Showing titles in History & Criticism

The Barrymores were “The Royal Family of Broadway”, and Ethel Barrymore was their queen. Along with her brothers, Lionel and John, she was a legendary presence in the theatre and in motion pictures during the first half of the 20th century. In fact, the Barrymores and the Drews were a theatrical family that dated back many generations.

Audible is proud to sponsor the 2021 Sundance Film Festival in our continued commitment to providing a home for bold creators and their extraordinary stories.

The fifth and final PHANTASM took an incredible eight years to go from set to screen. The project began as an experimental short before becoming a 13-part web series and finally a feature length sequel. Shot in secret on a microbudget, RAVAGER reunites PHANTASM's core cast 35 years after the original cult classic. The new sequel filmed not in Hollywood soundstages but in the homes of cast and crew. Visual effects were handled mostly by the director.

Victoria Amador utilizes extensive interviews and 40 years of personal correspondence with de Havilland to present an in-depth look at the life and career of this celebrated actress. Amador begins with de Havilland's early life; she was born in Japan in 1916 to affluent British parents who had aspirations of success and fortune in faraway countries, and her theatrical ambitions began at a young age. The book then follows her career as she skyrocketed to star status, becoming one of the most well-known starlets in Tinseltown.

There have been few times in modern music history that an instant shift in how we listen to - and view - music has occurred. However, the launch of MTV on August 1, 1981, was certainly one such occurrence. Instantly, music fans were now “listening with their eyes” rather than relying solely on their ears.

In the early '90s, straight-to-video horror films flooded the video store shelves. Movies like Ice Cream Man, Puppet Master, Hard to Die, and Chopping Mall were the new cult hits, and filmmakers like Jim Wynorski, Fred Olen Ray, Lloyd Kaufman, and Charles Band became regular household names. The release of these films directly to the consumer allowed for an entire sub genre of films to grow and gain notoriety in a pre-Scream world, before big budgets and flashy editing devoured the market.

Loretta Goggi: "Grazie a Pippo Baudo che andò a sposarsi e mi lasciò Sanremo" di Ernesto Assante; Max Gazzè: "Non dobbiamo rinunciare a Sanremo" di Gino Castaldo; Sanremo, non piangere: come cantare al Festival, anche senza pubblico di Gino Castaldo; Sanremo, piazze chiuse. Il sindaco: "Troppi rischi avrei rinviato il festival" di Silvia Fumarola e Massimo Calandri; Enigma Sanremo, il festival del 2021 è tutto un quiz di Ernesto Assante.

È il 9 gennaio 1956 quando Oriana Fallaci, inviata de "L'Europeo", giunge per la prima volta a Hollywood per comprenderne i meccanismi nascosti e raccontare senza filtri il mondo del cinema e i suoi segreti. Negli anni seguenti Oriana torna nuovamente negli Stati Uniti, va a visitare le dimore degli attori, entra negli studios e partecipa a feste esclusive, illuminando ipocrisie, ambizioni e rimpianti delle star in interviste appassionate e franche. Seguendo il filo dei sette peccati capitali, la Fallaci conduce la sua inchiesta con ironia e profonda comprensione umana.

Una serie TV può cambiare la percezione di intere nazioni su tematiche sociali, scientifiche, politiche, relazionali, dando voce a persone che nella nostra società sono ancora invisibili, a cui non viene mai data la parola. Il merito di Marina Pierri è la capacità di mettere insieme mondi che fanno fatica a parlarsi: quello del femminismo intersezionale e quello della psicologia del profondo. In "Eroine", Marina Pierri prende il testimone da una vasta letteratura filosofica, cinematografica e psicologica, e compie un'operazione ancora inedita.

Il cinema è da sempre il mezzo di comunicazione più audace e irriverente, sa sfidare la società e misurarne i limiti. Tra gli anni Trenta e il 1968, l'anno in cui tutto cambia, il cinema, sia in Italia che a Hollywood, non esita ad affrontare temi considerati tabù - l'adulterio, il sesso, l'omosessualità - con uno sguardo disincantato e provocatorio. Dalla censura imposta agli Studios al fascino dirompente di Brigitte Bardot e Sophia Loren, dalla retorica di epoca fascista a Tinto Brass e Pasolini, fino alle polemiche dei giorni nostri riguardo al movimento #MeToo.

