, Erle Stanley Gardner and John D. MacDonald got their start in Black Mask.

The urban crime stories that appeared in Black Mask helped to shape American culture. Modern computer games, films, and television are rooted in the fiction popularized by “the seminal and venerated mystery pulp magazine” (Booklist).

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Dashiell Hammett and Raymond Chandler, Erle Stanley Gardner and John D. MacDonald got their start in Black Mask. The urban crime stories that appeared in Black Mask helped to shape American culture.

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Dashiell Hammett, Raymond Chandler, Erle Stanley Gardner, and John D. MacDonald all got their start in Black Mask. The urban crime stories that appeared in Black Mask helped to shape American culture. Modern computer games, films, and television are rooted in the fiction popularized by the magazine.

The young girl lies in a ditch without a scratch on her - a white high school student stretched out dead in the black part of Atlanta. She was a rich girl from a cold family, too genteel for the neighborhood where she died, and only the baby in her belly suggests how she might have gotten there. For Detective Frank Clemons, the scene is far too familiar. Too close to how it was when he found his own daughter, dead in the woods by her own hand, her youthful beauty cruelly ravaged by depression. To hang on to sanity, he must do everything he can to find justice for the dead.

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Dashiell Hammett and Raymond Chandler, Erle Stanley Gardner and John D. MacDonald got their start in Black Mask. The urban crime stories that appeared in Black Mask helped to shape American culture. Modern computer games, films, and television are rooted in the fiction popularized by “the seminal and venerated mystery pulp magazine” ( Booklist).

When an anonymous rival demands that master illusionist Harry Blackstone reveal his secrets on stage or die, the magician hires Toby Peters and his brother, ex-cop Phil Pevsner, to run security for his show at the famous Pantages Theater in Hollywood. Of course, Peters doesn't expect the job to include replacing a showgirl for Blackstone's show-stopping sawing-a-woman-in-half trick after the saboteur has stolen the blade.