Showing titles in City Life

Since she was sixteen, Willa's curious touchstone in life and work has been the 1993 film Much Ado About Nothing. She's always looking for The Feeling, the stirring in her heart—and loins—that she gets when watching the opening scenes. Now she's navigating her mid-thirties, her career as a romance publisher in an unusual family business, and her determination to remain child-free, while quietly holding out for a love as big as Beatrice and Benedick's.

Nell Stevens’ life is a mess. When her business goes bust and her fiancé with it, Nell’s happy ever after in California falls apart and she moves back to London to start over. But a lot has changed since she’s been gone. All her single friends are now married with children, sky-high rents force her to rent a room in a stranger’s house and in a world of perfect Instagram lives, she feels like a f--k up. 

Loretta Chambers has spent her life working at her father’s boatyard down at the docks. She’s tried hard to keep the business afloat, but with the railways taking trade away every day, Lorrie fears for the worst. The arrival of handsome Italian, Matteo Falcone brings a brief glimmer of hope and a yearning inside Lorrie for another life, away from the filthy grime of the dockside.

It’s time for more confessions... As heartfelt and hilarious as the bestselling first novel, Nell discovers that there’s no such thing as having it all figured out.

Living in flats in a converted house in North London, a group of middle-aged neighbours navigate their careers, love lives and family dramas in this charming sitcom full of heart.

A Wall Street tycoon takes a young woman as his wife. Together they rise to the top in an age of excess and speculation. But now a novelist is threatening to reveal the secrets behind their marriage, and this wealthy man’s story—of greed, love and betrayal—is about to slip from his grasp. Composed of four competing versions of this deliciously deceptive tale, Trust brings us on a quest for truth while confronting the lies that often live buried in the human heart.

Isa Epley is 21 years old and wise enough to understand that the purpose of life is the pursuit of pleasure. In her diary she chronicles her New York City adventure during the sweltering summer of 2013. By day, Isa and her best friend, Gala, sell clothes in a market stall, pinching pennies for their Bed-Stuy sublet and bodega lunches. By night, they weave from Brooklyn to the Upper East Side among a rotating cast of celebrities, artists, and bad-mannered grifters. 

Libby Cooper hasn’t celebrated Christmas since the night her parents died in a terrible accident. She wants to forget that the season of goodwill even exists; but her grandmother has other ideas. It’s time for Libby to start living her life just as her parents would have wanted her to do. First stop New York! What better way to immerse herself in the celebrations, than working in her great aunt’s Christmas shop, just a few blocks from Central Park? Making new friends in the Big Apple is the easy bit, but leaving the past behind proves much harder than Libby imagined.

One week into the COVID-19 shutdown, tenants of a Lower East Side apartment building in Manhattan have begun to gather on the rooftop and tell stories. With each passing night, more and more neighbours gather, bringing chairs and milk crates and overturned pails. Gradually the tenants—some of whom have barely spoken to each other—become real neighbours.

Things seem to be working out for Sophia in New York: having come from Australia to be at the centre of modernity, she’s working at the Museum of Modern Art, living in a great apartment with a boyfriend interviewing for Ivy League teaching positions. They’re smart, serious, dine in the right restaurants and have (a little unexpectedly) become engaged just before he leaves to hike the Appalachian Trail.

Down a quiet backstreet in Kyoto exists a very special restaurant. Run by Koishi Kamogawa and her father Nagare, the Kamogawa Diner treats its customers to wonderfully extravagant meals. But that's not the main reason to stop by... The father-daughter duo have started advertising their services as 'food detectives'. Through ingenious investigations, they are capable of recreating a dish from their customers' pasts – dishes that may well hold the keys to forgotten memories and future happiness.

Athena and Dexter live a happy but insular life, bound by routine and the care of their young sons. When Elizabeth, an old friend from Dexter’s university days, turns up with her much younger sister, Vicki, and her lover, Philip, she brings an enticing world to their doorstep. And Athena finds herself straining at the confines of her life.

The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta real-estate entrepreneur turned conglomerate king, whose expansionist ambitions and outsize ego have at last hit up against reality. Charlie has a 28,000-acre quail-shooting plantation, a young and demanding second wife--and a half-empty office tower with a staggering load of debt. When star running back Fareek Fanon--the pride of one of Atlanta's grimmest slums--is accused of raping an Atlanta blueblood's daughter, the city's delicate racial balance is shattered overnight.

In the summer of 1974 a heatwave blankets Boston and Mary Pat Fennessey is trying to stay one step ahead of the bill collectors. Mary Pat has lived her entire life in the housing projects of 'Southie', the Irish American enclave that stubbornly adheres to old tradition and stands proudly apart. One night Mary Pat's teenage daughter Jules stays out late and doesn't come home. That same evening, a young Black man is found dead, struck by a subway train under mysterious circumstances. The two events seem unconnected.

Jess Bright, single mum and journalist, feels her life has stalled. So when she's offered a writing job in Paris for the summer, she leaps at the chance to go back to a city full of old memories and the promise of new opportunities. Her subject is the iconic artist Adelaide Fox, whose personal life has always been steeped in scandal and intrigue. Now approaching eighty, she's ready to tell her side of the story - and serve up some scalding-hot revenge in the process. Amidst a stormy working relationship, Jess and Adelaide must face up to their pasts.

In a city graveyard, a resident unrolls a threadbare Persian carpet between two graves. On a concrete sidewalk, a baby appears quite suddenly, a little after midnight, in a crib of litter. In a snowy valley, a father writes to his five-year-old daughter about the number of people who attended her funeral. And in the Jannat Guest House, two people who've known each other all their lives sleep with their arms wrapped around one another as though they have only just met.

Long-suffering child genius Bertie Pollock has much to contend with in the latest instalment of life at 44 Scotland Street, not least the birth of his brother Ulysses. Bertie had hoped that caring for a new baby would command all of his mother's attention, but he quickly sees that his dream of being left to his own devices is not destined to come true.

This is Nadia. She is fiercely independent, with an excellent sense of humour and a love of smoking alone on her balcony late at night. This is Saeed. He is sweet and shy and kind to strangers. He also has a balcony but he uses his for stargazing. This is their story: a love story, but also a story about how we live now and how we might live tomorrow.

Daisy Hastings has always thought she was born in the wrong era. So when she bags a summer job at the Tower of London helping to run their Knight school, it feels like a step in the right direction. Theodore ‘Teddy’ Fairfax is a loose cannon. A disgraced distant relative of the royal family, he’s tall, dark and now (begrudgingly) helping with the Tower of London’s summer programme – and there’s nowhere he’d like to be less. When Teddy’s oath to be an obstruction almost gets Daisy fired, she declares war. But as the two cross swords, they start to discover they both need a little rescuing.

At home, they are just sisters, but on stage, they are The Salvations. Ruth, Esther and Chloe have been singing and dancing in harmony since they could speak. Thanks to the rigorous direction of their mother, Vivian, they've become a bona fide girl group whose shows are the talk of the Jazz-era Fillmore. Now, Vivian has scored a once-in-a-lifetime offer from a talent manager, who promises to catapult The Salvations into the national spotlight. Vivian knows this is the big break she's been praying for.