Showing titles in City Life

As Mara and Tom navigate their break-up/non-break-up, Mara becomes fixated on the perfect couple living in the flat above her. While her best friend accuses her of being self-involved and her already overfamiliar boss keeps getting her drunker and drunker, the Happy Couple become a symbol for everything Mara and Tom could have been – but, crucially, are not.

‘Down among the women. What a place to be!’ So says Wanda, a former radical who left her husband and raised her daughter Scarlet to be as liberated as she. But twenty-year-old Scarlet, with an abortion already behind her, is about to discover real liberation – as a single mother in Fifties’ London. Yet Scarlet’s not alone. Meet her friends: Sylvia, the born victim; respectable Jocelyn, willingly trapped in a dull, bourgeois marriage; Audrey, bristling to break free of her conventional life; and Helen, beautiful, vibrant – and very doomed.

Jo Waterstone knows what you should read next. She’s honed the skill of sizing up a person and recommending their next book in the decades she’s worked at Bruebaker’s Books. Her life has been shaped by the store, the bustle of customers exploring the stacks, and managing the eager staff. She can honestly say it’s the best job she’s ever had. Then the store’s elderly owner, Mr. Bruebaker, suffers a stroke, and just like that Jo’s perfect job is on the chopping block. Mr. B’s daughters and the bookstore’s icy CEO think the time is right to close for good, and they order Jo to lock up.

Personal shopper Annie Valentine is back! Older and bolder! Fashion guru Annie is struggling to cope with her hectic life. With the demands of two older children, plus four-year-old twins, her marriage to Ed is in a romance-free rut and she’s clinging by a couture thread to her job as the nation’s favourite fashion fixer. And where is Svetlana, her multi-millionaire friend, when Annie needs her? Busy with an expensive mid-life crisis, that's where!

Trapped in an abusive marriage to Lord Caraway with her beloved daughter Melissa, 24-year-old Lady Elodie Caraway knows she has to escape before her deepest and darkest secrets are revealed giving her husband every reason to seek his revenge. But time is of the essence, if she is to save herself and Melissa. With the help of lifelong friend Aiden Newman, they swiftly leave Oakland Hall for a new life in Liverpool's docklands. On arrival, Elodie and Melissa are welcomed as lodgers by Molly Haywood’s family, Aidens aunt – no questions are asked.

When beautiful and successful Susan Harris jumps from the roof of her apartment building, she sets a tremor through her New York City mothers’ group that forces them all to look at one another with new cynicism: How could this have happened right under their noses? To one of them? Between her death and the harrowing private school admission season on the horizon, these women are forced to explore the hard truths about themselves.

Lottie and Nick once had a dream marriage, but a series of failed IVF attempts has left Lottie feeling insecure, and her paranoia is further stoked by the arrival of a new starter at Nick’s firm. Nuala is the spitting image of a younger, more attractive Lottie, and Nick is paying her a lot of attention. But then Lottie discovers she’s pregnant. A surprise getaway to their country cottage to celebrate Nick’s birthday will provide the perfect backdrop to give him the news and start to heal the rifts in their relationship.

Like Jim Sheridan’s acclaimed movie, In America, Me and Five Guys tells the story of a first-generation immigrant family’s life in New York, relating both the good and the bad events with bold, straightforward charm. The listeners first meets Frankie, the winsome narrator, in the birth canal on the day JFK is shot. Her Irish father is in the bar, drinking away his sorrow at the president’s murder. Her Italian mother, who is delighted to finally have a daughter, chooses an Italian name for her, Francesca.

Life can change in the blink of an eye. That's a truth Andy Slater learns as a young man in 1982, taking the Chicago "L" to work every morning. Andy's life is laid out before him: a good job, marriage to his female college sweetheart, and the white picket fence existence he believes in. But when he sees Carlos Castillo for the first time, Carlos’ dark eyes and Latin appeal mesmerize him. Flash forward to present day. Andy is comfortable but alone, and has never forgotten the powerful pull of Carlos’ gaze on the "L" train. He vows to find him once more, hoping for a second chance.

On the eve of the Occupy Wall Street protests, C is flat broke. Once a renowned textile artist, she’s now the sole proprietor of an arts supply store in Lower Manhattan. Divorced, alone, at loose ends, C is stuck with a struggling business, a stack of bills, a new erotic interest in her oldest girlfriend, and a persistent hallucination in the form of a rogue garden gnome with a pointed interest in systems collapse. Replaying recent history through a distorting glass, The Visitors charts the last days of a broken status quo as the path is cleared for something new.

