Showing titles in History & Criticism

An incisive portrait of a culture unanchored and adrift. In these pieces, veteran MTV commentator and rock journalist Kurt Loder turns his jaundiced eye and trenchant wit on the nature of celebrity as embodied by rock musicians and other pop culture icons. Ride along as Mick Jagger sheds his bad-boy image to embrace the jet-setter lifestyle; ponder the puzzling dichotomy between Prince's racy lyrics and self-proclaimed spirituality; and much more.

In Mark Kermode's Surround Sound the award-winning film critic, together with radio producer Jenny Nelson, embarks on a full-throttle trip down the glorious rabbit hole of film composition. Celebrating the emotional connection that audiences form with film music, exploring the evolution of film scoring from silent films to the present day, and examining how what we hear has an impact on what we see, Mark talks to some of his favourite composers and delves into the movie music he loves.

No period in the history of rock music offered such an abrupt shift in prevailing tastes as the 1990s. While just a short while before, radio and MTV were clamoring for hair metal bands, suddenly alt-rockers such as Jane’s Addiction, Nine Inch Nails, Faith No More, Primus, Smashing Pumpkins, and of course, Nirvana, brought a sea change not just in what the most popular bands sounded like, but also in fashion, politics, and seemingly all aspects of pop culture.

This title offers a superb investigation of what is arguably Johnny Cash's greatest album, focusing on his enduring mythology. When Johnny Cash signed to Rick Rubin's record label in 1993, he was a country music legend who, like his fellow Highwaymen Willie, Waylon and Kris, remained a fondly regarded yet completely marginalized Nashville figure, unheard on the radio and unseen on the charts. Cash's odyssey from oldies act to folk hero pivots on his first American Recordings album, a document of almost unbearable solitude and directness.

Voodoo, D'Angelo's much-anticipated 2000 release, set the standard for the musical cycle ordained as "neo-soul," a label the singer and songwriter would reject more than a decade later. The album is a product of heightened emotions and fused sensibilities; an amalgam of soul, rock, jazz, gospel, hip-hop, and Afrobeats. D'Angelo put to music his own pleasures and insecurities as a man-child in the promised land. It was both a tribute to his musical heroes: Prince, Sly Stone, Marvin Gaye, J Dilla...and a deconstruction of rhythm and blues itself.

R.E.M.'s debut album, released in 1983, was so far removed from the prevailing trends of American popular music that it still sounds miraculous and out of time today. J. Niimi tells the story of the album's genesis—with fascinating input from Don Dixon and Mitch Easter. He also investigates Michael Stipe's hypnotic, mysterious lyrics, and makes the case for Murmur as a work of Southern Gothic art.

Music opinions bring out passionate debate in people, and Steven Hyden knows that firsthand. Each chapter in Your Favorite Band Is Killing Me focuses on a pop music rivalry, from the classic to the very recent, and draws connections to the larger forces surrounding the pairing.

During fifty years of publishing the “Bible of Rock and Roll,” Jann Wenner recorded a series of interviews that are now regarded among the most important historical documents of rock. From the hubris and pissed-off attitude of Pete Townshend, to the volcano that was John Lennon after the breakup of the Beatles, to Bono, using music to speak to God, these interviews reveal the beating hearts of six creative giants.

In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made "Under Pressure." Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure, Max Brzezinski tells the classic track's story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, "Under Pressure" harnesses collective sentiments in order to model new ways of thinking and acting.

養老孟司×久石譲　対談集！脳科学と音楽が織りなす驚きの世界へ、あなたを誘います！解剖学者・養老孟司と作曲家・久石譲が、脳と音楽の不思議な関係を紐解く画期的な一冊。なぜ人は音楽に感動するのか？

In The Master of Drums, biographer Elizabeth J. Rosenthal crafts a celebratory, honest, and exhaustively researched portrait of a twentieth-century music legend. When he died, Gene Krupa may have left behind a world of grieving friends, colleagues, fans, students, and progeny, but as The Master of Drums proves, his dynamic musical and cultural influences live on.

