Showing titles in Gothic

I ran as fast as I could, escaping the monster, escaping my personal hell. I wanted freedom, a ray of precious sunlight, yet all I found was darkness. Pitch black consuming darkness. That's until an opportunity arrived, maybe the most dangerous of them all, but the only one that could save me—The Pleasure Room. Heaven and hell dancing in mesmerizing circles.

The broken condom. The two pink lines. The baby growing in my belly. And the daddy? None other than Victor Morozov. Mafia boss. Ruthless kingpin. My baby daddy.

With its irrepressible heroine and playful literary games, Northanger Abbey is the most youthful and optimistic of Jane Austen's novels. It tells the story of young, impressionable Catherine Morland, whose first experience of fashionable society introduces her to the thrills of gothic romances, and to the sophisticated Tilneys, who invite her to their family home, Northanger Abbey. But there, influenced by novels of horror and intrigue, Catherine begins to think that terrible crimes are being committed, and her imagination threatens to run away with her.

History meets fantasy in A. Rushby's tale of sisterhood, betrayal and reclamation revolving around three Anatomical Venuses—ultra-realistic wax models of women—that come to life at night to murder men who have wronged them.

The Beetle is a horror novel that was published in 1897 and significantly outsold Dracula, which appeared in the same year. A polymorphous Egyptian creature – the Beetle – seeks revenge on the eminent British politician Paul Lessingham for crimes committed against the disciples of an ancient cult. Although it is less well-known than Dracula to modern audiences, The Beetle remains a leading example of the Gothic novel.

Jacob Ashland's life has taken an unexpected turn. He's now the earl of Ashland and expected to marry. But he's done that before and had his heart ripped from his chest. When Charlotte shows up at his door needing protection, he offers to marry her - in name - only. Charlotte, an orphan, suspects her sinister cousin of terrorizing London. When her maid disappears, she fears for her own life and runs away. Lord Ashland offers marriage, and it's the perfect solution. But it isn't long before she finds herself falling for her new husband.

When my father arranged for me to marry the heir to the Costa crime family, I swore I’d do anything to escape that fate. I have more to offer than being some man’s arm candy and producing heirs. Marcelo Costa might be my fiancé, but he’ll never be my husband. So when he and his father are killed in a car bombing, I consider myself lucky. No longer will I have to go from being a mafia princess to becoming a mafia wife, I can now attend the Sicuro Academy—a private college created for mafia children like me.

Run, run, run! They're chasing me, even into my dreams. And when I awake, I see him. Striking blue eyes with a hint of the devil inside. He's my savior and my worst nightmare combined. Because he owns me. He found me. He saved me. But I don't want to be owned. I want to be free. Even if it kills me.

A dark, many-gabled mansion in a small New England village—haunted by fraudulent dealings, accusations of witchcraft, and sudden death—houses the distinguished Pyncheon family. They are plagued by a centuries-old curse that casts the shadow of ancestral sin on its last four members. The arrival of Phoebe Pyncheon from the country breathes fresh air and sunshine into their musty, decaying home, but will her arrival come too late to rescue the family from a gloomy future?

Since the dawn of human civilization, two warring factions of near-immortals - the descendants of the gods of old - have been secretly shaping its destiny. Amanda's small clan champions progress and peace, while their powerful enemy, the Doomers, propagates ignorance and war. Descending from a single goddess - the only one to survive the ancient cataclysm that wiped out her kind - Amanda's clan members are forbidden to each other.

Grief-stricken and on the verge of a breakdown, Luda Managan and her two teenaged children try to make a home for themselves on a collection of harsh and haunted Scottish islands. Luda, a photographer, is mesmerised by the extraordinary magic of the islands but soon finds herself condemned by the local community after publishing images documenting the death of a local child. Alienated, Luda turns her attention to the records from the 17th-Century island witch-hunts and the fragmented life stories of the executed women.

Harry Adams has always loved horror movies, so it’s not a total coincidence that she took the job cleaning house for movie director Javier Castillo. His forbidding graystone Chicago mansion, Bright Horses, is filled from top to bottom with terrifying props and costumes, as well as glittering awards from his career making films that thrilled audiences—until family tragedy and scandal forced him to vanish from the industry.

I was a thief. The guys I’m falling in love with turned me into a fighter. And when the city tried to make me disappear, I rebelled. But now I know the truth.

With her husband off fighting at World War I’s eastern front, Petra Kurková embraces her fleeting freedom, roaming the city at night with her camera. A born witch, she’s discovered that she can capture the souls of the dead on film. Her supernatural skills don’t go unnoticed by the enigmatic Josef Svoboda. He’s recruiting a team of sorcerers to infiltrate the front lines, where the bloodshed of combat has resurrected foul creatures. Petra’s unique abilities will be needed against the most dangerous enemies of all—those ever present, undead, and unseen.

Professor David Ullman is among the world's leading authorities on demonic literature. Not that he's a believer. He sees what he teaches as a branch of the imagination and nothing more. So when offered a luxury trip to Venice to consult on a 'phenomenon', he accepts, taking his 11-year-old daughter, Tess, with him. Amidst the decadent splendour of the city, David makes his way to the address he's been asked to visit. What he witnesses in the tiny attic room shakes him to the core: a man restrained in a chair, clearly insane. But what David hears the man say is worse.

One evening, Gillis—a young Scottish minister who technically doesn't believe in god—falls into a hole left by a recently dug up elm tree and discovers an ancient disembodied hand in the soil. He's about to rebury it when the hand... beckons to him. He spirits it back to his manse and gives it pen and paper, whereupon it begins to doodle scratchy and anarchic visions. Somewhere, in the hand's deep history, there lies a story of the Scottish reformation, of art and violence, and of its owner long since dead.

They call me a monster. Murderous and hateful. Beautiful but broken. Nothing can calm the ever raging storm inside of me. As the ruthless leader of the Doubeck family, there is a certain standard of brutality, I have to uphold. Then I meet her. Beautiful, innocent, and so very afraid. Valentina is a rival family's daughter, and the little temptress has purposely tangled herself in my dark web. She seeks me out, needing my help, but the price for what she wants will be steep.

When Kian confesses his true nature, Syssi is not as much shocked by the revelation as she is wounded by what she perceives as his callous plans for her. If she doesn't turn, he'd be forced to erase her memories and let her go. His family's safety demands secrecy - no one in the mortal world is allowed to know that immortals exist. Resigned to the cruel reality, Syssi is determined to enjoy what little time she has with Kian, one day at a time.

In an isolated mountain community, sometimes a child is born with two hearts. This child is called a striga and is considered a demon who must be abandoned on the edge of the forest. The child s mother must then decide to leave with her infant, or stay and try to forget. Nineteen year-old striga, Salka, and her mother, Miriat, made the choice to leave and live a life of deprivation and squalor in an isolated village. The striga tribe share the human belief that to follow the impulses of their other hearts is dangerous, inviting unspoken horrors and bringing ruin onto them all.

While sheltered in the clan's stronghold, Syssi is unaware that Kian and Amanda are not human, and neither are the supposedly religious fanatics that are after her. She feels a powerful connection to Kian, and as he introduces her to a world of pleasure she never dared imagine, his dominant sexuality is a revelation. Considering that she's completely out of her element, Syssi feels comfortable and safe letting go with him. That is, until she begins to suspect that all is not as it seems.