Showing titles in Dark Humour

Underground revolutionaries, The Nail, and their rookie, Luke, snatch 23- year-old heiress Adeline Woolsaw. Her parents, the Woolsaws, control a vast empire outsourcing everything from prisons to bases. The Nail aims to expose this shadowy power grab. But their plan twists. Adeline's pregnant. Her child, about to be born, isn’t human. It’s a supernatural being, product of a demonic ritual in the Woolsaws’ Highgate mansion. The family’s endgame? An infernal kingdom with Adeline's son as king.

Caro führt ein glückliches Hundeleben ... bis Bella in seinem Heim auftaucht. Hund und Katze vertragen sich nicht? Davon könnte Caro ein Lied singen. Oder Bella ein Gedicht schreiben. Obwohl - nicht nötig! In Versform, um die herrschende Dramatik besser ausdrücken zu können, erzählt dieses Hörbuch die Geschichte von Bella und Caro.

Raj and Rachel Ranjani have invited a small group of their “ride or dies” from college for a celebratory weekend in Napa Valley. On the agenda: three nights in the couple’s vineyard mansion, a lavish dinner at Napa’s hottest new restaurant, exclusive tastings, and the grand opening of the Ranjanis’ ultra-high-end winery. It’s a reunion of six friends who haven’t seen each other in years. What could go wrong?

When Myriam and Allison fall in love at a show in a run-down punk house, their relationship begins to unfold through a series of hypotheticals. What if they became mothers by finding a baby in an alley? What if the only cure for Myriam’s depression was Allison’s flesh? What if they were B-list celebrities, famous for writing a book about building healthy lesbian relationships? How much darker - or sexier - would their dynamic be if one were a power-hungry CEO, and the other her lowly employee?

As lykbesorger het Seb al talle lyke gebalsem, organe teruggepak in lyfholtes, beendere aanmekaargelas en doodsbleek gesigte gegrimeer vir roubeklaers om te besigtig. Wat help dit om te wens vir 'n ingryping wat hom sal losruk uit sy saai bestaan? Maar toe die sterwende seuntjie Gawie en sy ma by die begrafnisondernemers instap, kry Seb tog rede om in wense te glo.... En kom voor ’n dilemma te staan: Waarvoor wens jy as jy één wens het wat waar gaan word?

President Robert Thompson, ensnared in a fetish-related scandal and facing imminent impeachment, fakes his own assassination with the help of his ambitious wife and psychiatrist. His goal? To secure his legacy and vanish to an island. This satirical tale follows Thompson’s transformation from disgraced politician to mythic hero. As story plot unfolds, his psychiatrist, Petros Andros (Pete), finds himself entangled in a web of deceit, obsession, and indiscretions of his own.

Nicholas has plenty of reasons to feel unstable: he’s fifteen, the child of divorced parents, living with his absent dad in the bleak Chicago suburbs, and an outsider at school. Then, one day in geometry class, he forgets how to breathe. The doctor says it’s just panic, but Nicholas suspects that his real problem might not be a psychiatric one: maybe the Greek god Pan is trapped inside his body.

All Olivia wanted was one last miserable Christmas with her husband’s awful family before moving to Australia. She didn’t expect a murder. Or another. Or another. Now the snow has cut them off and she’s stuck in a crumbling country house, with ten increasingly deranged relatives and the rising suspicion that someone is picking them off one by one. As the bodies pile up and the festive façade starts to crack, Olivia must survive the season, clear her name and uncover the killer – Or, at the very least, get through lunch without anyone else choking on a sprout.

HEADCASE is a ten-episode comedy about neurotic rising hip hop star Ghost (Chris Redd) and his bumpy mental health journey as he navigates therapy, fame, and chaos. After a very public breakdown, his label forces him into sessions with a dorky, white therapist, Gordon (Will Stephen), who has never heard of Ghost.

Once, serial killer Alvie Knightly was living the dream. Unlimited cash. An Italian getaway. A hot new boyfriend.... How the mighty fall. One year - and one very unfortunate incident - later, Alvie is homeless, surviving on meal deals and counting her dwindling pennies. It's time for one last hit, and if anyone can pull it off - in six inch heels - it's Alvie. But if she's to succeed in her mission to avenge her ex, win back her money and secure her future, she'll have to face her most terrifying enemy yet.

