Showing results for "unabridged" in Drama

Jane Austen's classic romantic comedy is the sparkling tale of the Bennets, a family blessed with five daughters and a mother desperate to marry them off. The tempestuous pairing of the witty, independent Elizabeth and her arrogant but honorable suitor Mr. Darcy sets the standard for all great couples of stage and screen. Although many have tried, few literary romances have matched the wit and gentile satire of Austen's Pride and Prejudice.

Step into a world where wit is sharp, glances speak volumes, and the dance of manners conceals deeper truths. Pride and Prejudice isn't just a novel—it's a perfectly tuned social symphony composed by one of literature's most insightful observers, Jane Austen. This timeless classic captures the tension between pride and vulnerability, societal expectation and personal desire, all through language as elegant as the world it critiques. In its pages—and now in your ears—you'll encounter unforgettable characters whose joys, flaws, and revelations still echo today.

When a jealous Zeus discovers that the compassionate Titan, Prometheus, has introduced the gift of fire to liberate mere mortals from oppression and servitude, he has Prometheus bound to a rocky prison in the Scythian desert, where the god discloses the reason for his punishment.

Suspense mounts when Paulina and her husband offer hospitality to a stranger. Paulina thinks she recognizes, in their guest, the man who tortured her in prison, and she subsequently takes him hostage to find out the truth. A stunningly blunt and compelling play, Death and the Maiden explores brilliantly the issues of torture, power, vulnerability, ethics, and trust. An award-winning play by Chilean writer Ariel Dorfman, forced into exile in 1973.

Shakespeare's drama tells the story of a young man who can only come into his own upon his father's death and the father who longs for immortality. Using only Shakespeare's words, this adaptation tells the deeply personal story of Prince Hal's coming of age and his relationships with two father figures: the mistrustful King Henry IV and the hilarious, irrepressible Falstaff. A Court Theatre Production.

The multi award-winning SmartPass study guide, with and without commentary options. This is a full-cast, unabridged performance with comprehensive commentary and analysis for any student to fully understand and appreciate the play. Soak up the atmosphere of ancient Rome. Decide for yourself whether Caesar's power and ambition was a threat to the Republic, and whether assassination can ever be justified.

Oedipus the King is the story of a man whose life is destroyed by his own good intentions. When a terrible secret from his past is brought to the light of day, the consequences are chilling - and ineluctable.

Goethe’s two-part dramatic work, Faust, based on a traditional theme, and finally completed in 1831, is an exploration of that restless intellectual and emotional urge which found its fullest expression in the European Romantic movement, to which Goethe was an early and major contributor. Part I of the work outlines a pact Faust makes with the devil, Mephistopheles, and encompasses the tragedy of Gretchen, whom Faust seduces.

Als Götz von Berlichingen 1773 erschien, war das Stück eine Sensation - und machte seinen Autor Johann Wolfgang von Goethe schlagartig weltberühmt. Die Abkehr von der aristotelischen Dramenstruktur der Einheit von Handlung, Raum und Zeit war ein mutiger Schritt; das Sturm-und-Drang-Drama war Vorbild für Schillers "Räuber". Das Drama des rechtschaffenen Ritters Götz von Berlichingen, dessen Freiheitsliebe und Kaisertreue gegen einen intriganten Adel auf verlorenem Posten stehen, ist noch heute ein beliebtes Stück auf den Bühnen - und Bestandteil vieler Literaturlisten der Schulen!

Julius Caesar is one of Shakespeare’s most compelling Roman plays. The plot against Caesar and the infamous assassination scene make for unforgettable listening. Brutus, the true protagonist of the play, is mesmerizing in his psychological state of anguish, forced to choose between the bonds of friendship and his desire for patriotic justice.

Peer Gynt, the five-act romantic play in verse by the Norwegian dramatist Henrik Ibsen, is one of the most widely performed Norwegian plays. Based on a Norwegian folk hero, the title character is a rogue who will be destroyed unless the love of a woman saves him. At a wedding he meets Solveig, who falls in love with him, but Peer ruins the wedding by abducting, then abandoning the bride. Then Peer goes global, misbehaving in a trail of adventures around the world. When he finally returns to Norway, old and embittered, Solveig welcomes him home, and he's redeemed by her love.

In the Greek legend, a sculptor, Pygmalion, created a statue of a woman so beautiful that he fell in love with it. Later the goddess Aphrodite responded to his earnest prayers and brought the statue, named Galatea, to life. Shaw's Pygmalion is a fussy unmarried professor of phonetics, Henry Higgins, who claims that he could train an uneducated person off the street to speak so that he or she could pass as a member of the aristocracy. His Galatea is Eliza Doolittle, who sells flowers at Covent Garden and whose father is a dissipated but cunning vagrant.

In the hands of Sophocles, the master dramatist, the anguished tale of a man fated to kill his father and marry his mother retains its power to shock and move beyond any Freudian reference.

Inspired by the mythic house of Thebes, Sophocles’s defining Greek tragedies follow the fates that befall three doomed generations.

This collection contains the following works: Medea by Sophocles Antigone by Sophocles Agamemnon by Aeschylus Eumenides by Aeschylus The Choephori by Aeschylus The Tragedy of Othello, the Moor of Venice by William Shakespeare The Tragedy of Romeo And Juliet by William Shakespeare The Tragedy of Hamlet, Prince of Denmark by William Shakespeare The Tragedy of Macbeth by William Shakespeare A Midsummer Night's Dream by William Shakespeare The Tragedy of King Lear by William Shakespeare The Tragedy of Antony and Cleopatra by William Shakespeare.

A compassionate, personal, and illuminating work of nonfiction that draws on the author's celebrated work as a director of socially conscious theater to connect listeners with the power of an ancient artistic tradition.

Hamlet, which dates from 1600-1601, is the first in Shakespeare's great series of four tragedies. In writing this extraordinary play Shakespeare effectively re-invented tragedy after an interval of roughly two thousand years - you would have to go back to the Greek dramatists of 5th century Athens to find anything of comparable depth and maturity. This production features the voice of Anton Lesser as Hamlet along with a full cast.

Antigone is a famous Greek tragedy attributed to the ancient playwright Sophocles at around 440 BCE. The play expands on the Theban legend of Oedipus that predates it, dealing with Antigone’s burial of her brother Polyneices in defiance of the law and the tragic results of her act. On another level, the play exposes the dangers of the absolute ruler or tyrant in the character of Creon. No one speaks freely to him, so he makes a series of mistakes, illustrating the folly of tyranny.

A comedy of manners in five acts, The Rivals was Sheridan's second commercially produced play. The play is set in Bath in the 18th century, a town legendary for conspicuous consumption and fashion at the time. Wealthy, fashionable people went there to "take the waters", which were believed to have healing properties. Bath was much less exclusive than London, and provides an ideal setting for the characters.

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.