Showing titles in Gothic

Growing up, I spent every night tucked under my mother’s arm, dreamily listening to tales from her favorite book series—Legend Has It by Darby Donovan, a collection of spooky folklore about a town called Glenshire and the lonely, gray-eyed fairy prince who haunted the woods there. I knew they were just stories, but when my mother died and left me in the care of my cold, abusive father, that fictional fairy prince suddenly became very, very real to me. It was as if he was always there, hiding in the shadows, offering me his silent comfort.

Desperation drives me into the hands of a dangerous predator. I never should have considered auctioning off my innocence. The men who bid are the darkest kind, the ones you never want to encounter. And Malachy, the man who bought me, is no exception. He wins me, locking me away in his world. Selling my virginity takes on a whole new meaning, one I never anticipated. I expected one night with my buyer, but with Malachy McCarthy, I'm his possession until he decides otherwise. I'm nothing but a toy, a plaything for his amusement, until he grows bored.

Tessie Hollis is the last surviving witch of a bloodline that should’ve been erased. Her ancestors were power-hungry monsters who cursed an entire realm—and Lucian, the demon king forged in the ashes of their destruction, has spent centuries making sure their line ended. Then she shows up. Defiant. Stubborn. Beautiful. And fate makes her his soulmate. Now they’re soul-bound. She's burning with an ancient magical hunger called the Beckoning, and he's the only one who can stop the ache.

Here young Adeline escapes danger with the La Motte family, finding refuge in the darkness of a decaying abbey, with its hidden passages… but what secrets are held here? Whom can she trust? Threatened and tested, she gradually uncovers her mysterious heritage. Sublime landscapes and psychological tension enrich a thrilling story—which, thanks to this superb audio performance that includes original song settings, can now be enjoyed in the dark for full effect!

When high school senior Charlotte agrees to babysit the Wilbanks twins, she plans to put the six-year-olds to bed early and spend a quiet night studying: the SATs are tomorrow, and checking the Native American/Alaskan Native box on all the forms won't help if she chokes on test day. But tomorrow is also Halloween, and the twins are eager to show off their costumes.

Portia Hastings has spent her life rescuing her younger sister from one scrape or another. But this time, she has to step through time to do it, following Miranda from the 19th century to the 18th. Almost immediately, Portia is beset by highwaymen, which might be the most exciting thing to happen to her in a long time, even if she’d never admit it.

Marion enjoys her quiet life of solitude in the shadowy woods of the Black Veil, where even the local villagers don’t dare venture. She sells her healing potions at the village market by day and tends to her otherworldly garden by night, caring for her magical bees and furry familiar, Peek, at their cottage. Then, one moonlit night, she encounters a devilishly handsome male—with powerful wings, sharp fangs, and high fae-like beauty—shot through with a lethal poisoned arrow.

Widower Kane Black is still ruinously married to his late wife, Lily. Grief has hollowed him… until he sees a woman with his wife’s inimitable beauty on the streets of Manhattan. He whisks her up to his towering penthouse, protectively under guard, nestling her in dark opulence where Lily’s memory is a possessive beguiling force.

It's 1900, and Louise Wilk is taking her dying husband home to Buffalo, where he grew up. Dr. Edward Wilk is wasting away from an aggressive and debilitating malady. But it's becoming clearer that his condition isn't exactly a disease but a phase of existence that seeks to transform and ultimately possess him.

Sister Perpetue is not to move. She is not to fall asleep. She is to sit, keeping guard over the patient’s room. She has heard the stories of his hunger, which defy belief: that he has eaten all manner of creatures and objects. A child even, if the rumours are to be believed. But it is hard to believe that this slender, frail man is the one they once called The Great Tarare, The Glutton of Lyon.

They broke me. Abused me. Treated me like trash and left me to die… A dark, sexy, revenge romance. I survived everything they put me through and when my brother came back from the dead, I thought it was over. I thought I could move on. Except they’re still here, in Verona, they’re still living free and with every day that passes I feel that insult more and more. And my abusers aren’t just going to trust I’ll keep my mouth shut. They start stalking me, start trying to turn my own family against me and then it’s game on.

He may be dangerous, but I can’t resist the urge to call him daddy. A secret kink I’ve never explored draws me to an underground club. My new friend and colleague is a regular member and convinces me to join her. What I didn’t know is the place is run by an Irish crime gang. Even worse, the leader of the gang takes an interest in me. Something tells me he’s not used to taking no for an answer. Devlin Murphy is six foot four of pure muscle, plastered in tattoos. He has dark eyes you could lose yourself in and an accent to die for.

A gripping blend of the raw, the astonishing and the tragic, every story is as perfectly unexpected as a snare: tightly, exquisitely wound, ready to snap at a touch. Here, a young father is haunted by the consequences of a moment of distraction; tragedy is complicated by the inexplicable appearance of an injured horse; an attempted poisoning leads two writers to startling conclusions; a lonely woman’s charity is rewarded with home-invasion. And in the shocking opening story, a mother surfaces from the depths of the lake behind her house, where she saw something awful yet alluring.

Exiled. For six long years. But my father is dead now and I’m head of the Montague Family. I’m not going to stay hiding in the shadows any longer. No, I’m going to get my revenge starting with her; Rose Capulet. The love of my life. By the time I’m finished she, and everyone in this city will understand the monster I’ve become. The monster they made of me. I’m going to take this city. I’m going to take everything they love and leave them with nothing but the ashes.

1920s England. Sarah Piper’s lonely, threadbare existence changes when her temporary agency sends her to assist an obsessed ghost hunter. Alistair Gellis—rich, handsome, and scarred by World War I—has been summoned to investigate the spirit of the nineteen-year-old maid Maddy Clare, who is said to haunt the barn where she committed suicide.

The story begins with an investigation into some strange reports of an "opera ghost", legendary for making the great Paris opera performers ill-at-ease when they sit alone in their dressing rooms. Some allege to have seen the ghost in evening clothes moving about in the shadows. Nothing is done, however, until the disappearance of Christine during her triumphant performance.

Vern, a Black woman with albinism, is hunted after escaping a religious compound, then she discovers that her body is changing and that she is developing extra-sensory powers. Alone in the woods, she gives birth to twins and raises them away from the influence of the outside world. But something is wrong - not with them, but with her own body. To understand her body's metamorphosis, Vern must investigate not just the secluded religious compound she fled but the violent history of dehumanisation, medical experimentation and genocide that produced it.

A Daphne du Maurier-esque chiller set on the mysterious Cornish coast from the author of The Silent Companions and The Corset. Consumption has ravaged Louise Pinecroft’s family, leaving her and her father alone and heartbroken. But Dr Pinecroft has plans for a revolutionary experiment: convinced that sea air will prove to be the cure his wife and children needed, he arranges to house a group of prisoners suffering from the same disease in the cliffs beneath his new Cornish home.

In a mysterious apartment filled with ghosts, our unnamed narrator attempts to explain this to her child - how do I talk about this? she wonders. The truth must become something beautiful. We must begin with a fairy tale. And so she begins to construct a beautiful fairy tale for her child - one that begins with a strange baby boy whose nails grow too fast and whose skin smells of soil. As he grows from a boy into a man, a plague seems to follow him everywhere.

Cordelia Beecher is on the run. In search of her missing brother Edward, she has fled the oppressive charity school she was raised in, desperate to find the only family she knows. Using clues from his past letters, she sets off for the sleepy town of Farrow but everyone there claims to have never heard of Edward—not even the man he was supposedly working for as an apprentice.