Showing results by publisher "Penguin Random House Australia Audio" in Genre Fiction

Evie has been raised in the heart of Aboriginal Redfern, by a proud trailblazing Wiradjuri family. She remembers so much about the previous world – the Dreamtime, the ancestors, and the knowing – but she also harbours a dark pain that is becoming almost too much to bear. And then Evie meets James, a young man radiating pure love who fills her life with light. On the cusp of adulthood, with their whole lives ahead of them, they travel to Evie’s beloved country, the central west of New South Wales and the Riverina regions.

The disappearance of Bo Rabbit in 1984 left the Rabbit women crippled by grief. Bo's mother, Rosemary, and Bo's younger sister Delia, became disjointed and dysfunctional, parting ways not long after Delia turned 18. Now a teacher at a Queensland college, Delia's life is dissolving. She gave up on her own art, began a relationship with a student and is struggling to raise her three growing children, Olive, Charlie and Benjamin. And, now she must also care for her mother. Despite it all, the Rabbits are managing, precariously.

It's 2002. Britney and Justin are done. Low-rise jeans tyrannise the pants-wearing public. And Hector Singh, a 27-year-old eccentric, moderately talented yet extremely confident aspiring TV writer, is hell bent on 'making it' in LA. He's Puerto Rican and Indian but also post-race (or so he thinks) and he refuses to be intimidated by the Whites Only landscape of show business. But when his mother dies suddenly, Hector's grief turns into depression, triggering dark thoughts and a binge-eating disorder. With a series of implosions that threaten to sink his work and relationships, Hector unravels.

It's the turn of the new millennium, and the bright young things are partying like it's the end of the world. Dark glamour and debauched music reign, gigs culminating with everyone on stage - or undressed. Lucy, editor of a music magazine, is at the blazing neon centre, ecstatically seeking oblivion. But as her life (featuring a stalker, a not-quite ex-husband, and an affair with a cold, charismatic musician) veers from complicated to chaotic, she burns it all down, decamping to the remote seaside town of her childhood to start again.

The daughter of Cambodian refugees, Ai grew up in the small Australian town of Whitlam populated by Asian immigrants who once fled war-torn countries to rebuild their shattered lives. It is now the late '90s and despite their parents' harrowing past, Ai and her tightknit group of school friends lead seemingly ordinary lives, far removed from the unimaginable horrors suffered by their parents. But that carefree innocence is shattered in their last year of school when an incident involving Ai and her friends spirals into senseless violence, leaving behind a trail of unresolved trauma.

It's been twenty years since her mother was photographed, blood-soaked, outside the family home. A famous TV food personality, she fled the country. Since that time, the girl has grown up. She's bought an apartment, learned her own cooking style, fallen in love. She lives a quiet life, working as a copywriter for a health insurance company. She's found happiness, finally. But strange things are in the air.

Liv Winsome, working mother of three sons, wife to decent if distracted Duncan, is overwhelmed. And losing her hair. Her doctor has told her she needs to slow down, do less. Focus on what's important. After Jai, one of her 14-year-old twins, is involved in a sexting scandal, Liv realises things need to change, and fast. Inspired by the pop-psychology books she devours, she writes a nine-page list of everything she does to keep the family afloat and she delegates.

Dara Willcox, in New York for a weekend, meets Austin Clarke at an art gallery. The two are on different courses-Austin is British, temporarily in New York. Dara's from North Carolina, set on law school. They fall in love at first sight, and are determined to make their lives together. Days after their engagement dinner, Austin hears unsettling news from London that wrecks their plans. Dara abruptly cancels the wedding. She refuses to reveal why, not even to her best friends or her parents or grandmother, disrupting their family tradition of openness.

Anam blends fiction and essay, theory and everyday life to imagine that which has been repressed, left out, and forgotten. The grandson mines his family and personal stories to turn over ideas that resonate with all of us around place and home, legacy and expectation, ambition and sacrifice. As he sifts through letters, photographs, government documents and memories, he has his own family to think about: a partner and an infant daughter. Is there a way to remember the past that creates a future for them? Or does coming home always involve a certain amount of forgetting?

