Showing titles in Journalists, Editors & Publishers

For fans of unheralded women’s stories, a captivating look at Sigrid Schultz—one of the earliest reporters to warn Americans of the rising threat of the Nazi regime “No other American correspondent in Berlin knew so much of what was going on behind the scene as did Sigrid Schultz.” —...

Ein Glücksfall für die Historiker: Harry Graf Kessler (1868–1937) beschrieb das Zeitgeschehen der Jahre 1933-37. Seine Berichterstattungen geben präzise Einblicke in die politischen und gesellschaftlichen Entwicklungen und sind Zeugnisse vom Leben und Denken eines aufgeklärten europäischen Intellektuellen. Kessler floh schon im März 1933 nach Frankreich und Spanien. Im Jahr 1935 wurden seine Bücher öffentlich verbrannt, aber bis zu seinem Tod führte er Gespräche mit Zeitgenossen und hielt die politischen Ereignisse akribisch fest. Kesslers Berichte sind ein wichtiger Beitrag zur Geschichtsschreibung dieser Zeit.

After more than 100 documentaries in 65 countries over 40 years, Rategan calls it a day, laying down herein six of the strangest and richest things that happened to him. From the killing of Mozambique to the back alleys of Toronto, and many places in between, extraordinary stories from an extraordinary life.

Written in Tyrrell's trademark satirical style, How Do We Get Out of Here? is an invaluable and intimate recount of the political and cultural battles that shaped our contemporary politics.

From 1974 to 2012, during his years as publisher and editor-in-chief of the New Republic, Martin Peretz was a familiar presence on the political scene. In its time under his leadership, the magazine was always fresh, erudite, contrarian, and brave. Anyone interested in finding out the most distinctive expert takes on the issues that mattered—whether they be domestic or international, cultural or political—knew that the New Republic was required reading.

Oltre cento interviste distribuite nell'arco di quattro decenni: il più imponente corpus disponibile di autocommenti calviniani. L'effetto è quello di un grande cantiere autobiografico: un'autobiografia in progress, mobile e sfaccettata, costruita per successive espansioni. Un'autopresentazione simile a un prisma rotante che prende forma davanti ai nostri occhi, senza mai consentire una visione completa e stabilizzata. Proprio così, forse, Calvino avrebbe desiderato apparire: coerente ma non inerte, dinamico senza essere dispersivo, e intento a un'assidua costruzione di sé.

Anni fa, sulle rive del lago Bajkal, in Siberia, una donna mi lesse la mano. E un paio di anni dopo un bramino della città sacra di Vrindavan, in India, guardò nel mio futuro. Entrambi mi raccontarono delle stesse gioie che mi avrebbe riservato la vita. E della morte. Prematura e violenta. Che dovrebbe cogliermi tra poco.Alcune tra le cose predette si sono avverate. Altre non saprei. Le parole si sono perse nel tempo insieme alle cose a cui non do importanza. Ma con l’avvicinarsi di quell’appuntamento mi sono ritrovato a concentrarmi su un errore della divinazione.

For more than thirty years, Andy Rooney had the last word on the most-watched television program in history. "A Few Minutes with Andy Rooney"—a segment on 60 Minutes—aired from 1978 to 2011. A man of wit, gruffness, and common sense, Rooney spoke candidly about what drove him—and us—crazy, what brought us joy, and what made us human. Hear the man himself as he reads some of his finest newspaper essays, offering his observations on a variety of topics, including politics and politicians, the economy, doctors, sex, clothes, football, toilet paper, ice cream, and cough drops.

Ryszard Kapuściński’s life, work, reception, and legacy, through his literary reportage. An award-winning writer and a candidate for the Nobel Prize for Literature, Ryszard Kapuściński (1932-2007) was a celebrated Polish journalist and author. Praised for the lengths to which he would go to get a story, Kapuściński gained an extraordinary knowledge of the major global events of the second half of the twentieth century and shared it with his diverse audience.

Urchin at War is the first volume in the 1517 Publishing's Urchin Series about the extraordinary life story of a kid and high school dropout who became a sought-after newsman, who covered the Kennedy assassination and the Vietnam War, and ended up being a Lutheran lay theologian.

