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The Aeneid is one of the greatest works in all of world literature. It is filled with mythology, history, and archaeology; it is infused with patriotism, religious feeling, and pathos; it is rich in adventure and romance. As the story begins, a storm shipwrecks Aeneas and his Trojan followers near Carthage in North Africa. There, Aeneas falls in love with Dido, queen of Carthage. But the gods order him to leave for Italy. In despair, Dido commits suicide. Upon finally reaching Italy, Aeneas goes down into the lower world and learns about his future descendants, the Romans.

The historians of ancient Greece were pioneers of a new literary craft; their work stands among the world’s most enduring and important legacies and forms the foundation of a major modern discipline. This easy-to-follow edition includes new and newly revised translations of selections from Herodotus - often called the “father of history” - Thucydides, Xenophon, and Plutarch, the four greatest Greek innovators of historical narrative. Here the listener will find their most important, and most widely taught, passages collected in a single volume.

Aristotle's Poetics is best known for its definitions and analyses of tragedy and comedy, but it also applies to truth and beauty as they are manifested in the other arts. In our age, when the natural and social sciences have dominated the quest for truth, it is helpful to consider why Aristotle claimed poetry is more philosophical and more significant than history. Like so many other works by Aristotle, the Poetics has dominated the way we have thought about all forms of dramatic performance in Europe and America ever since.

Homer's masterpiece tells the story of Odysseus, the ideal Greek hero, as he travels home to Ithaca after the Trojan War, a journey of 10 years and countless thrilling adventures. Rich in Greek folklore and myth, featuring gods and goddesses, monsters and sorceresses, The Odyssey has enchanted listeners around the world for thousands of years.

How to Win an Election is an ancient Roman guide for campaigning that is as up-to-date as tomorrow's headlines. In 64 BC when idealist Marcus Cicero, Rome's greatest orator, ran for consul (the highest office in the Republic), his practical brother Quintus decided he needed some no-nonsense advice on running a successful campaign.

The Hellenica is Xenophon’s continuation of Thucydides’ history of the Peloponnesian War, literally resuming from where the previous author’s history was abruptly left unfinished and narrating the events of the final seven years of the conflict and the war’s aftermath. Some historians consider the Hellenica to be a personal work, written by Xenophon in retirement on his Spartan estate, and intended primarily for circulation among his friends, who would have known the main protagonists and events, having most likely participated in them.

The Most Venerable Book is one of the five classics. For many centuries it was a central work for anyone wishing to work for the imperial administration, with its prestige stemming from the belief that it had been assembled by Confucius himself. The first emperor tried to have all copies destroyed because of its subversive implication that 'the Mandate of Heaven' could be withdrawn from rulers who failed their people. For similar reasons it was also banned by Mao. Extraordinarily, it has been revived by the Chinese government of the 2010s.

A bloody revolt by a North African prince and a plot to seize control of Rome are the subjects of two short masterpieces of ancient history by the illustrious Roman chronicler, Sallust. He could not have chosen two more dramatic episodes in the long history of this city.

Petronius’ Satyricon is a rampant and vivacious Roman adventure dating back to the first century, during the reign of Nero. It follows the exploits of Encolpius, an impoverished ex-gladiator, and his boy-lover Giton. The action is fleet and the narrative sweeping: over the course of their journey we meet a host of lewd and comical rogues, including beggars, prostitutes, poets, sodomites, and pedants, and witness many strange and curious events, including a remarkably vulgar multi-course feast, hosted by the pompous nouveau riche Trimalchio

After a century of civil strife in Rome and Italy, the poet Virgil wrote The Aeneid to honor the emperor Augustus by praising Aeneas, Augustus's legendary ancestor. As a patriotic epic imitating Homer, The Aeneid also set out to provide Rome with a literature equal to that of Greece.

Thomas Bulfinch introduces us to the gods of the Greek, Roman, and Norse mythologies. We learn their stories and we also observe the similarities between the deities of yore. Comparing these stories and characters to those of some modern religions may produce some surprising results!

We are all classicists - we come into touch with the classics on a daily basis: in our culture, politics, medicine, architecture, language, and literature. What are the true roots of these influences, however, and how do our interpretations of these aspects of the classics differ from their original reality?

Aeschylus’ historical tragedy Persians, with its dire warnings against the hubris of imperialist overreach, is as relevant today as it was when first presented to an Athenian audience in 472 BC. This new edition of the classic drama features a literal translation by Mark Will (translator of Fernando Pessoa’s Message) which reconstructs in contemporary English verse the epic cadences of the original Greek.

Many stories have stood the test of time, but this selection have entranced audiences for thousands of years and remain as fresh today as they were when first told. A fascinating collection which gives vivid insights into lives in ancient times and the issues that occupied the people of the day.

In Sophocles' tragedy, Oedipus discovers that he has been caught in his terrible destiny, unknowingly murdering his father and marrying his mother.

Captured centaurs and satyrs, incompetent seers, people who suddenly change sex, a woman who remembers too much, a man who cannot laugh—these are just some of the colorful characters who feature in the unforgettable stories that ancient Greeks and Romans told in their daily lives. Together they created an incredibly rich body of popular oral stories that include, but range well beyond, mythology—from heroic legends, fairy tales, and fables to ghost stories, urban legends, and jokes. This unique anthology presents the largest collection of these tales ever assembled.

Antigone is a famous Greek tragedy attributed to the ancient playwright Sophocles at around 440 BCE. The play expands on the Theban legend of Oedipus that predates it, dealing with Antigone’s burial of her brother Polyneices in defiance of the law and the tragic results of her act. On another level, the play exposes the dangers of the absolute ruler or tyrant in the character of Creon. No one speaks freely to him, so he makes a series of mistakes, illustrating the folly of tyranny.

Though best known now for his collection of lively and vivid Parallel Lives from ancient Greece and Rome, Plutarch (c46 CD-120 CE) was, for centuries, more respected for his Moralia, a remarkable and wide-ranging collection of essays and speeches. No fewer than 78 in total, they range over a broad list of topics in which Plutarch observes, dispenses wisdom, admonishes, entertains and informs: covering social issues and politics, manners and religion - in short, life in general.

The Odyssey is an epic poem, written by the ancient Greek philosopher Homer, and considered to be the second oldest piece of western literature still in existence. Scholars believe it was written at the end of the eighth century BC. Still heavily used in schools because of its unique literary makeup and historical value, the poems follow Greek hero Odysseus, as he journeys home after the 10-year long Trojan War. His journey home takes another 10 years, and Odysseus encounters many obstacles.

Aristotle's assertion that in Greek tragedy there is no loftier work than Oedipus the King cannot be lightly contradicted. This drama is endued fearfully with nature, as she works against the conscientiousness of measure found in man. Heretofore no translation of this play has been a poem of Sophoclean worthiness and work. The rhythmic stature of this translation runs with the Greek in heat and light.