Showing titles in Canadian

Katherin Edwards examines the fine line between what we remember and forget; how the memories we retain become cloudy and altered by the passage of time. This book of poems is also a compilation of the wonder and surprise we discover when we manage to endure in the midst of grief and loss.

A microscopic and intense view of the sometimes invisible and ignored parts of the world we inhabit. Peering into cities and our place within them, the poet searches for meaning after the death of his father, and observes the flora and fauna, which provide beauty and nourish us. This book delights the senses and poses the question, are we contributing to, or ultimately destroying our planet?

With awe and wonder leading the way, Leedahl’s poems chronicle a journey that speaks of resilience, of joy experienced in simple things, and of the solace in discovering—finally, and late in life—exactly where one belongs. Leedahl’s fifth poetry collection lyrically documents major life transitions and reveals how loneliness—the other contemporary epidemic—compels one to keep moving.

Making Believe responds to a remarkable flowering of art by Mennonites in Canada. After the publication of his first novel in 1962, Rudy Wiebe was the only identifiable Mennonite literary writer in the country. Beginning in the 1970s, the numbers grew rapidly and now include writers Patrick Friesen, Sandra Birdsell, Di Brandt, Sarah Klassen, Armin Wiebe, David Bergen, Miriam Toews, Carrie Snyder, Casey Plett, and many more.

In this song-like collection of 50 short poems inspired by rural Prince Edward Island, Canada, Roderick MacDonald elevates the commonplace and simple in entertaining and thoughtful verse. Through his poetry, MacDonald invites the listener to accompany him on a gentle walk through the changing seasons on his beloved island. His words evoke the beach: sand under foot, lapping waves, and spectacular sunsets anointing abandoned old lighthouses.

With propulsive, intimate stylings and an eye toward Black liberations, pop culture, sports, and familial fractures, Wires that Sputter meets the world with the posture of a portraitist and the deftness of a poet-as-acrobat, as seeker. Here in these wondrous poems is an attentiveness toward that which harrows as well as that which heals, toward the power of space-giving and fragmentation. Rupture and recovery, tribute and tribulation, a revivifying musicality, and room to breathe—all dapple within, where electricity manifests in every line.

Truth spoken plainly and powerfully is difficult to dismiss and impossible to ignore. Edited with purpose by A. Gregory Frankson, AfriCANthology: Perspectives of Black Canadian Poets brings together some of Canada's most influential dub, page, and spoken word poetic voices and gives them space to speak freely about their personal journeys in piercing verse and unapologetic prose. Just as individual experiences of Blackness are diverse across Canada, each contributor recounts aspects of navigating their unique personal, professional, and artistic paths in Black skin.

This is a book about women and ageism. There are twenty-nine contributing writers, ranging in age from their forties to their nineties. Through essays, short stories, and poetry, they share their distinct opinions, impressions, and speculations on aging and ageism and their own growth as people. In these thoughtful, fierce, and funny works, the writers show their belief in women and the aging process.

Life is full of poetry. Diary of a Life takes its listeners on the poetic journey of author Kimella Louise Gosse, leading us through her childhood and adolescence, her adult years of freedom and travel, motherhood and matrimony, and everything she discovered when her marriage ended and she learned to embrace herself and the world around her. With narrative storytelling and thoughtful poetic offerings, she clearly illustrates the ebb and flow of life, from slow-moving stream to rushing white water, and invites her listeners to join her on the ride

This is a collection of stray thoughts and daydreams, poetry and prose, fueled by caffeine and punctuated by the papercuts we get when we try to turn the pages of our life without being careful enough. Speaking up can change the world...but even when it doesn't, what we have to say is still worth saying. Even if the difference is only to one person. Enjoy the efforts within, let them make you smile and laugh, or think carefully about experiences shared. After, consider writing your own. Whether it's intellectual or idiotic, make a brew, pick up a pen, and enjoy what happens next.

