Showing results for "the women" in Words, Language & Grammar

In her new audiobook, Invisible Women, award-winning campaigner and writer Caroline Criado Perez shows us how, in a world largely built for and by men, we are systematically ignoring half the population. She exposes the gender data gap - a gap in our knowledge that is at the root of perpetual, systemic discrimination against women and that has created a pervasive but invisible bias with a profound effect on women’s lives.

It was the 1960s - a time of economic boom and social strife. Young women poured into the workplace, but the “Help Wanted” ads were segregated by gender and the “Mad Men” office culture was rife with sexual stereotyping and discrimination. Lynn Povich was one of the lucky ones, landing a job at Newsweek, renowned for its cutting-edge coverage of civil rights and the “Swinging Sixties.” Nora Ephron, Jane Bryant Quinn, Ellen Goodman, and Susan Brownmiller all started there as well. It was a top-notch job - for a girl - at an exciting place. But it was a dead end.

Women are steadily showing up in powerful positions, and better communication and public speaking give women the ability to develop their full potential, seize every opportunity, and realize their aspirations. Whether pitching for new business, delivering a talk at a conference, raising money for a non-profit, or communicating one-on-one with coworkers, women can become effective, powerful communicators when they learn to speak with authenticity and confidence.

The Woman Who Did, written in 1893 wholly and solely to satisfy the author's conscience, was perhaps the most controversial book of the late 19th century. Certainly, it was a succès de scandale and a commercial triumph. The heroine, Herminia Barton, chooses to live unmarried with her lover. When he dies, she endures many a trial for her beliefs - particularly after the stigma of bearing his child - being cast out from both families.

George Gissing’s 1893 gripping novel The Odd Women explores themes like the role of women in society, marriage, morals, and the nascent feminist movement. Set in London, Gissing's women range from the independent free-thinker Rhoda Nunn and the idealistic Mary Barfoot to the Madden sisters who struggle to make a living. The characters make their choices - some traditional and some bravely non-traditional, in two main plot lines. A remarkable late Victorian narrative, The Odd Women chronicles the shifting roles of women in a changing society in a most arresting way.

Rita Van Arsdale, a member of the high society in New York, is invited to an elegant party where she falls in love with a gentleman called Mr. Durand, who returns her feelings and proposes to her. But their plans are derailed after Mrs. Fairbrother, who has arrived at the party wearing a spectacular diamond, is discovered murdered in an alcove. The prime suspect is none other than Mr. Durand, so Miss Van Arsdale gets down to work to reconstruct the true course of events and prove that her love is indeed innocent.

During a high society party set in New York City in the early 1900s, a beautiful woman is murdered and her precious diamond stolen. A young woman attending the party had just accepted a marriage proposal from a handsome young man. Unfortunately, the young man is the prime suspect in the murder due to circumstantial evidence. From there, the story takes many twists and turns before the identity of the killer is finally revealed.

The Fleet Street Girls is the inspiring story of the female journalists who broke down barriers in the 1970s as women arrived on Fleet Street for the first time. Julie Welch was the first ever female football reporter. To achieve this role at the Observer, she had to battle the National Union of Journalists nearly calling a strike when she dared to write an article as a mere secretary; an entire room of men falling silent to listen to her give her first football report over the phone, before pronouncing it passable; and many other battles in-between.

Author and artist Nava Atlas presents a treasury of intimate glimpses into the unfolding creative writing process across fifteen brilliant careers in women’s literature and relates their stories to women writers of today. Through their journals, letters, and diaries, we get to know the struggles and triumphs of Louisa May Alcott, Jane Austen, Charlotte Bronte, Gwendolyn Brooks, Octavia E. Butler, Willa Cather, Madeleine LEngle, Edna Ferber, Zora Neale Hurston, L.M. Montgomery, Anais Nin, George Sand, Harriet Beecher Stowe, Edith Wharton, and Virginia Woolf.

Words matter. They wound, they inflate, they define, they demean. They have nuance and power. "Effortless", "Sassy", "Ambitious", "Aggressive": What subtle digs and sneaky implications are conveyed when women are described with words like these? Words are made into weapons, warnings, praise, and blame, bearing an outsized influence on women's lives - to say nothing of our moods.

Writing and finishing a novel can feel overwhelming. Especially because if you're like most writers, you need to fit writing around other responsibilities and goals. Maybe you're working at a separate job or profession, raising a family, or pursuing a degree (or all of the above). But there's good news. No matter what else is happening in your life, you can write a novel in a year.