This Element contributes to the interdisciplinary study of mariachi, especially in the United States, by focusing on two areas that have yet to receive substantive academic attention: philanthropy and museum studies. In 2011, UNESCO included mariachi music on its list of expressions of intangible cultural heritage. While it is undoubtedly true that mariachi is in many ways intangible, this downplays expressions of its rich material culture and the work of scholars to research mariachi history beyond an emphasis on musical performance.

From the storied ache of mbube harmonies of the ‘40s to the electronic boom of kwaito and the amapiano and house explosion of the ‘00s, this book explores vignettes taken from across South Africa’s popular music history. There are moments in time where music can be a mighty weapon in the fight for freedom. Disguised in a danceable hook or shouted for the world to hear, artists have used songs to deliver important truths and bring listeners together in the face of a segregated reality.

On January 1, 1975, struggling young singer-songwriter Lindsey Buckingham was invited to join the veteran blues band Fleetwood Mac. He agreed on the condition that his girlfriend, an equally unknown vocalist named Stevie Nicks, also be included. Within two years, Rumours was born—and went on to become one of the most popular albums of all time. Almost five decades later, it is the only classic rock record that still attracts young listeners and continues to top sales and streaming charts.

Une histoire musicale. sur ­la ­naissance du blues. Mississippi, début du XXe siècle, ferme de ­Dockery, atmosphère des champs de ­coton : écoutez...

What the hell is shoegaze? A scene? A movement? A sound? Back in the Nineties, many would have said the so-called genre was entirely fabricated. The term itself, an offensive piss-take given by the notoriously catty and scene-obsessed British music press, was plainly rejected by the absurdly small collection of bands to which it supposedly applied. In this ambitious oral history of a genre that has eluded definition for three decades, Ryan Pinkard unearths the first wave of shoegaze, following the core bands, their sounds, their influence, and their journeys in and out of obscurity.

Math rock sounds like blueprints look: exact, precise, architectural. This trance-like progressive metal music with indie rock and jazz influences has been captivating and challenging listeners for decades. Bands associated with the genre include King Crimson, Black Flag, Don Caballero, Slint, American Football, Toe, Elephant Gym, Covet, and thousands more. In an online age of bedroom producers and sampled beats and loops, math rock is music that is absolutely and resolutely played: men and woman in rooms with instruments creating chaos, beauty, and beautiful chaos.

Tom Jobim mudou a história da música brasileira com a bossa nova e suas canções, que influenciaram pelo menos duas gerações de compositores. E levou essa música para o mundo. Mas disso os leitores provavelmente já sabem. O que Ruy Castro mostra em O ouvidor do Brasil é um Tom por vezes inesperado e desconhecido, que emerge sob diferentes ângulos em cada crônica. Em conjunto, os textos formam uma espécie de perfil biográfico fragmentado de um dos maiores artistas que o Brasil já teve.

Durante años, Cazzu se enfrentó a una pregunta: “¿Cómo se siente tener éxito en un género musical tan machista?”. Y como le ocurre a casi cualquier mujer virtuosa y con notoriedad, le pidieron que diera explicaciones. Pero ¿por qué se lo preguntaban más a ella que a los hombres? Y, sobre todo, ¿es realmente machista el reggaetón? Este libro nació como respuesta y como exploración a esa dualidad que anida en el género: letras que sexualizan a las mujeres, pero también mujeres que expresan su deseo, saben lo que quieren, cómo y cuándo.

Die 90er-Jahre waren geprägt von musikalischen Highlights wie Alternative Rock, Eurodance, Boybands und Grunge. In diesem Album präsentieren die Hosts Falk und Ryll 18 Lieblingssongs der 90er und die sehr persönlichen Geschichten ihrer Gäste. Anke Loscheider wählte "Creep" von Radiohead – erst gehasst, dann geliebt, für sie ein ewiger Musikschatz. Bestsellerautor Arno Strobel favorisiert die Live-Version von 1994 von "Hotel California". Journalist Stephan Kaußen beschreibt "Civil War" von Guns N' Roses als Soundtrack einer Umbruchszeit 1991.