Why I Was Late fuses text with performance, bringing a transmasculine wisdom, humor, and experience to bear upon tailgates, spaceships, and wrestling rings. Fierce, tender, convention re-inventing—Petch works hard. And whether it’s as a film union lighting technician, a hospital bed allocator, a Toronto hot dog vendor, or a performer/player of the musical saw, the work is survival. Heroes are found in unexpected places, elevated by both large and small gestures of kindness, accountability and acceptance.

The mystics who coined the phrase "the way of affirmation" understood the apocalyptic nature of the word yes, the way it can lead out of one life and into another. Moving among the languages of Christian conversion, Classical metamorphosis, seasonal transformation, and gender transition, Luke Hathaway tells the story of the love that rewired his being, asking each of us to experience the transfiguration that can follow upon saying yes—with all one’s heart, with all one’s soul, with all one’s mind, with all one’s strength ... and with all one’s body, too.

The poems in Hail, the Invisible Watchman are as tidy as a picket-fence—and as suggestive. Behind the charms of iambs lurks a dark exploration of domestic and social alienation. Metered rhyme sets the tone like a chilling piano score as insidiousness creeps into the neighborhood. A spectral narrator surveils social gatherings in the town of Sherbet Lake; community members chime in, each revealing their various troubles and hypocrisies; an eerie reimagining of an Ethel Wilson novel follows a young woman into a taboo friendship with an enigmatic divorcée.

Having developed an impressive reputation for his many novels and non-fiction works, Richard Wagamese now presents a collection of stunning poems ranging over a broad landscape. These are Medicine teachings told from the experience of one who lived and still lives them. He also describes his life on the road when he repeatedly ran away at an early age, and the beatings he received when the authorities tried “to beat the Indian right out of me.” Yet even in the most desperate situations, Wagamese shows us Canada as seen through the eyes and soul of a well-worn traveler.

This debut poetry collection from acclaimed novelist Farzana Doctor is both an intimate deep dive and a humorous glance at the tumultuous decade of her forties. Through crisp and vivid language, Doctor explores mid-life breakups and dating, female genital cutting, imprints of racism and misogyny, and the oddness of sex and love, and urges us to take a second look at the ways in which human relationships are never what we expect them to be.

Junior et Henrietta vivent dans une ferme isolée, semblant fuir leurs congénères. Lorsqu'un homme en costume-cravate frappe à leur porte, ils sont loin d'imaginer ce qu'il vient leur annoncer : Junior a été sélectionné par la société OuterMore pour un séjour expérimental dans une station spatiale. En son absence, un avatar biomécanique prendra sa place au sein du foyer.

Fans of Jesse Thistle’s extraordinary debut From the Ashes have already had the pleasure of knowing his poetry. In Scars and Stars, he digs deeper into the poetic form, which is especially close to his heart. Charting his own history, the stories of people from his past, the burning intensity of new and unexpected love, the complex legacies of family and community, and the beauty of parenthood, this collection is a profound mediation that expands his engagement with the ideas and experiences that have shaped his body of work thus far.

Alan Ainslie is an able and dedicated man high in the government. Daniel Ainslie, his son, is a member of an explosive movement impelled by the naive rebelliousness of the New Left. Hugh MacLennan weaves a complex and story of two generations in conflict. Originally published in 1967, Return of the Sphinx is something of a sequel to the more optimistic Two Solitudes and reflects MacLennan's disenchantment with the world in general and the apparently intractable French-English debate in Canada.

In the 1980s, the Bureaucracy eliminated all knowledge of the past in the wake of a nuclear holocaust. In 2030, André Gervais discovers two metal boxes containing manuscripts, diaries, and other personal papers that have somehow survived and asks an old man, John Wellfleet, to use these documents to discover the past. In doing so, Wellfleet learns the truth about two relatives.

Dan Ainslie, a brilliant doctor working with the miners of his native Cape Breton Island, is forty-two and deeply in love with his wife. Longing for the son he can never have, he comes to love the young Alan MacNeil, whose father deserted him and his mother several years before. Alan's father's return brings tragedy to those around him.