Showing results by publisher "----RM Alexander" in Drama

This multicast dramatisation of Arabian Nights: Volume 1 is an Audible Original reenvisioning of three iconic tales - with a twist. Adapted by the great Marty Ross, whose previous audio dramas include Romeo and Jude, Dark Shadows, Doctor Who and Blood and Stone, listeners can expect to hear Sheherezade, Ali Baba & 40 Thieves and Julnar the Sea Born as they've never done before.

Infamously known as the cursed Scottish play, Macbeth is perhaps Shakespeare’s darkest tragedy. When General Macbeth is foretold by three witches that he will one day be King of Scotland, Lady Macbeth convinces him to get rid of anyone who could stand in his way – including committing regicide. As Macbeth ascends to the throne through bloody murder, he becomes a tyrant consumed by fear and paranoia.

Shakespeare’s timeless story of revenge, corruption, and murder is considered one of the greatest works in the English language. Prince Hamlet sets out to avenge his beloved father's death at the hand of his uncle Claudius - but Hamlet's spiral into grief and madness will have permanent and immutable consequences for the Kingdom of Denmark. Composed over 400 years ago, Hamlet remains one of the theater’s most studied and performed works, and is presented here in a stunning, sound-rich, full-cast recording.

Jane Austen's classic romantic comedy is the sparkling tale of the Bennets, a family blessed with five daughters and a mother desperate to marry them off. The tempestuous pairing of the witty, independent Elizabeth and her arrogant but honorable suitor Mr. Darcy sets the standard for all great couples of stage and screen. Although many have tried, few literary romances have matched the wit and gentile satire of Austen's Pride and Prejudice.

One of the three great tragic playwrights of ancient Greece, Sophocles wrote over 120 plays during his 60-year career, though only seven survive today. The most famous of these are the Theban Plays, all three of which are included in this collection alongside adaptations of Electra and Philoctetes, brought to life by celebrated writers, poets, and playwrights.

Four classic comedies from one of the wittiest playwrights in Western literature: Lady Windermere's Fan, A Woman of No Importance, An Ideal Husband, and The Importance of Being Earnest, all featuring star-studded casts with the likes of Jacqueline Bisset, Miriam Margolyes, James Marsters, Alfred Molina, Roger Rees, Yeardley Smith, Eric Stoltz, and many more. This audio also includes a chilling dramatization of Wilde's sole novel, The Picture of Dorian Gray.

Step into a world where wit is sharp, glances speak volumes, and the dance of manners conceals deeper truths. Pride and Prejudice isn't just a novel—it's a perfectly tuned social symphony composed by one of literature's most insightful observers, Jane Austen. This timeless classic captures the tension between pride and vulnerability, societal expectation and personal desire, all through language as elegant as the world it critiques. In its pages—and now in your ears—you'll encounter unforgettable characters whose joys, flaws, and revelations still echo today.

Julius Caesar is one of Shakespeare’s most compelling Roman plays. The plot against Caesar and the infamous assassination scene make for unforgettable listening. Brutus, the true protagonist of the play, is mesmerizing in his psychological state of anguish, forced to choose between the bonds of friendship and his desire for patriotic justice.

In the hands of Sophocles, the master dramatist, the anguished tale of a man fated to kill his father and marry his mother retains its power to shock and move beyond any Freudian reference.

In Shakespeare's comedy of wit, love and miscommunication, Beatrice and Benedick and Hero and Claudio are pushed into and pulled out of love, their friends playing cupid with life-changing consequences. David Tennant and Samantha Spiro star as the famous sparring partners Benedick and Beatrice, with Chiwetel Ejiofor and Emilia Fox as Claudio and Hero. The supporting cast includes Maxine Peake and Julian Rhind-Tutt

Before Twilight and True Blood, only one vampire commanded “the children of the night". In this bloodthirsty tale of unholy terror, Count Dracula slips into Victorian London with a cargo of his native Transylvanian soil - so he can rest between victims. The city seems helpless against his frightful power, and only one man, Dr. Van Helsing, can stop the carnage. But to do this, he must uncover the vampire’s lair and pierce his heart with a wooden stake.

Shakespeare's most sophisticated comedy is a riotous tale of hopelessly unrequited passions and mistaken identity. Duke Orsino is in love with the noblewoman Olivia. She, however, has fallen for his servant Cesario, who is actually Viola, a woman disguised as a man, who loves Orsino: Confusion is rife. Meanwhile, Olivia's arrogant steward Malvolio is cruelly tricked by her uncle Sir Toby Belch, his friend Sir Andrew Aguecheek, and the maidservant Maria into believing his mistress loves him.

Goethe’s two-part dramatic work, Faust, based on a traditional theme, and finally completed in 1831, is an exploration of that restless intellectual and emotional urge which found its fullest expression in the European Romantic movement, to which Goethe was an early and major contributor. Part I of the work outlines a pact Faust makes with the devil, Mephistopheles, and encompasses the tragedy of Gretchen, whom Faust seduces.

Stacy Keach and Jane Kaczmarek star in this 1949 masterpiece by Arthur Miller, a searing portrait of the physical, emotional, and psychological costs of the American dream. Willy Loman (Keach) is the play's iconic traveling salesman, whose family is torn apart by his desperate obsession with greatness and social acceptance. As his two sons cast about aimlessly for their station in life, Willy begins to come unraveled when the reality of his life threatens his long-cherished illusions.

A compassionate, personal, and illuminating work of nonfiction that draws on the author's celebrated work as a director of socially conscious theater to connect listeners with the power of an ancient artistic tradition.

This final play from the pen of Oscar Wilde is a stylish send-up of Victorian courtship and manners, complete with assumed names, mistaken lovers, and a lost handbag. Jack and Algernon are best friends, both wooing ladies who think their names are Ernest, "that name which inspires absolute confidence." Wilde’s effervescent wit, scathing social satire, and high farce make this one of the most cherished plays in the English language.

The major texts of Western culture are a gateway to wisdom that can widen your views on self and society in enduring ways. And now you can examine its most important works - whether drama, poetry, or narrative - in this series of 64 penetrating lectures that reveal astonishing common ground.

Anton Chekhov’s The Seagull is considered one of his most haunting and atmospheric character studies. A would-be playwright is at war with his egoistic mother while the town has become intoxicated by a sensational author. And as the alluring newcomer steals away Kosta’s only love, their new romance could have devastating consequences.

A dark tale of hubris, lust, and self-destruction… as told by a man who famously fell prey to those same impulses in his own life. Oscar Wilde wrote his original interpretation of the Biblical story of Salomé in French, and the play was so controversial that no theatre in England would produce it for nearly four decades. Includes a conversation with director Michael Hackett and Wilde scholar David Rodes. An L.A. Theatre Works full-cast production.

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.