Showing titles in Literature & Fiction

When we were kids, Xavier Price understood horses, but somehow, he got me too. He'd made me feel like I wasn't just the overdressed, too sensitive 15-year-old geek who loved math and didn't always say the right thing. But all that changed the night he threw my trust back in my face and betrayed my family in the worst kind of way. And while I'm back in Eden to make sure my uncle's horse ranch is operating in the black, the one thing I know I won't have to deal with is the man who'd been on the verge of stealing my heart 10 years ago.

It's all a matter of opinion, but Carter's day is going pretty badly. He's an engineer captured by bug aliens, now depending on his large, muscled, naked cage mates for food and warmth. They seem sentient, so that's good. But they're also handsy. Which is...complicated. The military isn't looking for him. Slaves taken by the bug race never come back. Yet, Carter is very much alive, and if he wants to stay that way, he'll need to trust Pykh and Siel, two affectionate aliens with claws, teeth, and size.

High-flying pediatric surgeon Emily Lawrence is new to Washington, DC. Her first week in her new job puts her on a collision course with the most powerful woman in America, President Calvin. Constance "Connie" Calvin's first term is proving turbulent thanks to trying to juggle work and life as a widowed single mother to a twelve-year-old boy. Running for re-election is imminent, and the critics are gunning for her. Worse, her famed icy cool is in danger of melting in the face of Emily's passion, commitment, and charm.

Mercer Bentley Palmerston is an outcast—the pariah of his family—so what better source to get dirt on the Palmerstons than their black sheep? Intrigued by his lingerie, Blake sees an opportunity to get closer to Mercer, but he has no idea how much trouble he's invited into his life by taking him in. Mercer might be a brat, but Blake has no interest in taming him. He's a sly demon with ever-changing rules, a larger-than-life personality, and covers his weaknesses with sharp wit. There's more to Mercer than his outright refusal to behave, and Blake is the only one who realizes why.

A woman is missing. The clock is ticking. There's no time to lose when a life hangs in the balance.

Finally, everything is going good for Carter. He's not a slave. He has a roof over his head. He's fixed his alien language translator and now can talk to Pykh and Siel, his protectors. Thankfully, they aren't promiscuous alien hillbillies. They're loyal men who love him, and Carter loves them back. Our space marine is ready to settle into a new life on the fleaf'akhie planet and be happy. But now there's another problem. On this planet...he's the girl? And not just any girl, but a pale, delicate, exotic princess who must be bowed to, courted, and entertained with poems.

I love him. And I’m pretty sure he loves me back...even though he’s straight. When I first met Carter King, I knew he was something special. I imagined us being together, and we are, but only as friends. Best friends! I’m trying to be cool with that, even though I know he has secrets, and there have definitely been mixed signals. I don’t want a crush to ruin what we already have. Then again, if there’s any chance that we can be together, it’s worth the risk, because Carter could be the love of my life. Or he might be the boy who breaks my heart.

A successful anaesthetist, Anna is focused on herself, her career, and her girlfriend. Everything changes abruptly when her brother's and sister-in-law's deaths devastate her and her family. Left responsible for her young niece and nephew, Anna finds herself dumped and alone in Melbourne, a city she doesn't even like. She tries to navigate the shock of looking after two children battling with their grief while managing her own.

Set in Mexico City during the early 50s, Queer follows William Lee's hopeless pursuit of desire from bar to bar in the American expatriate scene. As Lee breaks down, the trademark Burroughsian voice emerges; a maniacal mix of self-lacerating humor and the Ugly American at his ugliest. Burroughs' only realist love story, Queer is a haunting tale of possession and exorcism.

Theo Decker might be the lead singer of Riven, but he hates being a rock star. The paparazzi, the endless tours, being recognized everywhere he goes - it all makes him squirm. The only thing he doesn't hate is the music. Feeling an audience's energy as they lose themselves in Riven's music is a rush unlike anything else...until he meets Caleb Blake Whitman. Caleb is rough and damaged, yet his fingers on his guitar are pure poetry. And his hands on Theo? They're all he can think about. But Caleb's no groupie - and one night with him won't be enough.

