Showing titles in Canadian

Inspired largely by the poet's experiences as a young man working in the Saskatchewan oilfields, Mathew Henderson's The Lease explores masculinity and the roles morality, violence, and hard labor play in it. Equal parts character study, cultural documentary, and coming-of-age narrative, Henderson's poems make it clear that however we may try to stay apart from them, the stubborn and often unflattering realities of masculine culture persist, not just in isolated, dangerous environments like this, but in our very idea of what work is.

Hoping to erase her unhappy old life, Hazel jumps in her beat-up old car and speeds away. When she pulls up to the Evening and Morning Star Trailer Park, where nothing turns into even more of nothing, she decides it just might be the new life she's looking for. At the center of this new life is King, a motorcycle-riding, hard-drinking, guitar-playing kind of guy. Hazel loves him to death. He spends his days fixing cars, while Hazel spends hers working at the town’s thrift shop. Evenings they spend with Spiney and Sissy, playing cards or drinking at Old Joe’s.

Need Machine clamors through the brain like an unruly marching band. Both caustic and thoughtful, these poems offer a topography of modern life writ large in twitchy, neon splendor, in a voice as sure as a surgeon and as trustworthy as a rumor. Honest, irreverent, and sharply indifferent, this audiobook will "hogtie you with awe."

Reflecting cultural, political, and technological changes, this detailed exploration of Canadian book publishing displays trends of the industry from the last 50 years. Against the backdrop of historical highlights, the book dives into modern events in book publishing, focusing on the explosion of national book publishing in the 1970s and detailing the sparring match between the industry and government during the 1970s through the 1990s.

In 2010, Catherine Owen's 29-year-old spouse died of a drug addiction. A year later, she relocated to an apartment by the Fraser River in Vancouver, BC. As she moved beyond the initial shock, the river became her focus: a natural, damaged space that both intensifies emotion and symbolizes healing. In a sequence of aubades, or dawn poems, Owen records the practice of walking by or watching the river every morning, a routine that helps her engage in the tough work of mourning.

March 6, 1934. Hundreds gather outside City Hall to celebrate the Toronto Centenary. In the crowd, pickpocket Mona Kantor and her partner, Chesler, are "in the tip", finding easy pickings among the jostling masses. Eli Morenz, city man for the Daily Star, is covering the festivities and uncovering the pickpocket racket working the scene. A surreptitious photo and some keen research lead him to an underworld dive in Kensington Market where Toronto’s pickpockets converge - and to Mona.

In a unique listening experience from the unforgettable writer and public speaker W.O. Mitchell, An Evening with W.O. Mitchell is a curated, abridged selection of nine remarkable pieces from Mitchell’s lifetime of public readings, read by the author himself. Featuring both a wide variety of recognizable characters from his novels as well as new, never-before-published work, the collection revives Mitchell’s distinctive voice and comedic perspective on universal subjects.

Dans cette époque matérialiste où nous vivons, pour sauvegarder notre capacité de rêve, d’enthousiasme et d’imagination, ne pourrions-nous pas nous réfugier dans un « Ailleurs » ? , celui du monde enchanté de l’harmonie poétique et musicale, l’une des formes d’expression les plus anciennes et les plus spontanées, indispensable à la pensée. humaine.

Songs for My Father is a raw and honest collection of free verse poetry about the author’s relationship with her father. It chronicles how his anger and abuse left her emotionally trapped for many years, and how she found her way back into herself through her art. Katherine Lazaruk takes the listener through her early childhood experiences, drawing connections between how family, music, and learning shaped the writer and artist within her. It is a poignant window into the things that so often go unspoken, the elephants in the rooms of our families.

Dark night of the soul, spirituality, ascension. These were all new concepts to KR. A whole new world had opened up to him. Willing to explore this new world, KR embraced the future with an open mind. And then there was Theresa, the catalyst that awakened him, sending him on a quest for answers that led him to a juncture of two paths, where anything could be manifested.

A fast-paced comic extravaganza and from the author of the runaway best seller and Governor General’s Award-nominated How Insensitive.

Autobiography as Indigenous Intellectual Tradition critiques ways of approaching Indigenous texts that are informed by the Western academic tradition and offers instead a new way of theorizing Indigenous literature based on the Indigenous practice of life writing.

In The Day-Breakers, poet Michael Fraser imagines the selflessness of Black soldiers who fought for the Union during the American Civil War, of whom hundreds were African Canadian, fighting for the freedom of their brethren and the dawning of a new day.

Demonstrating once again why he is one of Canada's most loved jokesters, Black masterfully captures the laughter that often bursts out of the seams of everyday life. From an unexpected drag race to a Google search for a picture of the illusive "Arthur the Meek", you just never know when a regular day is going to turn into comedic genius. Black provides uproarious insight into uses a matador might have for a teacup, mango, or simply some paper towel....

In these exquisitely rendered poems, people fall in and out of love, in and out of religious belief and in and out of accepting the distance between their imagined lives and the lives they live. They look back as much as forward and pick mercilessly at the open wounds of failed relationships. They inhabit geographies that are both their emancipators and captors. And they find joy, or succumb to sorrow, amid life’s inescapable ephemerality and fragility.

Membering Austin Clarke reflects on the life and writing of Austin Clarke, whose depictions of Black life in Canada enlarged our understanding of what Canadian literature looks like. Despite being one of Canada's most widely published, and most richly awarded writers, Austin Clarke (1934-2016) is not a household name. This collection addresses Clarke's marginalization in Canadian literature by demonstrating that his writing on Black diasporic life and the immigrant experience is a foundational, if untold, part of the story of CanLit.

In her fifth volume of poetry, Carla Coles once again brings us into her inimitable inner world. This time, along with her odes to the pleasures of coffee and cake and writing, she delves into the darker emotions of betrayal, endings, and coming through the fire with her sense of humour intact and her gift with words honed to a new level of insight.

In 2008, I was diagnosed with bladder cancer. I underwent two years of treatment, including chemotherapy, radiation, and surgery. In January of 2010, I had my bladder removed, and thankfully, I have been cancer free since then.

We all create false mountains to climb. Gypsy Muse is a collection of free verse poetry chronicling that journey, and how we move beyond.

Spanning forty years and ten previously published collections, Wherever We Mean to Be is the first substantial selection of Robyn Sarah’s poems since 1992. Chosen by the author, the 97 poems in this new volume highlight the versatility of a poet who moves easily between free verse, traditional forms, and prose poems. Familiar favorites are here, along with lesser-known poems that collectively round out a retrospective of the themes and concerns that have characterized this poet's work from the start.