Showing titles in Direction & Production

Making Mary Poppins reveals the extraordinary true story behind the creation of one of the most beloved films of all time―and the two little-known songwriters who helped make it possible.

David Cronenberg's films have long enjoyed a cult following, pushing the boundaries of taste, blending high art with horror, and straddling the commercial and the cutting-edge. Here, the listener will be presented with the familiar and unfamiliar aspects of iconic films such as Videodrome, The Fly, Naked Lunch, and Crash.

In a world where movie marketers are the stars of the story, Opening Weekend: An Insider's Look at Marketing Hollywood's Hits and Flops recounts Jim Fredrick's journey through the realm of movie marketing. Fredrick offers readers exclusive access to behind-the-scenes anecdotes and firsthand accounts of working with studio executives and navigating relationships with famous movie stars and directors.

Since the 1920s, fashion has played a central role in Hollywood. As the movie-going population consisted largely of women, studios made a concerted effort to attract a female audience by foregrounding fashion. Designers from a variety of backgrounds, including haute couture and art design, were offered long-term contracts to work on multiple movies. Though their work typically went uncredited, they were charged with creating an image for each star that would help define an actor both on- and off-screen.

Over the course of more than a decade, Jane Leeves, a former ballerina from humble beginnings in England, saw her life turn on its head as she made a family on and off the set of Frasier—a show that would make her career. As the character Daphne Moon—a live-in physical therapist hired to take care of Frasier Crane’s father—she acted as a perfect, down-to-earth foil to pompous Frasier and his equally pretentious brother, Niles.

El impacto visual de Titanic no solo radica en su escala monumental, sino en la maestría cinematográfica con la que James Cameron dio vida a esta historia épica. Este libro explora en profundidad cada aspecto técnico y artístico que convirtió a Titanic en una de las películas más influyentes de la historia del cine.

Rede an die Filmakademie: o. Univ. Prof. Peter Patzak, Institutsleiter der Filmakademie, an der Universität für Musik und darstellende Kunst Wien, begrüßt die Filmschaffenden und Freunde der Filmakademie am 18. Juni 2009 anlässlich der jährlichen Galaveranstaltung im neu gestalteten Orang-Utan Haus, Tiergarten Schönbrunn. Dort wo viele Jahre davor die Studios der Filmakademie und das Regiebüro von Peter Patzak zu Hause waren.

Growing up in a small town in Oregon, I was always searching for something to keep me occupied. Luckily, I discovered the joy of video games and the thrill of embarking on wild adventures outside. It was a welcome escape from reality, and a way to enter another world entirely. As I got older, movies became another avenue for me to immerse myself in different worlds and become one with the main character, living their story as if it was my own.

The Towering Inferno (1974) was the crowning achievement of über-producer Irwin Allen, the self-proclaimed “Master of disaster.” Crafted from two best-selling books and with a budget-busting cast headed by two mega-stars, it took two studios to bring it to the screen. In celebration of the 50th anniversary of The Towering Inferno, biographer-historian Nat Segaloff (who was a member of the film’s special publicity unit) writes about the production, its innovative marketing campaign, and the goings-on before, during, and after its box office success.

It's one of the greatest movie romances of all time. Yet the friction and controversy surrounding The Way We Were was so enormous, the movie was nearly never made at all. Drawing on Laurents's and Pollack's unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and defined romance ever since.

The son of a celebrated Hollywood director emerges from his father's shadow to claim his own place as a visionary force in American culture. George Stevens, Jr. tells an intimate and moving tale of his relationship with his Oscar-winning father and his own distinguished career in Hollywood and Washington.

Is it your dream to make feature films? Get advice on how to do that by some of the best in the business! It’s like going to film school without ever leaving home!

Learn the tricks and pitfalls of low-budget filmmaking from 33 successful independent films and the filmmakers who created them. Includes never before published interviews with low-budget mavericks such as Steven Soderbergh, Roger Corman, Jon Favreau, Henry Jaglom, and many more.

In December of 1992, filming began on a secret Fantastic Four movie. Several months earlier, Bernd Eichinger met with legendary producer and director Roger Corman about making the movie before his rights expired at the end of the year. The movie was finished in 1993 and scheduled for a 1994 release. Before the premiere, Marvel bought the film and the negative was destroyed. The Fantastic Four would never be seen. However, a single copy made during a routine transfer leaked out and found its way to comic conventions and eventually to the internet.

Seldom has the world seen a man with the grace, style, intellect, and success of journalist, author, publisher, Broadway and film producer, and husband to long-time Cosmopolitan head Helen Gurley Brown, David Brown. Throughout his remarkable life, he was a friend, acquaintance, and confidant of the world's most powerful, most famous, and most notorious.

Whether it is a director insisting on a final cut, a star demanding a bigger motor home, a producer holding the line on a budget, or a grip with a gripe, it seems that the world of moviemaking is nothing but Sturm und Drang. Shoot Out presents a raucous look at how movies get made and the players involved, from writers, producers, directors, and stars to agents and marketers. For film buffs, aspiring filmmakers, students, and anyone else intrigued by the inner workings of Hollywood, this is the quintessential take on the how, who, what, and why of the film business.

From one of the most successful and influential producers in the entertainment industry—responsible for such classics as Roots, The Thorn Birds, and L.A. Confidential—comes a fascinating memoir of life at the very hub of Hollywood. Wolper enjoyed staggering success yet remained down-to-earth. By combining flexibility, resourcefulness, and determination, Wolper produced landmark documentaries, films, miniseries, and other cultural touchstones of the twentieth century. Producer is the engaging and inspiring memoir of a true entertainment pioneer.

Harry Cohn was the cofounder and president of Columbia Pictures, which he ran from the 1930s through 1950s. Cohn—who abhorred personal publicity—left no writings, made no speeches, and rarely submitted to interviews. Despite this, acclaimed biographer Bob Thomas brilliantly illuminates the life of the powerful but elusive studio head in King Cohn: The Life and Times of Hollywood Mogul Harry Cohn. Thomas details the studio head's rise from a New York City song-plugger to a Poverty Row impresario, highlighting his reign as one of the most powerful men in Hollywood.

Emmy-winning editor Jordan Goldman, ACE, takes you inside the cutting room and pulls back the curtain on how and why directors, showrunners, and editors decide whether your performance makes it to the screen. He explains the key things actors should do—and shouldn't do—to avoid getting cut out. Topics include what an editor does, how editors evaluate your work, why actors get cut, what you can control, and what you can't control.

Эльдар Александрович Рязанов—советский и российский кинорежиссёр, сценарист, актёр, поэт, драматург, телеведущий, педагог, продюсер. На страницах книги раскрывается внутренний мир известного режиссера. Эльдар Рязанов рассказывает о сути комедийного жанра, поднимает важные проблемы современного кинематографа и ТВ.