Showing titles in Drama

In this play, the past revisits Paual Tanqueray, resulting in dire consequences.

David Weir explores the conflicting attitudes towards modernity present in decadent culture by examining the difference between aesthetic decadence - the excess of artifice - and social decadence, which involves excess in a variety of forms, whether perversely pleasurable or gratuitously cruel. Such contrariness between aesthetic and social decadence led some of its practitioners to substitute art for life and to stress the importance of taste over morality, a maneuver with far-reaching consequences.

The Tempest is a beautiful and sweeping drama by William Shakespeare and is one of the Bard’s last plays. With a role written as a farewell to the theater, this emotional drama is a beautiful testament to Shakespeare’s talents as a storyteller and writer. The play centers around Prospero, a usurped ruler and powerful sorcerer who lives out his days on a remote island with few humans with whom to interact. Prospero seeks his revenge on his brother by causing his ship to wreck on his island, and the adventure of the play begins.

In Verona, Italy, two young people in love defy the demands of their families and pursue their love for one another above societal expectations. Their decisions and pursuit of love send ripples throughout their family and friend circles, causing controversy and consequences. For centuries, the tale of the young star-crossed lovers has been a mainstay of both the literary canon and popular culture. This is one of William Shakespeare’s most known and beloved works with timeless themes and prose.

Oedipus at Colonus, by Sophocles, is a classical sequel to Oedipus Rex that has been been enjoyed for centuries. This drama is an absolute must for any scholar, student, drama lover, or classical literature fan. Here, you will find the unabridged and complete version of the work. We hope you will thoroughly enjoy each and every act.

Italien 1211: Die junge Cecilia begibt sich auf eine wagemutige Reise, um ihren Vater im fernen Sachsen zu finden, nachdem ihr herzoglicher Gemahl an ...

This transformative audiobook invites you to imagine scenes like David, Saul, Doeg, and Ahimelech brought to life on stage, blending tragedy with a surprising dose of divine humor. Yes, humor—because the Bible shows us a Yahuwah with a profound sense of joy and laughter. As Solomon wisely said, "A merry heart does good like medicine," and the Apostle Paul reminds us, "I can do all things through Christ who strengthens me." Jesus himself was anointed with the oil of joy, bringing laughter, light, and healing wherever he went.

Rosmersholm is a play surrounding the deep and intense political and cultural change in Norway in the middle of the 1880s, a period during which the traditional ruling class were forced to relinquish their right to impose their ideals on the rest of society. We follow Johannes Rosmer, a pastor who has resigned from his position; Rebecca West, a woman who sees Rosmer's potential and believes she can help him to realize his dream of creating a world of "happy, noble people"; and Headmaster Kroll, Rosmer's former best friend.

The Persians: A Translation from Aeschylus There is no drama where the total multiplicity of horror in defeat is more cogently presented than in the Persians by Aeschylus, who fought in the Athenian triumph at Salamis, where the Persian fleet was rammed and wrecked.

Nora, a banker's pampered and petted wife, forges a signature to obtain money for her ailing husband. The play's theme, touting a woman's independence, shocked audiences at the time of its premiere.

Argán es prisionero de sí mismo. El terror a la muerte y el miedo a enfrentarse a la vida le tienen encadenado a su propio lecho, nada le importa, ni su familia, ni su mujer; es una persona cegada y egoísta, a la vez víctima y verdugo. Tan solo la astucia de Toñita, la criada, auténtico motor de la acción hará posible un desenlace donde triunfe el amor y queden en evidencia los intereses de las malas personas.

Escrita en 1931, Bodas de sangre es una obra de teatro que trata de dos jóvenes que se van a casar, pero el día de su boda, la novia vuelve a ver a Leonardo, su antiguo novio, de quien siempre ha estado enamorada. Por eso, después de la ceremonia, los dos huyen juntos llevados por su amor. Pero el marido sale a buscarlos lleno de dolor y de rabia…

Martin ze Stvolna opouští z pověření Karla IV. s malou výpravou České země. Jeho úkolem bude získávat v zahraničí pro katedrálu svatého Víta ostatky svatých. Ani na této cestě není ochuzen o ženskou společnost -⁠ doprovází jej Johanka, stále ještě zákonná manželka třeboňského kata. Nejprve putují do Německa, kde se Martin ze Stvolna setkává s dávným přítelem a později nepřítelem na život a na smrt, Konrádem z Wormsu. Potíže s inkvizicí však způsobí, že královský vyslanec musí brzy uprchnout do Itálie.