Since moving to a new city, once-adventurous Steph is doing her best to prove to her friends and family back home that her life is as fulfilling and envy-inducing as ever. The truth? She is broke and has found that making new friends isn't as easy as she expected. Eric has lost his way in life since his breakup with perfect Clarissa. Now that all his friends are buying homes, getting married and starting families, Eric is still living in a house share, feeling left behind. Eric and Steph are strangers, but with one connection - they live on the same street, on either side of number 26.

The story opens in the shadow of the new World Trade Center, on July 4, 1976, when students George and Anna meet on the weed- and wine-fueled night of the nation’s Bicentennial celebration. George, haunted by his upbringing, instantly falls for the sensual, magnetic Anna. Soon, they couple up, dropping acid, swapping music, exploring the city and each other. Yet their romance is short-lived, and they go their own ways.

It’s October in Montreal, 2002, and winter is coming on fast. Past due on his first freelance gig and ensnared in lies to his family and friends, a graphic design student with a gambling addiction goes after the first job that promises a paycheck: dishwasher at the sophisticated La Trattoria. Though he feels out of place in the posh dining room, warned by the manager not to enter through the front and coolly assessed by the waitstaff in their tailored shirts, nothing could have prepared him for the tension and noise of the kitchen, or the dishpit’s clamor and steam.

Nel dicembre del 1957 un lungo inverno di cenere e ombra avvolge Barcellona e i suoi vicoli oscuri. La città sta ancora cercando di uscire dalla miseria del dopoguerra, e solo per i bambini, e per coloro che hanno imparato a dimenticare, il Natale conserva intatta la sua atmosfera magica, carica di speranza. Daniel Sempere - il memorabile protagonista di "L'ombra del vento" è ormai un uomo sposato e dirige la libreria di famiglia assieme al padre e al fedele Fermín con cui ha stretto una solida amicizia.

Die kleinen Dinge, das sind der Streifen auf einem Wespenflügel, roter Nagellack auf den Fingern eines Schreiners, die geballte Faust auf einer Motorhaube. Die großen Dinge dagegen lauern unausgesprochen im Innern. Das wissen die siebenjährigen Zwillinge Rahel und Estha, und sie wissen auch, dass sich alles an einem einzigen Tag verändern kann. Und sie werden recht behalten. Als Rahel nach vielen Jahren zurückkehrt in ihr Heimatdorf im südindischen Kerala, ist nichts mehr, wie es einst war. Die Konservenfabrik der Familie verfallen, die geliebte Mutter tot, der Zwillingsbruder verstummt.

Organised. Neat. Lonely. Kathy Simmonds is alone at Christmas this year, after her beloved husband John passed away a few months ago. She keeps her home spick and span, struggling with her grief for a family she has lost or lost touch with. But a chance phone call from Battersea Dogs and Cats Home opens the door to something new. She meets Scruff, a messy Jack Russell with a heart of gold who has been left for dead on the streets of London.

Helen Clapp is a physics professor. She doesn't believe in pseudoscience or time travel and especially not in ghosts. So when she gets a missed call from Charlie, her closest friend from university with whom she hasn't spoken in over a year, Helen thinks there must be some mistake. Because Charlie died two days ago. Then when her young son, Jack, claims to have seen Charlie in their house just the other day, Helen begins to have doubts.

1936, September 17th, 1am… In the middle of Harlem, in the dead of night, a woman falls from a second storey window. In her hand, she holds a passport and the name written on it is Lena Aldridge… Nine days earlier… Lena arrived in Harlem less than two weeks ago, full of hope for her burgeoning romance with Will Goodman, the handsome musician she met on board the Queen Mary. Will has arranged for Lena to stay with friends of his, and this will give her the chance to find out if their relationship is going anywhere. But there is another reason she's in Harlem.

Emily has worked hard to be the chic city girl she always dreamed of being. She's definitely not still thinking about Andy, her last boyfriend who ghosted her completely out of the blue. She's got her eyes on the new guy at work. He's much better suited to her new image. When a séance goes haywire, Andy barges back into her life, switching off lights, moving through furniture and moaning about his untimely death. He didn't ghost her, he died...and he's a bit miffed she's trying to move on. And if Emily is going to stop Andy's ghost ruining her love life, she's got to get rid of him.

An order is issued. A population may not meet, or touch or speak to each other. They stay inside, and the reality of a few streets in a capital city emerges. An underground river is discovered; an urban grove of pomeloes emerges. The imagination reaches out, and makes sense of the world. By the sea, two men walk into a future of uncertain violence. There is time now to see the human dramas within a hundred yards; to wait for the weather to change; to understand that what lies underneath this part of the city are seasonally wet pastures and woodlands.