Showing results by publisher "Audible Studios" in Arts & Entertainment

Just what was it about the Grateful Dead that made them rock and roll's most beloved band? In Deadheads, those with the real story, who were there and are still listening to the music, explain it all. Grateful Dead lyricist John Perry Barlow talks about his lifelong friendship with Dead guitarist Bob Weir. Cajun chef Rick Begneaud shares his memories of feeding the Dead. John Popper of Blues Traveler recalls playing with the Dead at Bill Graham's memorial tribute .

Guided by Voices was one of the most popular indie-rock bands of the 1990s. Critics internationally have lauded the band's brain trust, Robert Pollard, as a once-in-a-generation artist. Pollard has been compared by The New York Times to Mozart, Rossini, and Paul McCartney (in the same sentence) and everyone from P. J. Harvey, Radiohead, R.E.M., the Strokes, and U2 has sung his praises and cited his music as an influence. But it all started rather prosaically.

The Partnership is the first book to tell the full story of Brecht and Weill's impulsive, combustible partnership, the compelling psychological drama of one of the most important creative collaborations of the past century. It is also the first book to give full credit where it is richly due to the three women whose creative gifts contributed enormously to their masterworks.

The news that Cilla Black had died in August at the age of 72 triggered an outpouring of love and a wave of sadness that spread around the world. Her infectious personality and her common touch made her one of Britain's best loved entertainers. Known to one generation for a string of number-one hits like 'Anyone Who Had a Heart' and 'You're My World', and loved by another for hosting the classic ITV show Blind Date, Cilla came a long way from hanging coats in Liverpool's Cavern Club for five bob an hour.

On October 15, 1967, bass player Steve Boone took the Ed Sullivan Show stage for the final time, with his band The Lovin' Spoonful. Since forming in a Greenwich Village hotel in early 1965, Boone and his bandmates had released an astounding nine Top 20 singles, the first seven of which hit the Billboard Top 10, including the iconic Boone cowrites "Summer in the City" and "You Didn't Have to Be So Nice".

Molding a Jurassic Universe is a collection of essays exploring the space where nostalgia and geek culture collide, all through the lens of Jurassic Park and the Jurassic Park franchise. The 21 essays muse on traumatized heroes, dinosaur martyrdom, the ethical implications of having a theme park full of extinct creatures brought back to life, cynicism as form and function in filmmaking, a shaving cream can as a foundation to worldbuilding, and more.

Van Barnes, whose performance as the "Houston T-Girl" left a huge impression on viewers, shares what it was like to be an actor, set dresser, and transgender consultant on set. In this emotional and charismatic interview, she shares how her involvement in the TransFIRMATIVE action program changed the way Hollywood approaches and represents the transgender movement on set and on-screen - from writers and actors, to art directors and consultants.

Jeffrey Tambor doesn't work without Marie Larkin, Transparent's hair and wigs guru. In this interview, she convinces us that half the puzzle of character development is solved in the hair studio. (She has enough wigs in her personal collection to furnish 60 extras with '90s locks!) Marie has worked with Jeffrey since the beginning of his career, and talks about their partnership that - despite getting off to a rocky start - ended up lasting a lifetime.

Bradley Whitford is a West Wing alumnus and 2015 Emmy nominee for his Transparent role as Mark, Maura's tough friend who argues the hardest when they confront what it means to be true to themselves — and what it takes to break a secret. Bradley talks about his own family and his preparation for this role; his son reports, "Dad, this is the most excited I've ever seen you for a part!"

Thanks to Salem sea captains, Gilded Age millionaires, curators on horseback, and missionaries gone native, North American museums now possess the greatest collections of Chinese art outside of East Asia itself. How did it happen? The China Collectors is the first full account of a century-long treasure hunt in China from the Opium Wars and the Boxer Rebellion to Mao Zedong's 1949 ascent.

Screenwriter: The protagonist, Owen Jant, is a young screenwriter who comes of age in the 1930s at the intersection of Hollywood, the Depression, and the heyday of the Communist Party. At every turn, he is finding, and losing, his way. Hollywood star: The glamorous Palmyra Millevoix - complex, gifted, mysterious - is a star more agitated than pleased by her fame. She could have been Grushenka, siren of the Karamazov saga, if she had not been a Hollywood star.

Following the Civil War, Beale Street in Memphis, Tennessee, thrived as a cauldron of sex and song, violence and passion. But out of this turmoil emerged a center of black progress, optimism, and cultural ferment. Preston Lauterbach tells this vivid, fascinating story through the multigenerational saga of a family whose ambition, race pride, and moral complexity indelibly shaped the city that would loom so large in American life.

Rula Lenska's is an extraordinary life. Born in Britain to Polish aristocrats, refugees from the Nazis and then the Soviets, Rula found fame in the 1970s as Q in the TV series Rock Follies. Shortly afterwards she accidentally conquered America with the infamous VO5 hair advert, prompting Johnny Carson to ask, 'Who the hell is Rula Lenska?'

Der Science-Fiction-Klassiker als ungekürztes Hörspiel. Von Orson Scott Card selbst bearbeitet und von Oliver Rohrbecks Lauscherlounge-Team im Hörspielstudio Xberg mit einem fast 100köpfigen Figurenensemble produziert. Das Hörspiel besticht durch außergewöhnliche Charaktere, aufwendige Geräuschkulissen und einer beeindruckende Geschichte. In der nahen Zukunft wird die Erde von einer feindlichen Alien-Rasse attackiert...

Universal Studios never really wanted to get into the theme park business. They wanted to be the anti-Disney. But when forced to do so, they did it in a big way. Despite the fits and starts of multiple owners, the parks have finally gained the momentum to mount a serious challenge to the Walt Disney Company. How did this happen? Who made it happen? What does this mean for the theme park industry?

Pop culture and parody author Valerie Estelle Frankel examines the sources and predicts a Game of Thrones ending for each one. What will the Ragnarok ending look like? Or the Narnia ending? Who will live, who will die, and how goofy can the war of ice and fire possibly get?

Based on extensive research and interviews with some of the participants, Browne - a contributing editor at Rolling Stone and author of Fire and Rain and Dream Brother - vividly chronicles the year America went rock & roll in everything from politics to technology. The Spirit of '76 will make you think anew about an under-appreciated moment in the country - and will make you wonder if its optimistic, can-do spirit of reinvention and renewal will ever come again.

Released in 1974, Sweet Home Alabama has become synonymous with Southern rock. From its opening guitar riff, it is instantly recognizable, a raucous, irreverent defense of a Deep South state and its segregationist governor against the jabs of Neil Young. But the roots of Lynyrd Skynyrd's best-selling anthem go much deeper than regional pride or resentment of a fellow rocker.

From Michael Jackson's bizarre guest appearance that kickstarted the golden era to the death of Maude Flanders and all the Conan O'Brien throwaway gags, Phil Hartman guest voices, extensive movie references and encore worthy musical numbers in between, We Put the Spring in Springfield serves as the perfect companion guide to the Simpsons' golden years and delves into the particular elements that made seasons 3-8 so magical.

Critical Mass is a treasure trove of sparkling, spiky prose and a fascinating portrait of our lives and cultural times over the past decades. In an age where a great deal of back scratching and softball pitching pass for criticism, James Wolcott’s fearless essays and reviews offer a bracing taste of the real critical thing.