Showing titles in City Life

Layla Byrnes is exhausted. She's juggling a demanding job as an anaesthetist, a disintegrating marriage, her young kids, and a needy lover. And most particularly she's managing her histrionically unstable mother, who repeatedly threatens to kill herself. But this year, it's different. When her mother rings just before Christmas, she doesn't follow the usual script. Instead, she tells Layla that there's something she needs to tell her about her much-loved father. In response, Layla drops everything to rush to her childhood home on the wild west coast of Tasmania.

When young Bendigo Shafter and a ragtag bunch of travelers settle in the rugged Wyoming mountains, they quickly come to depend on a toughness and wisdom many of them never knew they possessed. Led by the beautiful and resourceful widow Ruth Macken, the settlers battle harsh winters, renegade opportunists, and the destructive lure of gold. Through these brutally demanding experiences, young Bendigo is forged into a man.

Twenty-five-year-old Kat Bennett has never had a place to call home, and when she moves into the crumbling Shelley House, she thinks it will just be temporary. Seventy-seven-year-old Dorothy Darling has lived in Shelley House for longer than anyone can remember, and if you believe the other tenants, she's as cantankerous as they come. When the building faces demolition, sworn enemies Kat and Dorothy become unlikely allies in their quest to save their historic home...and even less likely investigators when they suspect that foul play is coming from inside the house.

Everybody likes Andrew. But they don't really know him. They know what he's told them - that he's happily married with two kids. Living the kind of life that's either so boring it's true, or so perfect it's a lie. Peggy arrives in Andrew's life in a burst of kindness and possibility. For the first time in ages, Andrew feels alive again. So now that he has everything to lose, can he risk it all and tell Peggy the truth?

All This Could be Different introduces us to Sneha. A recent college graduate freshly arrived in Milwaukee, she occupies her days with rote, stressful work as a young consultant for a battery production corporation. She is, as her boss reminds her, a 'contractor, no benefits'. Her nights are spent ordering furniture off the internet, trying out the newfangled invention of dating apps and avoiding confrontation with the terrifying property manager who lives below her. But the rewards are bountiful.

Detective Lola Harris is called to a local park where the body of a woman has been pulled out of the river. On the victim’s wrist is a tattoo. A dolphin and a heart. Lola knows who she is instantly – the woman half the Glasgow force have been searching for: missing juror, Kathryn Main. Kathryn was on the jury that convicted reality TV star Carter Craig of a double murder. Just weeks later, the verdict was overturned. Carter walked free. Three jurors were arrested for misconduct. A fourth, Kathryn Main, disappeared. Then, a witness comes forward with shocking new information.

Glasgow for Bertie is the promised land. The city of pies and Irn Bru, far from his controlling mother, Irene, – his place of escape. But how will he respond to the news of the proposed merging of Edinburgh and Glasgow? A new member of Bertie’s class at school is causing ripples in his social circle. She is called Galactica MacFee and is going to be a match for Olive and her lieutenant, Pansy. And an incredible new discovery: a Pictish stone that is said to have the first-know written poem carved into it is the talk of the town.

In seinem ersten Roman Buddenbrooks erzählt Thomas Mann nur wenig verschlüsselt die Geschichte seiner Familie und ihrer Stellung in der Vaterstadt Lübeck, soweit er sie nachvollziehen, in Einzelheiten überblicken konnte, ja sogar noch miterlebt hat. Verwandte, Honoratioren und markante Persönlichkeiten seiner Jugend werden integriert. Es ist die Geschichte des langsamen Niedergangs einer reichen Kaufmannsfamilie über vier Generationen hinweg. Auch mehr als hundert Jahren nach seinem ersten Erscheinen hat der Roman nichts an Charme und Aktualität eingebüßt.

Love in Five Acts explores what is left to five women when they have fulfilled their roles as wives, mothers, friends, lovers, sisters and daughters. As teenagers they experienced the fall of the Berlin Wall, but freedom brings with it another form of pressure: the pressure of choice. Punchy and entirely of the moment, Love in Five Acts engages head-on with what it is to be a woman in the 21st century.

No one should have a grudge against a meditation-loving yoga teacher, but my bank-robbing father’s associates seem to believe that I know where he hid his missing fortune... and they’ll do anything to get their hands on it. Gruff giant Kade Campbell is determined to protect me, but I don’t want him in the firing line. The rugged former special forces soldier may be a badass—and able to give me butterflies like nobody’s business—but he isn’t immune to bullets.