Misha is a jaded scriptwriter who has been working in Hollywood for decades, and has just been nominated for his first Oscar. But when he's pressured by his producers to kill off a gay character in the upcoming season finale—"for the algorithm"—Misha discovers that it's not that simple. As he is haunted by his past, and past mistakes, Misha must risk everything to find a way to do what's right—before it's too late.

I wasn’t looking for attachments. I certainly wasn’t looking to get drunkenly hitched to my coworker’s best friend, the very man I’ve been denying an attraction to for over a year. The thing is Kipp is gorgeous and kind and a self-proclaimed mess, and now that we’re married—and living together—all I want is to take care of him. But Kipp is only just learning about his submissive side. It doesn’t matter how good he is for me. It doesn’t even matter that he turns to putty every time I call him doll.

Rosalie Carlson is the person everyone turns to in a crisis. She's kind, calm, caring, and a social worker, after all. She's got it all together…except that her personal life is kind of a disaster. Things can get a little hectic after all, when your complicated best friendship is with a megastar like Savannah Grace. When twenty-six-year-old Kinsey moved to Nashville, it was in the hopes of finding a creative partner and making it big. When she meets Cassidy Carver, musical sparks fly. It's a chance meeting with a beautiful older woman however, that truly knocks her off her feet.

Annalise Finch is content - she has a job she enjoys, lives close to her family and friends, and spends most Wednesday nights drinking wine with her grandma. According to her grandma, though, she has lost her sparkle, and the only solution is to join a site to hook up with other women. The only problem (aside from a meddling grandma with a dirty mind) is Annalise doesn’t like women. At least, that’s what she always thought, but when she meets Brinley Adams, she starts to question everything.

Debbie Jones thinks life is an adventure. Even having lost her husband a year ago, she’s ready for whatever the world might throw her way. Being in her sixties doesn’t mean it’s all over for her yet, and she loves her new job doing neighbourhood support for a charity. Then she knocks on a stranger’s front door. Ruth Waverley doesn’t like surprises. Her life isn’t perhaps all she once dreamed off, but what other options are there for a woman in her sixties? She’s proud of her home and children. And she likes her life well enough. Then she hears someone knocking at the door.

Thomas, a young German musician, is dying. Leo, a renowned Italian writer and Thomas's boyfriend, finds it impossible to mourn his loss and condemns himself to wandering the Earth, in the hope of finding the dividing line between the living and the dead. He travels through a Europe where past and present overlap, roads intersect, years merge and faces emerge - and tries in vain to bring into focus the blurred lines of their relationship.

Tough and demanding LAPD Detective Kate Delafield is the leader of the investigation into a high-rise office building murder. The case is intriguing but routine - until Kate interviews the only witness, Ellen O'Neil. When Ellen O'Neil took her new job over the objections of her lover, she wasn't expecting to become embroiled in murder. The curiosity that Kate Delafield rouses is equally unexpected. But it is never far from Ellen's mind that she is merely a name on an interview sheet to the tight-lipped detective.

Twenty-eight-year-old Oryn Patterson isn't like other people. Being an extremely shy social introvert is only part of the problem. Oryn has dissociative identity disorder. He may look like a normal man on the outside, but spend five minutes with him, and his daily struggles begin to show.

Welcome to the Hayes Pack. It all started with four men, brought together by fate, connected in more powerful ways than they’d ever imagined. Old legends surface, and ancient powers awaken, but so do enemies. In this third and last box set, which contains books seven, eight, nine, and ten plus bonus materials, we see six more men fall in love as events come to an epic conclusion.

Twenty-one-year-old Marigold Claude has always preferred the company of the spirits of the meadow to any of the suitors who've tried to woo her. So when her grandmother whisks her away to the family cottage on the tiny Isle of Innisfree with an offer to train her as the next Honey Witch, she accepts immediately. But her newfound magic and independence come with a price: No one can fall in love with the Honey Witch. When Lottie Burke, a notoriously grumpy skeptic who doesn't believe in magic, shows up on her doorstep, Marigold can't resist the challenge to prove to her that magic is real.