Showing titles in Italy

Galileo Galilei began his career as a mathematician. Yet as fate would have it, he became far more than a numbers whiz. Here was a true Renaissance man; one who was greatly educated and a genuine lover of the arts. He was a fan of poets and a fine lute player. When in 1609 Galileo created his first telescope and turned his attention to the skies, everything changed.

Anna Del Conte brought Italian cooking to Britain at a time when the nearest most of us came to pasta was a Heinz spaghetti hoop. Sharply observant, evocative, full of tastes and talk of food, hers is a delicious, poignant memoir of an unusual life and the food she loves to cook, which launched a culinary revolution.She arrived in England in 1949 when much of Britain was a culinary wasteland, married an Englishman, and stayed on.

A jubilant celebration of Italy’s outsize impact on culture, from literature to art, music to movies, that “masterfully examines the multitude of reasons why so many people fall in love with Italy and the Italian lifestyle” (Forbes) Can you imagine painting without Leonardo, opera without...

The name Borgia is synonymous with the corruption, nepotism and greed that were rife in Renaissance Italy. Notorious for seizing power, wealth, land and titles through bribery, marriage and murder, the dynasty’s dramatic rise from its Spanish roots to its occupation of the highest position in Renaissance society forms a gripping tale. Erudite, witty and always insightful, Hibbert removes the layers of myth around the Borgia family and creates a portrait alive with a superb sense of character and place.

Since its formation in 1861, Italy has struggled to develop an effective political system and a secure sense of national identity. Christopher Duggan's acclaimed introduction charts the country's history from the fall of the Roman Empire in the West to the present day, and surveys the difficulties Italy has faced during the last two centuries in creating a unified country. Duggan successfully weaves together political, economic, social and cultural history, and stresses the alternation between materialist and idealist programs for forging a nation-state.

In this landmark study of Italy from the 14th through the early 16th centuries, Swiss historian Jacob Burckhardt chronicles the rise of Florence and Venice as powerful city-states, the breakup of the medieval worldview that came with the rediscovery of Greek and Roman culture, and the new emphasis on the role of the individual. All these, Burckhardt explains, went hand in hand with the explorations of science and the more naturalistic depiction of the world in art and literature.

One Sunday morning in 1993 a 16-year-old girl named Eliza Claps goes missing from a church in the centre of Potenza, Italy. Shortly before her disappearance, Elisa had met Danilo Restivo, a strange local boy with a fetish for cutting women's hair on the back of buses. Elisa's family are convinced that Resitvo is responsible for their daughter's disappearance, but he is protected by local bigwigs: by his Sicilian father, by a doctor with links to organised crime, by a priest who had vices of his own. Years go by, and Elisa's family can find only false leads.

In the early morning of 6 May, 1527, the 20,000 starving, unpaid troops of Emperor Charles V began their assault on the great walls of Rome. After only a few hours they had overcome the barricades; the city into which they streamed was now in their grip. This uncontrollable force of German landsknechts, Spanish soldiers, and Italian mercenaries showed no mercy as they plundered, raped, and slayed their way through the holy city.

Murder In Matera has descriptive copy which is not yet available from the Publisher...

Quattromila anni di storia in quattrocento pagine, senza ridurli a un arido elenco di date e di nomi. Impossibile? Tutt'altro: in questa "Breve storia d'Italia" Alfio Caruso fonde documentazione e divulgazione, raccontando l'Italia attraverso i personaggi, le mode, i costumi, le invenzioni. I grandi eventi si intrecciano alle minuzie quotidiane, i grandi uomini emergono da piccoli episodi, senza tacere dei loro lati meno onorevoli: il ruolo fondamentale di Nerone per la diffusione del Cristianesimo; la sola volta in cui Leonardo e Michelangelo si sfiorarono.

How a Florentine orphanage rescued thousands of children and revolutionized childhood education amid the splendor of Renaissance art. The story begins with the abandonment of the newborn Agata Smeralda on February 5, 1445, in Florence’s Hospital of the Innocents, the first—but certainly not...

In all of human history there has never been an era as richly endowed with human creativity as the Italian Renaissance. When the economic boom of the Late Middle Ages had allowed a flourishing and wealthy merchant class to emerge, a plethora of artists, sculptors, architects, and thinkers followed in their wake. In an astonishingly short period of time, Italy was transformed mentally, physically, and spiritually.

Despite the Roman Empire's famous 500-year reign over Europe, parts of Africa and the Middle East, Italy does not have the same long national history as states such as France or England. Divided for much of its history, Italy's regions have been, at various times, parts of bigger, often antagonistic empires, notably those of Spain and Austria. In addition, its challenging and varied terrain made consolidation of political control all the more difficult.

Tacitus, who condemns the depravity of these rulers, which he saw as proof of the corrupting force of absolute power, writes caustically of the brutal and lecherous Tiberius, the weak and cuckolded Claudius, and "the artist" Nero. In particular, his account of the bloody reigns of Tiberius and Nero brims with plots, murder, poisoning, suicide, uprisings, death, and destruction. The Annals also provides a vivid account of the violent suppression of the revolt led by Boudicca in Britain, the great fire of Rome under Nero, and the subsequent bloody persecution of the Christians.

Did you know that one obscure sheep-herding and wool-making family in the Italian region of Tuscany went from humble beginnings to becoming one of the richest and most influential families of all time? Meet the Medici family, who, in some ways, can be considered to be the godfathers of the Renaissance. They patronized Michelangelo, Leonardo da Vinci, and Sandro Botticelli, among many other famous artists. They helped to recover many famous ancient Roman and Greek writings and built academies to encourage the spread of learning.

Venice, 1510. Maria Bartolini wants nothing more than to carry on her father's legacy as a master gilder. Instead, her father has sent her away from the only home she's ever known to train as an apprentice to Master Trevisan, a renowned painter. Maria arranges to leave the painter's workshop to return to her family workshop and to a secret lover waiting for her back home. But the encroaching Black Death foils her plans.... When the painter's servants uncover the real reason why Maria has been sent away to train with Master Trevisan, they threaten to reveal a secret.

Benito Mussolini was a figure that was both revered and dreaded. He climbed the ladder of power rapidly in Italian politics, and he was brought down just as fast. Mussolini wished to stir up a united front of nationalism within his people. But, in the end, the only thing he united was their hatred and contempt for him as a despotic leader. There were several twists and turns in the life of Benito Mussolini, and this book will take you through them all. Follow his astonishing rise and his dramatic fall.

Virtually everyone would agree that Leonardo da Vinci was the most important artist of the High Renaissance. It was Leonardo who singlehandedly created the defining features of Western art: a realism based on subtle shading; depth using atmospheric effects; and dramatic contrasts between light and dark.

Nella Resistenza italiana, parte integrante di un conflitto globale che travolge i confini nazionali e spazza vite e destini ai quattro angoli del pianeta, hanno combattuto migliaia di persone – non meno di 15-20.000 – che italiane non erano. Le nazionalità sono decine: statunitensi e britannici, neozelandesi e sudafricani, jugoslavi e francesi, libici, etiopi, eritrei e somali, e poi tedeschi, sovietici, polacchi, cecoslovacchi, ebrei stranieri.

Beginning with Rodrigo Borgia, Chamberlin charts this intelligent but ruthless man's passage to the top. He uncovers how, as Pope Alexander VI, he directed his family to carve out a Borgia kingdom in the heart of Italy. The chaotic intrigues, alliances, and wars that Cesare and Lucrezia became embroiled with are exposed in fascinating detail as competing dynasties and cities struggled for survival before the family's fortunes crumbled.