Stettin 1945. Zurückgekehrt aus den Weiten Russlands und Usbekistans, wo seine Familie den Krieg und die Verfolgung durch die Nazis überlebt hat, schmiedet Artur Brauner Zukunftspläne. Auf dem Bahnhof begegnet er einer jungen Frau: Maria, die mit blond gefärbten Haaren und einer falschen Identität der Deportation aus dem Ghetto von Lemberg entgangen war - und in Hannover in einem Lagerkrankenhaus gearbeitet hatte. Jetzt ist sie auf dem Weg nach Warschau, in der Hoffnung, dort noch Überlebende ihrer Familie zu finden.

The author of the acclaimed Advice for Future Corpses (and Those Who Love Them) brings “her singular sensibility, her genius for language, her love of our deeply imperfect world” (Karen Karbo, author of In Praise of Difficult Women) to this insightful exploration of reality TV and the shifting definitions of truth in America.

From the beginning, American cinema has been both a powerful mythmaker and a social critic. D.W. Griffith's Birth of a Nation, arguably the first feature film, shows us just how early in its history cinema had established its influence. Birth of a Nation famously portrayed the Ku Klux Klan in a favorable light, a portrayal that contributed to the modern resurgence of the group and brought racist depictions of African Americans imported from the minstrel show to the silver screen. In response, filmmakers of color have created nuanced and indelible portraits of race.

With well over 200 episodes and a dozen seasons, The Big Bang Theory is one of America's favorite television series, bringing a new class of character to mainstream television: the science nerd. In spite of its evident popularity and influence in shaping public attitudes to science and scientists, there are relatively few books that explore the show's culture and social dimension. The Science of The Big Bang Theory looks behind the comedy scenes and scripts of this long-running and successful TV show.

The films, the stars, the filmmakers - all get their due in Hollywood Black, a sweeping overview of Blacks in film from the silent era through Black Panther, with striking photos and an engrossing history by award-winning author Donald Bogle.

For a moment in the 1980s, Carolyn Pfeiffer was the only woman in Hollywood who could greenlight a movie. Working with directors like Sam Shepard and Wes Craven, and with actors like River Phoenix and Bette Davis, she had a hand in producing or distributing many landmark films, among them Ridley Scott's The Duellists, Alan Rudolph's Choose Me, and the Academy Award-winning Kiss of the Spider Woman. However, long before establishing herself as a player in the world of film, Carolyn was a horseback-riding tomboy who dreamed of exploring the world beyond her small hometown.

For generations, vampires in cinema have fascinated us. Our intrigue never seems to die, and whether they enter our dreams, inspire our sense of style, or even fuel our fantasies and desires, make no mistake - vampires never go out of fashion. In this documentary, we speak to various women from the entertainment industry in Australia. We discuss their obsession with vampires and explore the world's beloved vampire genre.

Iconic actors, jealousy, tantrums, and a legendary producer’s struggle to transform the tempestuous, ill-fated union of Anne Boleyn and Henry VIII to the big screen all factor into this dramatic, behind-the-scenes story of how the popular Broadway play Anne of the Thousand Days became the quintessential Anne Boleyn movie. Richard Burton and Geneviève Bujold lit up the screen in this tragic romance, but some of the most exciting scenes were those not caught on film and which centered on a real or imagined love triangle.

When 2001: A Space Odyssey opened on April 3, 1968, science fiction films were not well-regarded by critics. In fact, most considered them to be juvenile, with little intellectual or artistic value. Except for a few clever efforts like Forbidden Planet and Planet of the Apes, they were mostly low budget quickies that featured lurid monsters and cardboard rocket ships.

Once, in a theater long ago and far, far away, young audiences who watched the nostalgic space epic of yesteryear, known then only as Star Wars, were duly enthralled. So much goodwill, so much affection, and so much love has rarely been lavished on any franchise. So much money from so many eager fans was never so readily available. Yet, with one potent death star-like blast of mind-breakingly awful filmmaking, the Disney Corporation has managed to alienate that goodwill, spurn that affection, and lose that money.