Showing results by publisher "-emdashery books-" in Psychological

In A Dill Pickle by Katherine Mansfield, a chance meeting in a café brings together two former lovers whose lives have taken very different paths. As they sit across from one another, polite conversation gives way to memory, regret, and subtle emotional power shifts. What begins as nostalgia slowly reveals deeper truths about ego, control, and the quiet wounds left by emotional neglect. Through fragmented dialogue and unspoken tension, Mansfield exposes how love can be distorted by self-absorption, and how one voice can dominate while another fades into silence.

In the quiet spaces between broken homes and shattered dreams, Marcy fights to survive a world that seems determined to destroy her. Raised in chaos and shaped by abuse, addiction, and betrayal, she navigates a life of trauma with only fragments of hope to cling to. But Marcy is not just a victim—she’s a fighter. Through motherhood, heartbreak, and countless trials, she battles the darkness that threatens to consume her. As secrets unravel and old wounds resurface, Marcy must decide: will she let the shadows break her, or will she rise and break the cycle?

Kate Taylors Leben verwandelt sich in einen Albtraum, als sie frühmorgens zu Hause anstelle ihres drei Tage alten Sohnes ein fremdes Baby in der Wiege vorfindet.

This is the story of the surgeons who stole a leg and saved a life. They are the ones falling apart in the tearoom afterwards. The aging consultant who can feel his hands betraying him. The single mother questioning every cut she's ever made. The brilliant surgeon whose ego writes cheques his marriage can't cash. The trainee left holding the blame when a surgeon decides his reputation matters more than the truth. Two women torn apart by a lascivious outsider. And a woman who holds them all together.

When the cracked harbor bell of Greyhaven rings without wind, the town wakes to something old and listening beneath the tide. The Quiet That Walks: The First Echo begins the Greyhaven saga—a slow-burn supernatural thriller about resonance, memory, and the cost of hearing what should remain unsaid. Archivist Nora Callow captures a recording of the bell’s impossible tone; sound engineer Mara Vale studies its frequency; and choir director June Harlow feels the vibration beneath her own voice.

Being stuck in this house with the husband I’m separating from is unbearable. Dexter barely looks at me. When he does, it’s like I’m not even here. It’s as if he’s already erased me from his life. He won’t engage with me at all and looks to be dragging a burden around with him – a guilty conscience perhaps? I spend hours with my Nan at her care home. She’s the only person I can talk to – the only person who’s always there for me. What’s worse is how Dexter’s taken over with our daughter, Etta – the girl who’s been my North, South, East and West since the day she was born.

Dans cette nouvelle dramatique et psychologique de la fin du XIXe siècle, Catulle Mendès ausculte l’âme humaine à travers la figure du vieux Blas et l’ombre d’un crime. Entre silences lourds, gestes retenus et regards qui se détournent, s’esquisse le portrait d’une conscience aux prises avec ce qui ronge et dévaste. Sans emphase, la prose de Mendès saisit le frisson de l’attente, l’ambiguïté du cœur et la logique implacable des conséquences. Une plongée intense où faute, mémoire et secret tissent un drame intime, jusqu’au point où la vérité n’a plus d’échappatoire.

Mother's Day should hurt less with each passing year. For Bonnie Hunter, it only cuts deeper. The coastal bushland of her childhood is a hard place to visit at the best of times, but when two campers vanish nearby, Bonnie is dragged from her grief into a case riddled with secrets.

Florida homicide detective Maggie Novak has seen hundreds of brutal murder cases, but when she is called out to investigate the charred remains of a young woman, in what appears to be a Halloween prank gone wrong, she is confronted with a twenty-year-old secret. The body is formally identified as that of school counselor Dana Cullen, but a distinguishing mark makes Maggie look again. She believes it is the body of her school friend Rita, who perished in a fire twenty years ago. Maggie’s hunt for the truth behind the murder takes her back to a cruel high school trick.

Morgan isn’t sure about her new boyfriend, Justin. Before the couple go on a romantic weekend trip, Morgan attends an appointment with her neurologist, Dr. Koftura, who has monitored her since an accident she had when she was seven years old. Morgan has a history of sabotaging her romantic relationships, and the doctor is concerned that she is following the same patterns with Justin.

Emma is so happy to have moved from the city to her husband’s small hometown. James was strangely reluctant at first – but she convinced him their little cottage is the perfect place to settle down. The perfect place to give their six-year-old son a new life. But then a woman at the school gates asks Emma if she is really married to ‘that man’. ‘Which man?’ Emma asks. The woman replies…

When Andrew Sumner meets beautiful, edgy Charlie, he is certain his run of bad luck has finally come to an end. But as the two of them embark on an intense affair, Andrew wonders if his grasp on reality is slipping. Items go missing in his apartment. Somebody appears to be following him. And as misfortune and tragedy strike his friends and loved ones, Andrew is forced to confront the frightening truth.…

Fran finds her standing by the swings. A little girl, Esther, no older than seven years old, by herself in the dead of night, her pretty but old-fashioned yellow dress covered in grass stains and her hair dishevelled. She says she's waiting for Father, and that strikes Fran as particularly odd. After Esther is reunited with her family, Fran can't stop thinking about this pious child whose imaginary friend is God. Fran's instincts tell her something is very wrong. Why does Esther keep running away from home, and how did she get that bruise on her leg?

Howards End is a beautifully subtle tale of two very different families brought together by an unusual event. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes are practical and materialistic, leading lives of "telegrams and anger". When the elder Mrs. Wilcox dies and her family discovers she has left their country home - Howards End - to one of the Schlegel sisters, a crisis between the two families is precipitated that takes years to resolve.

I yearn to punish her for being so damn irresistible. I ache to own her, so I never have to know life without her. But more than anything, I’m compelled to slaughter anyone who comes between us.

When Shelley Woodhouse wakes up in hospital from a coma, the first thing she says is that her husband must be arrested. He’s the reason she’s in here. She knows it. She remembers what he did. Clearly as anything. But there are things Shelley has forgotten too, including parts of her childhood. And as those start to come back to her, so do other memories. Ones with the power to change everything.

Ashley has been taken by Franklin Joyce. Franklin Joyce is a monster. Ashley is having a bad day at the office. Ben is following her, he's even followed her home, and she's not interested. She just wants him to leave her alone. She even hides in the basement car park to catch him at it. Which is the last thing she'll do before Franklin Joyce comes into her life.

On a summer evening in 1931, Lilly Blackwood glimpses circus lights from the grimy window of her attic bedroom. Lilly isn't allowed to explore the meadows around Blackwood Manor. She's never even ventured beyond her narrow room. Momma insists it's for Lilly's own protection, that people would be afraid if they saw her. But on this unforgettable night, Lilly is taken outside for the first time - and sold to the circus sideshow.

When yoga teacher Amelia falls victim to an online scam, her colleague Paige really comes through for her. And with their daughters Marnie and Taryn becoming best friends, the two families grow even closer. But all is not as it seems. Paige has an agenda.

Augie is a poor but exuberant boy growing up in Chicago during the Depression. While his friends all settle into chosen professions, Augie demands a special destiny. He tests out a wild succession of occupations, proudly rejecting each as too limiting - until he tangles with the glamorous perfectionist Thea.