Peggy could lose her beloved pub. Maggie her acclaimed restaurant. Maureen her business and her home. Everyone had something to lose. Whilst old friends try to come to terms with the shocking news, the younger generation continue to forge ahead in the swinging sixties. Relationships flourish and new opportunities blossom; the ever changing world becoming their oyster. But family bonds remain strong, after all, it's people that matter not the buildings.

To the casual observer, the great enlightened city of Edinburgh, home of no-nonsense sermons and cream teas, might appear immune to the rollercoaster of strong emotions. But at 44 Scotland Street, as Matthew and Elspeth embark on the risky enterprise of married love, the raffish portrait painter Angus Lordie has a premonition of disaster. Soon enough Irene Pollock is shocked to learn that her small son Bertie harbours a highly unsuitable ambition; and Angus finds himself facing a large Glaswegian gangster.

Based on the life of cornet player Buddy Bolden, one of the legendary jazz pioneers of turn-of-the-twentieth-century New Orleans, Coming Through Slaughter is an extraordinary recreation of a remarkable musical life and a tragic conclusion. Through a collage of memoirs, interviews, imaginary conversations and monologues, Ondaatje builds a picture of a man who would work by day at a barber shop and by night unleash his talent to wild audiences who had never experienced such playing. But Buddy was also playing the field with two women, and inside his head was a ticking time-bomb.

London, 1969: The Kray twins, the nemeses of Charles Holborne, barrister, are finally convicted of multiple murders and sent away for the longest prison terms ever imposed by a British court. But with London in the grip of a housing crisis and unscrupulous landlords hiking rents, there are new ruthless enforcers terrorizing destitute East Enders. When a tenant dies during a violent altercation with bailiffs, Charles is instructed to represent the businessmen charged with conspiracy to murder.

A poignant, highly original novel about an author whose relationship with his very famous book editor will change him forever.... After years of struggling as a writer in 1990s New York City, James Smale finally gets his big break when his novel sells to an editor at a major publishing house: none other than Jacqueline Kennedy Onassis. Jackie, or Mrs. Onassis as she's known in the office, loves James' candidly autobiographical novel about his own dysfunctional family.

When multi-millionaire Jacki Turner is forced to take stock of her life, she sets her daughters a challenge - in order to inherit her vast fortune, each must fulfil a task that she believes will push them to become better versions of themselves. Rose, an exhausted mother of three, must write and publish a children's picture book. Exercise-hater Mel must run the Gold Coast marathon. Isla, the eldest, must figure out who she is beyond her wealth and status, while commitment-phobic Jess must stay in a relationship for longer than three months.

An all-new recording published for the 100th anniversary of The Great Gatsby, this production presents the enduring original text, updated with the author’s own revisions, a foreword by his granddaughter, and with an introduction by National Book Award winner Jesmyn Ward.

Coco is having a hell of a month. She’s lost her boyfriend and her business, been forced to uproot her daughter to move back in with her parents in Paris, and now an infuriatingly handsome stranger is yelling at her for acting like a tourist… Right underneath the Eiffel Tower. Storming away from him – and swearing off men for life – she decides she’s going to take the first job that comes her way. Then, as if fate hears her, later that day she stumbles into a little bookshop – but not any old bookshop.

In the late 1960s, Leo Gazzara left his family in Milan and moved to Rome for work. Soon unemployed, he has spent his time in an alcoholic haze, bouncing between hotels, bars, romantic entanglements and the homes of his rich and well-educated friends. Rome is indifferent. Leo drifts, aimless and alone. On the evening of his thirtieth birthday, he meets Arianna, a young woman who is both fragile and seductive. All night they drive the city in Leo’s run-down Alfa Romeo, talking and talking. They eat brioche for breakfast, drink through the dawn, drive to the sea and back.

Franny Doyle is having the worst day. She’s been sacked, the subway doors ripped her favorite dress to ruins, and now she’s flashed her unmentionables to half of lower Manhattan. On the plus side, a dashing stranger came to her rescue with his (Gucci!) suit jacket. On the down side, he can’t get away from her fast enough. Worse yet? Someone posted their (entirely not) meet-cute online. Suddenly Franny and her rescuer, Hayes Montgomery, are the newest social media sensation, and all of New York is shipping #SubwayQTs.