Showing results by publisher "Penguin Random House Australia Audio" in Literary Fiction

Emma Cormac married into a perfect life, but now she's barely coping. Inside a brand-new, palatial home, her three young children need more than she can give. Clem, a wilful four-year-old, is intent on mimicking her grandmother, the formidable matriarch Pat Cormac. Arthur is almost three and still won't speak. At least baby Robbie is perfect. He's the future of the family. So why can't Emma hold him without wanting to scream? Beyond their gleaming windows, a lake vista is evaporating. The birds have mostly disappeared, too.

Stephen Maserov has problems. A onetime teacher, married to fellow teacher Eleanor, he has retrained and is now a second-year lawyer working at mega-firm Freely Savage Carter Blanche. Despite toiling around the clock to make budget, he's in imminent danger of being downsized. And to make things worse, Eleanor, sick of single-parenting their two young children thanks to Stephen's relentless work schedule, has asked him to move out.

Evie has been raised in the heart of Aboriginal Redfern, by a proud trailblazing Wiradjuri family. She remembers so much about the previous world – the Dreamtime, the ancestors, and the knowing – but she also harbours a dark pain that is becoming almost too much to bear. And then Evie meets James, a young man radiating pure love who fills her life with light. On the cusp of adulthood, with their whole lives ahead of them, they travel to Evie’s beloved country, the central west of New South Wales and the Riverina regions.

It's the turn of the new millennium, and the bright young things are partying like it's the end of the world. Dark glamour and debauched music reign, gigs culminating with everyone on stage - or undressed. Lucy, editor of a music magazine, is at the blazing neon centre, ecstatically seeking oblivion. But as her life (featuring a stalker, a not-quite ex-husband, and an affair with a cold, charismatic musician) veers from complicated to chaotic, she burns it all down, decamping to the remote seaside town of her childhood to start again.

The daughter of Cambodian refugees, Ai grew up in the small Australian town of Whitlam populated by Asian immigrants who once fled war-torn countries to rebuild their shattered lives. It is now the late '90s and despite their parents' harrowing past, Ai and her tightknit group of school friends lead seemingly ordinary lives, far removed from the unimaginable horrors suffered by their parents. But that carefree innocence is shattered in their last year of school when an incident involving Ai and her friends spirals into senseless violence, leaving behind a trail of unresolved trauma.

The disappearance of Bo Rabbit in 1984 left the Rabbit women crippled by grief. Bo's mother, Rosemary, and Bo's younger sister Delia, became disjointed and dysfunctional, parting ways not long after Delia turned 18. Now a teacher at a Queensland college, Delia's life is dissolving. She gave up on her own art, began a relationship with a student and is struggling to raise her three growing children, Olive, Charlie and Benjamin. And, now she must also care for her mother. Despite it all, the Rabbits are managing, precariously.

It's been twenty years since her mother was photographed, blood-soaked, outside the family home. A famous TV food personality, she fled the country. Since that time, the girl has grown up. She's bought an apartment, learned her own cooking style, fallen in love. She lives a quiet life, working as a copywriter for a health insurance company. She's found happiness, finally. But strange things are in the air.

Dara Willcox, in New York for a weekend, meets Austin Clarke at an art gallery. The two are on different courses-Austin is British, temporarily in New York. Dara's from North Carolina, set on law school. They fall in love at first sight, and are determined to make their lives together. Days after their engagement dinner, Austin hears unsettling news from London that wrecks their plans. Dara abruptly cancels the wedding. She refuses to reveal why, not even to her best friends or her parents or grandmother, disrupting their family tradition of openness.

Anam blends fiction and essay, theory and everyday life to imagine that which has been repressed, left out, and forgotten. The grandson mines his family and personal stories to turn over ideas that resonate with all of us around place and home, legacy and expectation, ambition and sacrifice. As he sifts through letters, photographs, government documents and memories, he has his own family to think about: a partner and an infant daughter. Is there a way to remember the past that creates a future for them? Or does coming home always involve a certain amount of forgetting?

Told from five different points of view, each one revealing something different, On a Bright Hillside in Paradise tells the story of a family of convict descendants in the back-blocks of Tasmania, on a farm in a place called Paradise. They lead hard-scrabble lives. The drama begins when strangers arrive, Christian Brethren evangelists who hold big revival meetings in local barns. On a Bright Hillside in Paradise tackles big questions of faith and family but remains grounded in the dreams and strivings of its beautifully drawn characters.

It's 1969, and mankind has leapt up to the moon, but a young mother in small-town Australia can't get past the kitchen door. Louise Ashland is exhausted - her husband, Steven, is away on the road and her mother, Gladys, won't leave her alone. At least her baby, Dolores, has finally stopped screaming and is sweetly sleeping in her cot. Right where Louise left her. Or is she?

Adrift in outer space, a motley crew of human-made objects tell their tales, making real history sweeter and stranger. Starman, a lovelorn mannequin orbiting the Sun in his cherry-red car, pines for his creator. The first sculpture ever taken to the Moon is possessed by the spirit of Neil Armstrong. The International Space Station, awaiting deorbit and burial in a spacecraft cemetery beneath the ocean, farewells its last astronauts. A team of tamponauts sets off on a perilous mission to Mars inspired by the courage of their predecessors.

Gabrielle has inherited the ability to change the colour of her skin from her mother, Tallulah. They guard their power carefully within the walls of a home that's been bleached completely white. This is the doing of Gabrielle's father, Robert. After battling his executive-level colleagues all day at the office as a man of colour, he needs everything in his house to be white - including his wife and daughter.

It's 2016. Lance Alcocke, sole heir to an iron ore fortune, 40-ish bachelor, has just lost control of his life's work. His newly opened mine, Madeleine's Monster, named after his pioneering, iron-fisted grandmother, was supposed to be a workers' paradise in the Pilbara. But the Monster can't cover its costs, and Lance's Korean financiers are trying to steal his company out from under him. They've appointed administrators to APC Minerals, and Lance's 1,200 workers have lost their jobs.

Amelia stands beside a highway in the Australian desert, alone except for her dog and the occasional road train that speeds past her raised thumb. After her mother's funeral, Amelia was confronted by Zach and reminded of the relationship they had when she was a teenager. She feels complicit and remains unable to process what happened. So she ran. Her best friend, Sid, is Zach's cousin and the one person in the world she can depend upon.