Showing titles in Women

Last Chance Texaco is the first-ever no-holds-barred account of the life of two-time Grammy Award-winner Rickie Lee Jones in her own words. It is a tale of desperate chances and impossible triumphs, an adventure story of a girl who beat the odds and grew up to become one of the most legendary artists of her time, turning adversity and hopelessness into timeless music.

Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffeehouses and lived on country estates; they breathed ink dust from printing presses and escaped people traffickers. What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women.

At age fourteen, Laura Delano's parents took her to her first psychiatrist. At school, she was the model student, but at home Laura felt a rage that she unleashed on family, friends and herself. She was promptly diagnosed with bipolar disorder and started on a course of mood stabilizers and antidepressants. It was to mark the beginning of a painful and relentless journey. Weaving together Laura's medical records and doctors' notes with illuminating research on the drugs she was prescribed, Unshrunk is the powerful memoir of one woman's battle against the commercial psychiatric industry.

Figuring explores the complexities of love and the human search for truth and meaning through the interconnected lives of several historical figures across four centuries. Stretching between these figures is a cast of artists, writers, and scientists - mostly women, mostly queer - whose public contribution has risen out of their unclassifiable and often heartbreaking private relationships to change the way we understand, experience and appreciate the universe.

Augustus, Tiberius, Caligula, Claudius, and Nero - these are the names history associates with the early Roman Empire. Yet, not a single one of these emperors was the blood son of his predecessor. In this captivating history, a prominent scholar of the era documents the Julio-Claudian women whose bloodline, ambition, and ruthlessness made it possible for the emperors' line to continue. Eminent scholar Guy de la Bedoyere, author of Praetorian, asserts that the women behind the scenes - including Livia, Octavia, and the elder and younger Agrippina - were the true backbone of the dynasty.

Nancy Wake, nicknamed 'the white mouse' for her ability to evade capture, tells her own story. As the Gestapo's most wanted person, and one of the most highly decorated servicewomen of the war, it's a story worth telling. After living and working in Paris in the 1930's, Nancy married a wealthy Frenchman and settled in Marseilles. Her idyllic new life was ended by World War II and the invasion of France. Her life shattered, Nancy joined the French Resistance and, later, began work with an escape-route network for Allied soldiers.

'I ate and ate and ate in the hopes that if I made myself big, my body would be safe. I buried the girl I was because she ran into all kinds of trouble. I tried to erase every memory of her, but she is still there, somewhere.... I was trapped in my body, one that I barely recognized or understood, but at least I was safe.'

In this incredible second book in a series of autobiographies, the poet, still in her teens, gives birth to a son, tries to keep a job, falls in love, dances, falls out of love, chases after her kidnapped baby, and goes to work in a house of prostitution thinking she is helping the man she loves.

The year was 1935: the twilight of the English aristocracy. It was a time of wealth and glamour; of lavish balls and evening gowns; of tiaras and a coronation. As personal maid to Lady Coventry, Hilda Newman had a unique insight into the leisured life of one of Britain's most noble families. In her fascinating memoir of life upstairs and down, Hilda takes us back to this period between the wars; a gilded era which would soon be dramatically changed by the Second World War.

In June 1952, a woman was murdered by an obsessive colleague in a hotel in South Kensington. Her name was Christine Granville. That she died young was perhaps unsurprising, but that she had survived the Second World War was remarkable. She was one of Britain’s most daring and highly decorated secret agents, and the intelligence she gathered was a significant contribution to the Allied war effort.

Reality Winner was a twenty-five-year-old translator for the NSA when she saw a document that she assumed would make headlines: After public silence by the NSA and blatant lies by the Trump administration, the 2016 US election was far from secure. She impulsively printed the document—a breach of NSA protocol—stuffed it into her stockings, left the building, and mailed it to The Intercept, which promptly informed the NSA.

A fixation on porn and orgasm, strings of failed relationships and serial hook-ups with strangers, inevitable blackouts to blunt the shame - these are not things we often hear women share publicly, and not with the candor, eloquence and introspection Erica Garza brings to Getting Off. Garza draws an evocative, studied portrait of the anxiety that fuels her obsessions as well as the exhilaration and hope she begins to feel when she suspects she might be free of them. And yet there is no false or prepackaged sense of redemption here.

This book follows Agrippina as a daughter born to the expected heir to Augustus’ throne and who was then orphaned; as a sister to Caligula, who raped his sisters and showered them with honours until they attempted rebellion against him and were exiled; as a seductive niece and then wife to Claudius, who gave her access to near unlimited power; and then as a mother to Nero, who adored her until he killed her. She was 44 when she died.

Come along for a ride with Always Eat The Weird Stuff, heavily inked flash fiction about finding yourself, even stuck in transit. From underground raves to solo travels and the eclectic streets and alleys of Melbourne, these tight prose chapters explore themes of risk taking, truth-seeking, love, and the quest for belonging.

The summer of 1959 promises to stretch slowly forward, with one exception. The looming deadline of entering the Saint John General Hospital school of nursing as a probationer student, interrupts the worry-free days with a nagging doubt. Is nursing the right choice? Self-doubt is mingled with preparation in advance of the date of entry while Francene gets more jittery as the day approaches. She was born to nurse but did not know it yet.

Alyne Tamir was raised to live her life for others: for her husband, her family, and the Mormon church. For twenty-five years, she put others ahead of herself, repressing things that didn’t fit the neat, traditional story that had been written for her. On the surface, her life seemed picture-perfect. But in reality, Alyne was miserable, struggling to reconcile the pain and humiliation of abuse, an eating disorder, infidelity, and depression with her flawless image. Until Alyne reached a breaking point: the day her husband asked for a divorce—over email.

Meredith May recalls the first time a honeybee crawled on her arm. She was five years old, her parents had recently split, and suddenly, she found herself in the care of her grandfather, an eccentric beekeeper who made honey in a rusty old military bus in the yard. That first close encounter was at once terrifying and exhilarating for May, and in that moment, she discovered that everything she needed to know about life and family was right before her eyes, in the secret world of bees.

A 'medical mystery' for over 20 years, Tilly has spent a lifetime navigating GP waiting rooms, A&E departments and hospital wards. She has been given a front row seat watching humanity at its worst (or its best, depending on how you look at it). Along the way, Tilly has become highly qualified at two things: being a patient and being very patient. Now, she is shining a bright, white hospital strip light onto a space that none of us want to occupy but one we know, with some certainty, that we will. This is one girl's extraordinary story about becoming the expert no one wants to be.

Imagine a sisterhood across all creeds and cultures. An unspoken agreement that we, as women, will support and encourage one another. That we will remember we don't know what struggles each of us may be facing elsewhere in our lives, and so we will assume that each of us is doing our best.... So begins We: an inspiring, empowering and provocative manifesto for change.

Her agent told her not to get on the plane. The male leads weren't even cast. The financing was shaky at best. The script had been rewritten countless times. And yet something about Wild Oats lured Shirley MacLaine to the film's location shoot in the far-off Canary Islands - and straight to the center of one of the most thrilling and paradigm-shifting adventures of her life.