Showing titles in Asian

When a devoted monk meets a divine goddess, when unwavering faith collides with irresistible love, does it lead to transcendence or downfall? Love Letters from the Goddess unveils this profound dilemma through 36 soul-stirring letters, carefully selected from the Holy Monk and the Spirit Woman. Hidden in the void for a millennium, these letters now come to light, revealing the poignant and timeless romance between Saraswati, a retired Nepali Living Goddess, and Khyungpo Naljor, a Tibetan pilgrim on a quest for ultimate freedom.

अहमद फ़राज़ आज के सबसे लोकप्रिय शायर हैं। उन्हें जीते-जी ऐसी शोहरत मिली है कि आज हिंदुस्तान और पाकिस्तान में फ़राज़ साहब की ग़ज़लों और नज़्मों को बड़े शौक से पढ़ा और सुना जाता है। 'ये मेरी ग़ज़लें, 'ये मेरी नज़्में' की विशेषता यह है कि इसमें खुद फ़राज़ साहब ने अपनी मनपसंद बेहतरीन ग़ज़लों और नज़्मों का चयन किया है। अहमद फ़राज़ की शोहरत ने जब अपने गिर्द एक ऐसा प्रभामंडल पैदा कर लिया जिसमें उनके एक इंक़लांबी रूमानी शायर की छवि चस्पां है। अपने मुल्क में उन्होंने जेलें भी काटी हैं।

In Open Mouths Sharan Hunjan presents a vision of a world simultaneously familiar and strikingly strange. The quotidian, the domestic, the commonplace are interrogated and manipulated through the poet's eye for detail, linguistic sense of play and restless imaginative and philosophical impulses.

A Treasury of Urdu Poetry is a treasure-house of the best of Urdu poetry from the times of the great classic poet Mir to modern day poets such as Faiz and Faraz. This Treasury contains selected ghazals and nazms of thirty-four eminent Urdu poets. Care has been taken to select only those pieces which meet the twin tests of excellence and popularity. Lovers of Urdu poetry would find this book a dream come true and a handy volume that opens a window on the world of Urdu poetry.

Nel cuore di Shinjuku, a Tokyo, c'è Goldengai, un piccolo quartiere che resiste a grattacieli e speculazione edilizia. E nel cuore di Goldengai c'è un localino stretto e lungo dove si raccolgono i randagi del posto, siano essi gatti o esseri umani. A cominciare da un aspirante sceneggiatore daltonico e una cameriera strabica che cucina yakitori, misteriosa conoscitrice dei felini della zona.

इक्कीसवीं सदी में पाकिस्तान में कैसी ग़ज़लें कही जा रही हैं, इसका अंदाज़ा आप इस किताब से लगा सकते हैं। यूँ तो पाकिस्तान में बेशुमार शायर हैं और उनमें से कुछेक को ही इस किताब के लिए चुनना एक चुनौती थी। तो चुनाव का पैमाना यह रखा गया कि शायर ऐसे हों जिनकी ग़ज़लों को हिन्दी के पाठक समझ सकें और उनसे हिन्दुस्तान के लोग कुछ हद तक वाकिफ़ हों। इस पैमाने पर सात शायर ही खरे उतरे और उन सात शायरों की चुनिंदा ग़ज़लें इस किताब में पेश हैं।

クリエイティブ分野で、果たして人間はChatGPTに勝てるのか。本書は、いち個人作家である私が、ChatGPTへ贈る”挑戦状”です。

Величайший японский писатель Юкио Мисимо прожил всего 45 лет, но за свою недолгую жизнь успел создать невероятно много: более тридцати романов, многие из которых были экранизированы еще до гибели писателя; несколько пьес, с успехом шедших в японских, американских и европейских театрах, десятки сборников рассказов и эссе - согласитесь, довольно впечатляющий итог недолгого литературного труда. В этом сборнике вас ждут аудиоверсии избранных новелл писателя.

Kombadi Shivay Urus is a hilarious Marathi play about Patil who is Sarpanch of village and his wife, both of whom think that each is having an affair. To makes matter worse a misunderstanding created by their house helper which creates more chaos in their life. Will they be able to get out of this confusion?

"Kvindemasker" af den japanske forfatter Fumiko Enchi (1905-1986) er et modernistisk japansk værk, der udforsker klasse, seksualitet og undertrykkelse af kvinder i et traditionelt patriarkalsk samfund. Det er et ildevarslende og dragende trekantsdrama og en mystisk besættelsesfortælling om hævn og bedrag.

