Showing titles in Screenwriting

Raconter une histoire ne s'improvise pas. La narration est un artisanat qui, avant de pouvoir prétendre à l'art, exige le respect de règles que John Truby a rassemblées dans cette Anatomie du scénario. Sa méthode unique nous fait entrer dans les secrets de fabrication de ce qui constitue la condition première de la réussite d'un film - une bonne histoire - et nous guide pas à pas dans la construction des personnages, de l'intrigue, de l'univers du récit, des dialogues, en détaillant les vingt-deux étapes incontournables dans l'écriture d'un scénario réussi.

This program is read by the author. A darkly comic memoir about being a working creative person in a world that is growing ever more dysfunctional, by acclaimed New Yorker cartoonist and television writer Bruce Eric Kaplan In January 2022, Bruce Eric Kaplan found himself confused and upset by...

Written for working and aspiring filmmakers, directors, producers and screenwriters, The Marketing Edge for Filmmakers walks through every stage of the marketing process—from concept to post-production—and illustrates how creative decisions at each stage will impact the marketability of a film.

In Buddha and the Dancing Girl, Catherine Ann Jones generously shares experiences most of us will never have: acting on the stage and screen, living for years in a South Indian hut, writing award-winning plays and screenplays, and lecturing internationally. Yet her memoir offers a deeper gift: spiritual and psychological wisdom distilled from a lifetime of reflection

In writing a novel or screenplay, does writing Act II scare the heck out of you? Easily outline your novel or screenplay with this concise and insightful book. Are you confused as to how the three-act structure works? Want to make your novels or screenplays pop and create more compelling narratives? Consider it a screenwriting or novel worksheet for your mind. Three-Act Structure: Classified delivers!

Baby Boy Fisher was raised in institutions from the moment of his birth in prison to a single mother. He ultimately came to live with a foster family, where he endured near-constant verbal and physical abuse. In his mid-teens he escaped and enlisted in the navy, where he became a man of the...

Want to sell a screenplay, but figure there’s no chance it’ll ever happen? I mean, you don’t know a soul in Hollywood, right? You don’t have James Cameron on your speed dial. Christopher Nolan isn’t in your yoga class. Quentin Tarantino doesn’t shop at the same Whole Foods that you do. I mean, who’s going to take a chance on you? There’s no way you could ever sell a screenplay. Right? Well…

Want to know how to write a script that people will remember, and can catch the attention of producers and other above-the-line talent? (Don't worry about agents; they don't want to talk to you). Nail your dialogue. Really. Now I know you've heard all the maxims: Film is a Visual Medium; You Can Either Write Dialogue or You Can't. And they both sound very logical. And esteemed writers, such as David Mamet, have been preaching them for years. But, in my not so humble opinion, they're both total bullcrap.

Габриэль Гарсиа Маркес — один из величайших писателей ХХ века, лауреат Нобелевской премии по литературе, автор романов «Сто лет одиночества», «Осень патриарха», «Любовь во время чумы» и многих других произведений. В 1986 году он основал Международную школу кино и телевидения на Кубе, а в следующем открыл особые курсы — сценарную мастерскую Габриэля Гарсиа Маркеса. Вместе с молодыми талантливыми сценаристами, операторами, актерами и режиссерами маэстро сочинял и разбирал разнообразные сюжеты, превращая их, словно по волшебству, в полноценные киносценарии.

Over the last decade or so, the concept of the law of attraction has become very popular, which is the secret to making all of your dreams come true. The law of attraction teaches how life really works and how to have happiness and easily manifest your dreams instead of struggling. Essentially, it teaches the secret of life, and with more and more people becoming aware of the law of attraction with each passing year and learning how to manifest their desires, the storytelling of screenwriters will need to change and adapt to reflect that transformation of humanity.

How do you become a television writer? What does it take to create your own show? Did the writers of Lost really have a plan, or were they making it all up as they went? In a career spanning far longer than he cares to admit, Javier Grillo-Marxuach has not only written for some of your favorite (and not-so-favorite) shows.

Learning how to write a movie script is more than just figuring out the margins and hitting a few plot points along the way....

A great script is only as good as the effort you put into your career, but there is little information for the aspiring screenwriter about how to break in. Even those who study TV or film in college are taught to simply “get a production assistant job.” But then what? Anton Schettini provides a rare insider’s glimpse of the modern-day network and streaming TV writers’ room. Here, you will find practical advice, career path strategies, and first-hand accounts for how to establish your network, grow within it, and acquire the necessary tools to become a TV writer.

Finally, a book that tells the truth about the pitching process in Hollywood. This highly detailed guide is intended for writers, producers and directors, or anyone who wants to work in the intensely competitive, creative side of the entertainment industry. Written is simple, direct language, it is intended for beginners or established Hollywood pros.

50 Things to Know About Screenwriting by author Reinier Brands offers an approach on how best to write a screenplay and get it sold. Are you looking to write a screenplay but don't know where to start? This book is here to guide you through the process. Through this journey, you can discover unique insights and valuable tips from established screenwriters that can help simplify the screenwriting process and provide real-world examples for listeners. With this beginner's approach, listeners can avoid common pitfalls, find inspiration, and gain a fresh perspective on screenwriting.

Several books have been written about the film Chinatown, starring Jack Nicholson. Yet one has not been published on the trilogy that screenwriter Robert Towne envisioned.

Two classic filmmaking books in one box set: Fast, Cheap and Under Control: Lessons Learned from the Greatest Low-Budget Movies of All Time--Learn the tricks and pitfalls of low-budget filmmaking from 33 successful independent films and the filmmakers who created them. Fast, Cheap and Written That Way: Top Screenwriters on Writing for Low-Budget Movies--Hollywood's top screenwriters look back at their early low-budget efforts and provide valuable tips, tricks, and advice on how to create a solid screenplay for a low-budget movie.

Book one in the five books of the Story Series by author, scriptwriter, story consultant, and PhD scholar of narrative theory David Baboulene. The author helps you to understand what makes stories that grip. With invaluable new thinking on subtext plus insights on story success from, Bob Gale—legendary Hollywood scriptwriter and producer of the Back to the Future trilogy, Lee Child—16 million Jack Reacher novels sold in 43 countries and 29 languages, and more. Simply a must-listen for anyone wanting to understand how to turn ideas into stories that sell.

This edition of Story by Numbers is no longer available.

Honest, raw and very funny, Selin Sevinç's musings on the art of screenwriting shine light on the illusive craft which plays such a pivotal role in the movie making process. In-between recollecting on her efforts to make unique stories in a industry seemingly interested only in identikit movies, Sevinç blends in darkly amusing tales of homelife and motherhood in Oregon, US, and reminisces on her own childhood growing up in Turkey. In the latter sections, Sevinç shares guidance with the listener on how to make thought-provoking and meaningful screenplays.