Told from five different points of view, each one revealing something different, On a Bright Hillside in Paradise tells the story of a family of convict descendants in the back-blocks of Tasmania, on a farm in a place called Paradise. They lead hard-scrabble lives. The drama begins when strangers arrive, Christian Brethren evangelists who hold big revival meetings in local barns. On a Bright Hillside in Paradise tackles big questions of faith and family but remains grounded in the dreams and strivings of its beautifully drawn characters.

It's 1969, and mankind has leapt up to the moon, but a young mother in small-town Australia can't get past the kitchen door. Louise Ashland is exhausted - her husband, Steven, is away on the road and her mother, Gladys, won't leave her alone. At least her baby, Dolores, has finally stopped screaming and is sweetly sleeping in her cot. Right where Louise left her. Or is she?

Brothers Thom and Archie are the best of friends and never disagree, until the beautiful, young and very headstrong Molly James comes into their life. Molly might be playing a game with the brothers - but when war strikes and they both join up to fight, it isn't a game anymore. Based on the true story of the author's grandfather's wartime experiences, At the Going Down of the Sun explores the intense bond between soldiers and brothers fighting in war, and a love that may tear them apart.

Adrift in outer space, a motley crew of human-made objects tell their tales, making real history sweeter and stranger. Starman, a lovelorn mannequin orbiting the Sun in his cherry-red car, pines for his creator. The first sculpture ever taken to the Moon is possessed by the spirit of Neil Armstrong. The International Space Station, awaiting deorbit and burial in a spacecraft cemetery beneath the ocean, farewells its last astronauts. A team of tamponauts sets off on a perilous mission to Mars inspired by the courage of their predecessors.

It's 1955, and four talented young women become best friends while living at the Hollywood Studio Club, the famous boarding house for movie hopefuls. Julia Newman is a rising star. For Peggy Carmichael, Julia's roommate, life is not so easy. She takes classes, auditions constantly, and grabs whatever bit-part is offered. Meanwhile Vivienne Lockhart, the most talented actress of them all, is constantly reduced to 'sexpot' roles. Finally there's aspiring scriptwriter Sadie Shore, who has little interest in the trappings of fame.

Gabrielle has inherited the ability to change the colour of her skin from her mother, Tallulah. They guard their power carefully within the walls of a home that's been bleached completely white. This is the doing of Gabrielle's father, Robert. After battling his executive-level colleagues all day at the office as a man of colour, he needs everything in his house to be white - including his wife and daughter.

Four years on from the devastating loss of their first child, Lauren and Alex De Vale are finally the proud parents of new baby, Charlotte. However as Lauren - who struggled to bond with her late son - returns to work, she is riddled with anxiety. She knows all too well that one little mistake can lead to tragedy. What if something terrible happens to Charlotte while she's not there?

It's 2016. Lance Alcocke, sole heir to an iron ore fortune, 40-ish bachelor, has just lost control of his life's work. His newly opened mine, Madeleine's Monster, named after his pioneering, iron-fisted grandmother, was supposed to be a workers' paradise in the Pilbara. But the Monster can't cover its costs, and Lance's Korean financiers are trying to steal his company out from under him. They've appointed administrators to APC Minerals, and Lance's 1,200 workers have lost their jobs.

A man grows tired of his open-plan office and builds a fort made of stationery. A woman's euphoria at finally achieving Desktop Zero is quickly replaced with despair. A group of copywriters dream of being poets, and a disillusioned sales executive overthinks his think piece. In the mind-bendingly upside-down world of Sadvertising, iPhones have feelings, brands come to life, creative directors disappear into parallel universes and lowly freelancers become immortal.

Amelia stands beside a highway in the Australian desert, alone except for her dog and the occasional road train that speeds past her raised thumb. After her mother's funeral, Amelia was confronted by Zach and reminded of the relationship they had when she was a teenager. She feels complicit and remains unable to process what happened. So she ran. Her best friend, Sid, is Zach's cousin and the one person in the world she can depend upon.

Gwendolyn and Estella have always been as close as sisters can be. Growing up in a wealthy, powerful and sometimes treacherous family, they've relied on each other for support and confidence. Now, though, Gwendolyn is lying in a coma, the sole survivor of Estella's poisoning of their whole family. What in their dark and complicated past has brought them to this point? As Gwendolyn struggles to regain consciousness, she desperately retraces her memories, trying to uncover the moment that led to this brutal act.