Kurz bevor sie von den Soldaten des Jin-Reiches getötet werden, schließen die beiden Kung-Fu-Kämpfer Guo Xiaotian und Yang Tiexin einen Pakt: Auf immer sollen ihre beiden noch ungeborenen Kinder einander in Treue verbunden sein. Während der Weg des Schicksals Yangs schwangere Frau an den Hof des Jin-Prinzen führt, verschlägt es Guos Frau in die weiten Steppen der Mongolei. Dort bringt sie ihren Sohn Guo Jing zur Welt, und die beiden finden Unterschlupf beim Clan des aufstrebenden Mongolenfürsten Dschingis Khan.

The classical poetry of Japan focuses on direct experience of fleeting moments, in total contrast with its Occidental counterpart. These seminal poems were passed down orally, before great collections reassembled works of art spanning several centuries in written form as early as the 8th century, from the Kojiki to the Kokinshu. Later, a number of female writers rose to prominence (Murasaki Shikibu, Sei Shonagon); then in the 17th century, the haiku form became extremely popular, in large part due to the work of Matsuo Bashō, a prolific writer and traveler.

Боги и богини, духи и призраки, герои и красавицы, императоры и полководцы, святые чудотворцы и грешные миряне... "Сказания Древней Японии" - книга интересная и знатокам, и ценителям уникальной японской культуры, и людям, которые только начинают открывать ее для себя. В первом разделе сборника перед читателем предстает причудливый мир японской синтоистской мифологии. Второй посвящен героически-историческим преданиям. А третий составляют истории-притчи поучительного характера, в которых народная фантазия причудливо преломила морально-этические и философские принципы буддизма.

В 1950 году в приступе безумия, молодой буддийский послушник поджигает знаменитый Золотой храм в Киото. Юкио Мисима был настолько потрясен случившимся, что позже превратил эту историю в роман, который не только считается вершиной творчества Мисимы, но и входит в число самых читаемых в мире произведений японской литературы. Молодой Мидзогути - сын бедного провинциального священника. Он очень слаб и к тому же заикается, поэтому с детства терпит насмешки своих сверстников.

Bhaskar Chakrabarti’s poetry is synonymous with the romantic melancholia inherent to Calcutta. His trenchant poetic voice was one of the most significant to emerge in the 1960s and ’70s—perhaps the most prolific period of modern Bengali poetry.

Quand Murakami avait cinq ou six ans, lui et son père sont partis en vélo abandonner un chat sur la plage. Pourquoi ne pas le garder, que se sont-ils dits, était-ce un moment triste, tout cela, Murakami ne s'en souvient plus. Ce dont il se souvient en revanche, c'est que quand lui et son père sont rentrés à la maison, le chat était là. Et que sur le visage de son père, il y avait de la surprise, de l'admiration et du soulagement.

The power, anger and fluency of Liang Qichao's writings make him one of the towering figures in modern Chinese literature. He saw his great, almost unmanageable task as an attempt to write China into the new era - to provide an ancient country, devastated by civil war and foreign predators, with the intellectual equipment to renew itself. This selection of pieces shows Liang's extraordinary range and the burning sense of mission which drove him on, attempting to galvanize and refresh an entire nation.

Tomorrow Someone Will Arrest You cements Meena Kandasamy as one of the most exciting, radical thinkers at work today. These poems chronicle wanting, art-making, and the practicing of resistance and solidarity in the face of a hostile state. Here, the personal is political, and Kandasamy moves between sex, desire, family and wider societal issues of caste, the refugee crisis, and freedom of expression with grace and defiance. This is a bold, unforgettable collection by a poet who compels us to sit up and listen.

The poetry of great poets such as Rumi and Hafis, masterfully recited in the Persian original by Reza Ghotbi in the German translation by the actress Ulrike Kriener with a warm timbre. Interweaves with music to create an atmospheric overall experience. Mulo Francel, saxophonist of the celebrated world music band Quadro Nuevo, improvises on the icons of European music: Handel, Bach, Schubert, Caccini, Satie. Together with the sensitive pianist Nicole Heartseeker, the melodies will be atmospherically juxtaposed with Persian poetry.

The sheer volume of commentaries on the Mahabharata is awe-inspiring. So, what is it in the Mahabharata that gives it its timeless magic? Is it the mythical characters with which it is replete that makes the epic so enchanting? Or is it the great wealth of philosophical and metaphysical ideas in it that dazzles its audiences? Or could it be a combination of all these that makes it ever-fascinating to scholars and audiences around the world? And, most of all, what accounts for its incredible effect on the subconscious of millions of Indians through several generations?