Vinícius Dônola é a cara e a voz que o grande público conhece por suas reportagens de televisão, transmitidas pelas principais emissoras do país. Histórias das histórias que contei narra os bastidores de uma breve seleção das mais de mil matérias que o jornalista apresentou ao longo de sua carreira. No livro, Dônola relembra casos marcantes, como a premiada denúncia sobre a execução de um fugitivo pela polícia, à luz do dia, em frente a um movimentado shopping do Rio de Janeiro na década de 1990.

Vent’anni fa ci lasciava Indro Montanelli, il giornalista che ha attraversato tutto il Novecento e lo ha raccontato a lungo con la sua verve e il suo piglio controcorrente. Nato a Fucecchio nel 1909, cominciò la sua carriera «dentro alla cronaca» nella guerra d’Abissinia. Da allora, tutti i grandi eventi storici lo videro in prima linea: era nella Spagna della guerra civile, in Polonia quando i panzer tedeschi scatenarono il secondo conflitto mondiale, nei Paesi baltici e nella Finlandia calpestati dai carri armati sovietici.

This meticulously researched and thought-provoking book dives deep into the fascinating world of Carlson's ascent to prominence, providing a comprehensive analysis of his career trajectory and the circumstances surrounding his departure from Fox News.

A memoir of danger, oppression, and international politics by a survivor of the Eritrean dictatorship. A view into a secretive country and the uneasy alliances of Africa, and a story of family resilience.

Les morts sont des invisibles, ils ne sont pas des absents. Dehors, il fait 5 °C, le temps est gris et venteux. Dans un instant, le prêtre va célébrer la messe d'enterrement de maman. Une coccinelle se pose sur ma main. D'où vient-elle, en ce mois de janvier ? Quelques semaines plus tard, une deuxième coccinelle surgira, et d'autres encore... J'aimerais imaginer que c'est maman qui se manifeste, et, pourtant, le doute m'assaille. La prudence voudrait que je n'y croie pas, mais, au fil du temps, de nouveaux signes – un papillon, une biche, une bague... – m'entraînent dans un monde parallèle.

In the 1940s, she was a New York Times best-selling author—of Mormon novels. In the 1950s, she won a Newbery Medal, the highest honor in children’s literature. But today, hardly anyone knows her name.

El 25 de noviembre de 1987, Adriana Eslava sufrió un atentado que le cambiaría la vida. Recibió un disparo a menos de un metro de distancia, que le destruyó la órbita y el ojo derecho, y la obligó a llevar un parche desde ese momento. Sin embargo, en lugar de derrumbarse, encontró la fuerza y el valor necesarios para salir adelante e inspirar a todas las personas que la rodean.

Tre continenti, cinque capitali, venti traslochi e mai il tempo di annoiarsi. Enrico Franceschini riassume così quarant’anni come corrispondente di un grande giornale in giro per il mondo: dagli Stati Uniti alla Russia, dal Medio Oriente all’Europa, passando per Centroamerica, Afghanistan, Cina, Giappone e Nordafrica, per scrivere di elezioni e terremoti, di Olimpiadi e colpi di Stato, di Hollywood e terrorismo, di notti folli alla Trump Tower di Manhattan in compagnia di Federico Fellini e banchetti in frac a Buckingham Palace ospite della regina.

Burl is the story of one man’s unlikely rise from the coal mines of Appalachia to the pinnacle of journalism. After being diagnosed with a fatal kidney disease as a child, Burl Osborne pioneered home dialysis treatment and became the 130th person to undergo a live kidney transplant in 1966—then an unproven, high-risk operation. While managing his challenging illness, Burl distinguished himself early as a writer and reporter with The Associated Press, eventually rising to the top of the wire service’s executive ranks.

Every photograph is a frozen moment, a story waiting to be told. A wedding photograph of a secret marriage. A dapper man who may be a lost relative. Three women covered in funeral shrouds. A brother. A father. A sonogram. These are six of the seventeen that comprise an album of photographs and their stories—nonfiction short stories found and told by a group of Columbia Journalism students. Perhaps in discovering these stories you may set off to find your own photographs, and with them, the stories they tell.