Showing results by publisher "----RM Alexander" in City Life

To the casual observer, the great enlightened city of Edinburgh, home of no-nonsense sermons and cream teas, might appear immune to the rollercoaster of strong emotions. But at 44 Scotland Street, as Matthew and Elspeth embark on the risky enterprise of married love, the raffish portrait painter Angus Lordie has a premonition of disaster. Soon enough Irene Pollock is shocked to learn that her small son Bertie harbours a highly unsuitable ambition; and Angus finds himself facing a large Glaswegian gangster.

Richard has spent his life as a university professor, immersed in the world of books and ideas. Recently retired, he steps into the streets of his city, Berlin, and discovers a new community. A tent city has grown up on Oranienplatz, established by African asylum seekers. Hesitantly getting to know the people there, Richard finds his life changing, as he begins to question his own sense of belonging in a city that once divided its citizens into them and us.

Long-suffering child genius Bertie Pollock has much to contend with in the latest instalment of life at 44 Scotland Street, not least the birth of his brother Ulysses. Bertie had hoped that caring for a new baby would command all of his mother's attention, but he quickly sees that his dream of being left to his own devices is not destined to come true.

Howard and Elsie Manning were born on the same day, met at kindergarten, and have been married for 59 years. They have lived sensible, productive lives, and raised two self-sufficient daughters. Now, at 78, they are bored with the predictability of life, fed up with contemporary society, have aching joints and dwindling finances, and—funeral by funeral—their circle of friends is shrinking. Worst of all, they are grieving for their beloved, recently deceased dog Maisie.

This is Nadia. She is fiercely independent, with an excellent sense of humour and a love of smoking alone on her balcony late at night. This is Saeed. He is sweet and shy and kind to strangers. He also has a balcony but he uses his for stargazing. This is their story: a love story, but also a story about how we live now and how we might live tomorrow.

Peggy could lose her beloved pub. Maggie her acclaimed restaurant. Maureen her business and her home. Everyone had something to lose. Whilst old friends try to come to terms with the shocking news, the younger generation continue to forge ahead in the swinging sixties. Relationships flourish and new opportunities blossom; the ever changing world becoming their oyster. But family bonds remain strong, after all, it's people that matter not the buildings.

In the heart of Dressmakers' Alley, Madame Pauline’s sweatshop is rumoured to be a particularly unpleasant place to work. Filled with seamstresses paid a pittance who turn a blind eye to what darker activities are hidden behind locked doors. Young Winnie Brown is keen to prove her value to the Women Movement and secures a job as a seamstress to investigate the whispers of some unsavoury goings on. Her concerns are soon justified when she hears a desperate cry for help.

In seinem ersten Roman Buddenbrooks erzählt Thomas Mann nur wenig verschlüsselt die Geschichte seiner Familie und ihrer Stellung in der Vaterstadt Lübeck, soweit er sie nachvollziehen, in Einzelheiten überblicken konnte, ja sogar noch miterlebt hat. Verwandte, Honoratioren und markante Persönlichkeiten seiner Jugend werden integriert. Es ist die Geschichte des langsamen Niedergangs einer reichen Kaufmannsfamilie über vier Generationen hinweg. Auch mehr als hundert Jahren nach seinem ersten Erscheinen hat der Roman nichts an Charme und Aktualität eingebüßt.

Situated in a rapidly gentrifying district of Seoul, Yeonnam-Dong's Smiley Laundromat is a place where the extraordinary stories of ordinary residents unfold. Furnished with a coffee machine, a full bookshelf, and warm lighting, it is a haven from the world for many locals. And when a notebook is left behind there, it becomes a place that brings people together. One by one, customers start jotting down candid diary entries, opening their hearts and inviting acts of kindness from neighbours who were once just faces in the crowd. But there is a darker story behind the notebook...

Alice Croydon has the perfect life: she has a large, close-knit family who loves her—even if they are sometimes a little too invested in her decisions—and she's about to marry her high school sweetheart Finn. Alice couldn't be happier. Except for the occasional niggle whenever she thinks about her career—or lack thereof. Fashion design has always been her passion, but living in the small north-western New South Wales town of Gunnindi doesn't offer much opportunity to pursue her dream. Until one day the unexpected happens.

Charles lives in the testosterone-driven, high-powered, brutal world of investment banking. It is a world dominated by deals, bonuses, bravado, and savagery. Charles is a master of this world. Each day, he shrugs on a metaphorical suit of armour and goes out into a dog-eat-dog world to accumulate power and make money. He's a man who is familiar with casual brutality - his childhood saw to that.

If I Had Your Face plunges us into the mesmerising world of contemporary Seoul - a place where extreme plastic surgery is as routine as getting a haircut, where women compete for spots in secret 'room salons' to entertain wealthy businessmen after hours, where K-Pop stars are the object of all-consuming obsession and ruthless social hierarchies dictate your every move. Navigating this cutthroat city are four young women balancing on the razor edge of survival.

Elsie is out of options. She's exhausted from being pushed in and out of social housing, she's deflated by debt and she's disturbed by the dark reality of having bailiffs show up at her door. With nowhere to go, there's only one person left to turn to: her best friend, Juliet. She finds friendship and safety in Juliet's flat, but when Elsie loses her bar job and all creative inspiration for her poetry dries up, she hits rock bottom.

Bryony doesn’t mind being single. Which is why she doesn’t understand why she keeps seeing (ok, sleeping with) Ed...who is perfectly fine but also only ok. She resolves to end things only to unceremoniously receive a call whilst in the queue for what report to be the best noodles in town. The caller tells her Ed has died. Worse yet, he seems to have represented her as his great love. Obviously, it would be rude to correct them. Then she’s invited to the funeral. It would be equally rude to refuse…right?

Rudy Sharpe is the irrepressible owner of a tiny, ramshackle record store, stacked from floor to ceiling with piles of vinyl. It’s a place with real soul, where the slogan is ‘If we don't have it – them don't mek it’. Helping out behind the counter is Tasha, Handsworth’s only Black goth girl, while Rudy’s best friend Clifton regularly drops in to talk music, women and rum.

I first saw her on the platform on my way home from work a few weeks ago. She had an aura about her that made people stop and stare. Then I saw her again. And again. Our twice weekly commute into London Waterloo insync. She was always so poised, so pretty, so perfect. Everything I’m not.

My new husband is everything I shouldn't want: dark soul, wicked smile, and a growl that makes me forget my own name. A walking sin in a tailored suit, he's determined to make me pay for my father's betrayal. But the way he claims me like I'm his only redemption tells a different story. Turns out New York's most feared crime lord has a weakness. And apparently, it's me.

An all-new recording published for the 100th anniversary of The Great Gatsby, this production presents the enduring original text, updated with the author’s own revisions, a foreword by his granddaughter, and with an introduction by National Book Award winner Jesmyn Ward.

Layla Byrnes is exhausted. She's juggling a demanding job as an anaesthetist, a disintegrating marriage, her young kids, and a needy lover. And most particularly she's managing her histrionically unstable mother, who repeatedly threatens to kill herself. But this year, it's different. When her mother rings just before Christmas, she doesn't follow the usual script. Instead, she tells Layla that there's something she needs to tell her about her much-loved father. In response, Layla drops everything to rush to her childhood home on the wild west coast of Tasmania.

Maria, a trans woman in her 30s, is going nowhere. She spends her aimless days working in a New York bookstore, trying to remain true to a punk ethos while drinking herself into a stupor and having a variety of listless and confusing sexual encounters. After her girlfriend cheats on her, Maria steals her car and heads for the Pacific, embarking on her version of the Great American Road Trip.