Showing results by publisher "Audible studios" in Music

Purple Rain is a song, an album, and a film - each one a commercial success and cultural milestone. How did this semiautobiographical musical masterpiece that blurred R&B, pop, dance, and rock sounds come to alter the recording landscape and become an enduring touchstone for successive generations of fans?

Alan McGee's role in shaping British musical culture over the past 30 years is hard to overstate. As the founder of Creation Records, he brought us the bands that defined an era. A charismatic Glaswegian, who partied just as hard as any of the acts on his notoriously hedonistic label, he became an infamous character in the world of music.

Janis Ian was catapulted into the spotlight in 1966 at the age of 15, when her soul-wrenching song "Society's Child" became a hit. But this was only the beginning of a long and illustrious career. In Society's Child, Janis Ian provides a relentlessly honest account of the successes and failures - and the hopes and dreams - of an extraordinary life.

In 1990, the avant-garde jazz musician Sun Ra arrived at Dartmouth to collaborate with the school's jazz band, where Michael Lowenthal - an anxious, 20-year-old senior - played trumpet. As rehearsals got underway and two musical worlds collided, Lowenthal struggled with the improvisation that Sun Ra's sparse, yet spiritual, melodies demanded. In this essay, Lowenthal recounts his "otherworldly" experience with the famous jazz star who claimed to be from Saturn.

In a book that inspired the Amazon original series starring Gael Garcia Bernal and Malcolm McDowell, oboist Blair Tindall recounts her decades-long professional career as a classical musician, from the recitals and Broadway orchestra performances to the secret life of musicians who survive hand to mouth in the backbiting New York classical music scene, trading sexual favors for plum jobs and assignments in orchestras across the city.

In Elvis Presley: A Southern Life, one of the most admired Southern historians of our time takes on one of the greatest cultural icons of all time. The result is a masterpiece: a vivid, gripping biography, set against the rich backdrop of Southern society - indeed, American society - in the second half of the 20th century.

Take one of the crowning musical geniuses of mid-nineteenth century Europe; surround him with enemies, some of whom are fiercely jealous of his talent, others in love with his beautiful wife (a musical genius in her own right); add several scoundrels including a seller of stolen jewels and a kleptomaniac music critic who ends up murdered under highly mysterious circumstances and there you have the world of Robert and Clara Schumann in the Germany of the 1850s, as told by the narrator, Dsseldorfs top detective, Inspector Hermann Preiss.

October 1982: ABC, Culture Club, Shalamar and Survivor dominate the top twenty when the Pogues barrel out from the backstreets of King's Cross, a furious, pioneering mix of punk energy, traditional melodies and the powerfully poetic songwriting of Shane MacGowan.

Despite dogged attempts by musicologists worldwide to find its source, the violin’s origins remain maddeningly elusive. The instrument surfaced from nowhere in particular, in a world that Columbus had only recently left behind and Shakespeare had yet to put on paper. By the end of the violin’s first century, people were just discovering its possibilities. But it was already the instrument of choice for some of the greatest music ever composed by the end of its second. By the dawn of its fifth, it was established on five continents as an icon of globalization, modernization, and social mobility, an A-list trophy, and a potential capital gain.

Thomas Dolby's hit songs 'She Blinded Me with Science' and 'Hyperactive!' catapulted him to international fame in the early '80s. A pioneer of new wave and electronica, Thomas combined a love for invention with a passion for music, and the result was a new sound that defined an era of revolutionary music. But as record company politics overshadowed the joy of performing, Thomas found a surprising second act.

Holly Knight’s singular music career included crafting a good part of the soundtrack to the MTV '80s with mega-hits for Tina Turner (“The Best”), Pat Benatar (“Love Is a Battlefield”), and Patty Smyth (“The Warrior”)—songs that celebrated female empowerment and shaped pop and rock for years to come.

In her bestselling autobiography, Bedsit Disco Queen, Tracey Thorn recalled the highs and lows of a 30-year career in pop music. But with the touring, recording and extraordinary anecdotes, there wasn't time for an in-depth look at what she actually did for all those years: sing. She sang with warmth and emotional honesty, sometimes while battling acute stage fright.

The story of Stax Records unfolds like a Greek tragedy. A white brother and sister build a record company that becomes a monument to racial harmony in 1960’s segregated south Memphis. Their success is startling, and Stax soon defines an international sound. Then, after losses both business and personal, the siblings part, and the brother allies with a visionary African-American partner. Under integrated leadership, Stax explodes as a national player until, Icarus-like, they fall from great heights to a tragic demise.

From the Stooges and MC to Grand Funk Railroad and Ted Nugent, to the White Stripes, Eminem, and Kid Rock, and whole casts of other great bands and performers, Detroit has always produced louder, more rumbling, more subversive rock music than any city in the world. In Detroit Rock City, listeners get to hear the stories straight from the participants themselves: the singers, the guitar slingers, the fans, the reporters, the promoters, even the guys who hand-made amps to be louder and crunchier than the competition’s.

Bob Harris first became known as the face of the 1970s live music TV show The Old Grey Whistle Test and his infectious enthusiasm for music and ability to discover new talent has seen him become a national treasure. He continues to be a household name today and his velvety voice can be heard on Radio 2's The Bob Harris Show and Bob Harris Country. In this fully revised and updated autobiography, with a forward by Robert Plant, Bob tells his story of over 40 years of broadcasting.

Long before drag queens dominated the media, before gender-bending, before punk, even before Stonewall, there was Jayne County. From the 60s to the 90s she was the craziest, the most extreme queen ever to hit a rock 'n' roll stage. She's known and worked with Warhol, Bowie, and Derek Jarman, been an actress, a singer and a prostitute. She's the world's original rock 'n' roll trans star, crossing the genders in the full glare of publicity.

In Catch a Wave, Peter Ames Carlin pulls back the curtain on Brian Wilson, one of popular music's most revered luminaries, as well as its biggest mystery. Drawing on hundreds of interviews and never-before heard studio recordings, Carlin follows the Beach Boys from their earliest days through Brian's deepening emotional problems to his triumphant re-emergence with the release of Smile, the legendarily unreleased album he had originally shelved.

Mike Doughty first came to prominence as the leader of the band Soul Coughing then did an abrupt sonic left turn, much to the surprise of his audience, transforming into a solo performer of stark, dusky, but strangely hopeful tunes. He battled addiction, gave up fame when his old band was at the height of its popularity, and drove thousands of miles, alone, across America, with just an acoustic guitar.

Drawing on new research and enlivened by Touré's unique pop-cultural fluency, I Would Die 4 U relies on surprising and in-depth interviews with Prince's band members, former girlfriends, musicologists, and even Bible scholars to deconstruct the artist's life and work. Prince's baby boomer status allowed him to play a wise older brother to the latchkey kids of Generation X. Defying traditional categories of race, gender, and sexuality, he nonetheless presented a very traditional conception of religion and God in his music.

By the age of six, Zhanna had developed a repertoire fellow students twice her age would envy. Scholarships to the most prestigious conservatories in the Soviet Union soon followed - conservatories that had produced legends like Rachmaninoff, Kogan, and Horowitz.