Ein klassisches Schauspiel von Johann Wolfgang von Goethe nach der Vorlage von Euripides’ "Iphigenie bei den Taurern." Es gilt als ein Meisterwerk der Weimarer Klassik, ebenso kunstreich wie sinnvoll. Goethe bringt einen alten Mythos zurück, und veranschaulicht sowohl die künstlerischen Bewegungen dieser Zeit als auch die Ideale von Humanität, Gerechtigkeit und Unschuld.

No existe en la historia de la literatura una parábola más sencilla y luminosa que la de Sherezada y Sahrigar para explicar la razón de ser de la ficción en la vida de los seres humanos. Para Sherezada contar cuentos que capturen la atención del Rey es cuestión de vida o muerte. Si Sahrigar se desinteresa o se aburre de sus historias, será entregada al verdugo con las primeras luces del alba. Ese peligro mortal aguza su fantasía y la lleva, sin saberlo, a descubrir que el mundo de la ficción es, como el mundo real, uno, diverso e irrompible.

Wenn Goethe im ersten Teil des Faust noch zwischen Gelehrten- und Gretchendrama unterteilt, so ist im zweiten Teil ganz klar Faust und seine Entwicklung Hauptthema. Nachdem er mit Mephistopheles am Ende des ersten Teils die Flucht ergriff, entwickelt er sich im zweiten Teil stetig weiter, wird Künstler, Zeitreisender, Gatte der schönen Helena, Herrscher - es ist ein wahres Füllhorn der menschlichen Entwicklung, das Goethe hier ausschüttet! Ein großartiger Reigen überschäumender Kreativität, das ist der Tragödie zweiter Teil.

Orestes hat sich, unterstützt von Gott Apollon, in die Hände von Pallas Athene gegeben, damit diese ihn richten möge. Immerhin hat er seine eigene Mutter und deren Liebhaber getötet. Athene aber verweigert den Erinnyen, den Rachegöttinnen, ihre Vergeltung - in einer Art Gerichtsprozess soll Orestens Schuld verhandelt werden. Und das Unglaubliche geschieht: Der vermeintlich ewige Kreislauf von Rache und Blutvergießen wird durchbrochen.

Anacreon (582 BCE–485 BCE) was a Greek lyric poet born in Teos, an Ionian city on the coast of Asia Minor. He likely moved to Thrace in 545 BCE with others from his city when it was attacked by Persians. He then moved to Samos, to Athens, and possibly again to Thessaly, seeking a safe place to write his poems as his patrons (including Polycrates, tyrant of Samos, and Hipparchus, brother of Athenian tyrant Hippias) kept being murdered. It is unknown where Anacreon died, though he lived to the unusually advanced age of 85.

Agamemnon is the first of the three linked tragedies which make up The Oresteia trilogy by the ancient Greek playwright Aeschylus. Trilogy as a whole, originally performed at the annual Dionysia festival in Athens in 458 BCE, where it won first prize, is considered to be Aeschylus' last authenticated, and also his greatest, work. Agamemnon describes the homecoming of Agamemnon, king of Argos, from the Trojan War, and his return to his wife, Clytemnestra, who had been planning his murder (in concert with her lover, Aegisthus) as revenge for Agamemnon's earlier sacrifice of their daughter, Iphigenia.

Produced in 458 BC, Aeschylus' Choephori is the second play in the Oresteian trilogy. The bloodshed begun in the first play with the murder of Agamemnon by his wife Clytemnestra is here continued when Agamemnon's son Orestes avenges his father's death by killing Clytemnestra. It is not until the third and final play, Eumenides, that peace is restored to the family of the Atreidae. The introduction discusses the pre-Aeschylean 'Orestes' tradition in literature and art, as well as the place of Choephori within the Oresteia.