Coalville is on fire—from below. The old mines are burning, and everyone has poison gas in their brain. Maybe that’s why the town is so corrupt. Now that he’s a Benedictine monk, Tommy Martini never wants to see the place again—hell-raisers there hold a grudge till they die, and he’s on their wish list. But a girl he once loved has gone missing, and his best friend from childhood has been murdered. Among the living is a shy girl from Tommy’s past, who wants to help. Together, they learn the secret of the elephant’s graveyard, and it’s not in Africa.

One ordinary morning, Laurie's husband, Mark, vanishes, leaving behind his phone and wallet. For weeks, she tells no one, carrying on her job as a cleaner at the local university, visiting her tricky, dementia-suffering father and holing up in her tower-block flat with a bottle to hand. When she finally reports Mark as missing, the police are suspicious. Why did she take so long? Wasn't she worried? It turns out there are many more mysteries in Laurie's account of events, though not just because she glosses over the facts.

It all starts with a girl.... (Because yes, there's always a girl.) Jason Priestley (not that one) has just seen her. They shared an incredible, brief, fleeting moment of deep possibility, somewhere halfway down Charlotte Street. And then, just like that, she was gone - accidentally leaving him holding her old-fashioned, disposable camera, chock-full of undeveloped photos.... And now Jason - ex-teacher, ex-boyfriend, part-time writer and reluctant hero - faces a dilemma: Should he try and track The Girl down? What if she's The One?

Ivy Edwards is 31 years old, funny, shameless and a bit of a romantic. She's also currently trying not to cry in the office toilet. Partly because she's just run out of money for fags. A bit because her mum continues to annoy her. Definitely not because she's just been dumped by her fiancé. With her London life in shambles and her family miles away in the Welsh valleys, Ivy doesn't actually feel like she belongs anywhere.

Satan, fallen angel, chief devil, and ruler of Hell seems to have everything: immortality, a kingdom, cool superpowers, and lots of minions to grovel at his feet. So why isn’t he happy? Simple. Satan wants more. He’s just not sure, though, what “more” even means in his case.

New York City, 1966. Seventeen-year-old Mae lives in a run-down apartment with her alcoholic mother and her mother's sometimes-boyfriend, Mikey. She is turned off by the petty girls at her high school, and the sleazy men she typically meets. When she drops out, she is presented with a job offer that will remake her world entirely: she is hired as a typist for the artist Andy Warhol.

In his new writing project, Donkey, Joey Truman manifests a bizarro literary sitcom as sexy romp, as meditation on being trapped in the working class with no way out.

The good folk of Perpetuity Valley, Wyoming, have a secret. These modern-day citizens aren't just descended from the original settlers—they actually are the original settlers. They trekked here by wagon train in 1846, and for some mysterious reason, none of them has aged a day since. Of course, if word ever gets out about a miracle like this, the valley might get a wee bit crowded. So about a hundred years ago the townsfolk agreed to keep the secret to themselves and never allow any property to change hands.

As those halls make her skin crumble with self-hate, she is trying not to kill herself - at least until she can get her degree and get out. However, surviving feels near impossible when fuelled by cheap vodka, lines and toxic friendships. Using her thesis as a means of documenting her experiences - and giving out advice to the next generation of those lucky enough to attend university - Sahara reveals the truth about what it’s like to live inside her head while Black students are disappearing and dying, racism is thriving and her depression is living inside her head rent free.

The Consultant is very good at his job. He creates simple, elegant, effective solutions for…restructuring. Nothing obvious or messy. Certainly nothing anyone would ever suspect as murder. The ‘natural deaths’ he plans have always gone well: a medicine replaced here, a mechanism jammed there. His performance reviews are excellent. And it’s not as though he knows these people. Until his next ‘customer’ turns out to be someone he not only knows but cares about, and for the first time, he begins to question the role he plays in the vast, anonymous Company.