Showing titles in Screenwriting

Cari Beauchamp masterfully combines biography with social and cultural history to examine the lives of Frances Marion and her many female colleagues who shaped filmmaking from the early teens through the 1940s. Frances Marion was Hollywood's highest paid screenwriter - male or female - for almost three decades, wrote almost 200 produced films and remains the only woman to win two Academy Awards for original screenwriting (The Big House and The Champ).

Have you ever wanted to improve your ability to write Horror Genre screenplays by 100%...200%…300% or more? If so, then here's how you can gut, slice, chainsaw, bite, hack, howl and chew your way to the top by writing Horror screenplays that slit throats, haunt houses, cook brains and tear souls apart. Believe it or not, it doesn't matter how much you already know about the Horror genre.

Jean Renoir's career almost spans the history years of cinema - from the early silent movies, to the naturalism of the talkies, committed cinema, film noir, Hollywood studio productions, the Technicolor-period comedies and fast television techniques. His film The Grand Illusion remains one of the greatest movies about the effects of war.

Blake Snyder, uno de los guionistas de más éxito de Hollywood, ofrece una pintura ágil, divertida y franca de la trastienda de la industria cinematográfica. ¡Salva al gato! hace referencia a una de sus infalibles teorías para lograr que las ideas resulten más atractivas y cualquier guión más satisfactorio y, sobre todo, susceptible de venderse. Se trata de un término acuñado por el propio Snyder en alusión a una escena, absolutamente ineludible, en que el público va a conocer al protagonista de la película por primera vez y éste hace algo

In today's busy world, preventing audience boredom is more important than ever. Now screenwriters and directors have an easy guidebook for making their films more captivating, spine tingling, and suspenseful. "Hitchcock Whisperer" Jeffrey Michael Bays brings the secrets of suspense out of the shadows.

Short Film Structure Secrets - Short Films - There's no secret that structuring a short film can be a difficult process because of how condensed short films can be in relation to a feature film. Author Chike Camara has done it again. This book demystifies the process and gives you a breakdown of some of the most common short film types, how their structures work, why their structures work and how to take your own short film idea to the next level. In a way, it teaches you how to create a short film as well.

Today's most acclaimed film directors reveal intimate behind-the-scenes details of their most influential work and their unique approaches to their art. In the companion to the Silver Plaque-winning Starz/Encore documentary series, this book offers interviews with 13 top filmmakers. Contains each director's filmography, complete listings of major awards, and cast credits for all films discussed.

In You Talkin’ to Me?, Seger and Rainey are here to help with all your dialogue problems. In each chapter, they explore dialogue from a different angle and discuss examples of great dialogue from films and novels. To cap it all off, each chapter ends with examples of poor dialogue, which are annotated by Linda and then rewritten by John so that listeners don’t just learn how to recognize when it’s done well - they also learn how to make dialogue better. Whether you’re writing fiction or nonfiction, for the screen or the page, this book will get your characters talking.

In writing a novel or screenplay, does writing Act II scare the heck out of you? Easily outline your novel or screenplay with this concise and insightful book. Are you confused as to how the three-act structure works? Want to make your novels or screenplays pop and create more compelling narratives? Consider it a screenwriting or novel worksheet for your mind. Three-Act Structure: Classified delivers!

Over the last decade or so, the concept of the law of attraction has become very popular, which is the secret to making all of your dreams come true. The law of attraction teaches how life really works and how to have happiness and easily manifest your dreams instead of struggling. Essentially, it teaches the secret of life, and with more and more people becoming aware of the law of attraction with each passing year and learning how to manifest their desires, the storytelling of screenwriters will need to change and adapt to reflect that transformation of humanity.

In Buddha and the Dancing Girl, Catherine Ann Jones generously shares experiences most of us will never have: acting on the stage and screen, living for years in a South Indian hut, writing award-winning plays and screenplays, and lecturing internationally. Yet her memoir offers a deeper gift: spiritual and psychological wisdom distilled from a lifetime of reflection

Luck plays an important part in the careers of writers. In this book, David Lodge explores how his work was inspired and affected by unpredictable events in his life. In 1976, Lodge was pursuing a ‘twin-track career’ as novelist and academic. As a literary critic, he made serious contributions to the subject before carnivalising it in his comic-satiric novel Small World. The balancing act between his two professions was increasingly difficult to maintain, and he became a full-time writer just before he published his best-selling novel Nice Work.

Two classic filmmaking books in one box set: Fast, Cheap and Under Control: Lessons Learned from the Greatest Low-Budget Movies of All Time--Learn the tricks and pitfalls of low-budget filmmaking from 33 successful independent films and the filmmakers who created them. Fast, Cheap and Written That Way: Top Screenwriters on Writing for Low-Budget Movies--Hollywood's top screenwriters look back at their early low-budget efforts and provide valuable tips, tricks, and advice on how to create a solid screenplay for a low-budget movie.

Want to sell a screenplay, but figure there’s no chance it’ll ever happen? I mean, you don’t know a soul in Hollywood, right? You don’t have James Cameron on your speed dial. Christopher Nolan isn’t in your yoga class. Quentin Tarantino doesn’t shop at the same Whole Foods that you do. I mean, who’s going to take a chance on you? There’s no way you could ever sell a screenplay. Right? Well…

It's the late 1970s and 20-something Christopher Fowler is a film freak, obsessively watching lousy films in run-down fleapit cinemas. He longs to be a famous screenwriter and put his dreams on the big screen. And so he heads for Wardour Street, Britain's equivalent of Hollywood. But he's made a spectacular mistake, arriving just as the nation's filmmakers are falling to their knees, brought low by the arrival of video and the destruction of the old movie palaces.

How do you become a television writer? What does it take to create your own show? Did the writers of Lost really have a plan, or were they making it all up as they went? In a career spanning far longer than he cares to admit, Javier Grillo-Marxuach has not only written for some of your favorite (and not-so-favorite) shows.

Learning how to write a movie script is more than just figuring out the margins and hitting a few plot points along the way....

Finally, a book that tells the truth about the pitching process in Hollywood. This highly detailed guide is intended for writers, producers and directors, or anyone who wants to work in the intensely competitive, creative side of the entertainment industry. Written is simple, direct language, it is intended for beginners or established Hollywood pros.

With decades of Hollywood experience, John August and Craig Mazin know what it takes to write a successful script for the screen. And over the past ten years, they've analyzed generation-defining movies and shared their wisdom on their popular podcast Scriptnotes, inviting experts in the craft, including Mike Schur, Phoebe Waller-Bridge, Greta Gerwig, Noah Baumbach, Seth Rogen, and many others to discuss everything that makes a script shine.

TV WRITING TOOL KIT 2nd Edition—is an update of my latest story tools, breakdowns, and handouts. The book covers story structure for a TV pilot and spec script, logline formulas for Logline For Your Life and your story, and character. With character, the book goes into the wound and the flaw. I cover everything that I teach in Writers on the Verge at NBC. There are breakdowns for several shows, including—THE GOOD WIFE, MODERN FAMILY, THE NIGHT MANAGER, HOMELAND, FLEABAG, and DEAD TO ME. The book also explores staffing and development.