Showing results for "dh lawrence" in Short Stories

In this beautifully observed study of a new marriage and the sexual tensions that run through it, Lawrence returns to his theme that happiness in marriage can only come with the submission of the woman to the man. The young wife strains against the bonds of being married and dallies with another man but returns to the arms of her husband once he shows his true feelings for her.

The Man Who Loved Islands is a haunting story of a man who tries to control his life by making his world ever smaller by moving to increasingly smaller islands. Each one proves to be beyond his ability to control either other people or his sexual desire, and finally the last island conquers him. The story can even be seen as a metaphor of man's inexorable march to death, when we are all finally alone.

The Old Adam is a story set in lodgings in Croydon, and the incident may again be autobiographical, but the story examines for the first time in Lawrence’s writing the different and conflicting loves between men and women.

മനുഷ്യമനസ്സിന്റെ ചേതനത്വവും സ്വാഭാവി കതയും സഹജവാസനകളും അതേപടി ചിത്രീകരിക്കുന്നവയാണ് ഡി.എച്ച്. ലോറന്‍ സിന്റെ കഥകള്‍. പ്രകോപനപരവും ആസ്വാദ്യ കരവുമായ രചനകളിലൂടെ ലോകസാഹി ത്യത്തില്‍ അനിഷേധ്യസ്ഥാനം ഉറപ്പിച്ച അദ്ദേഹത്തിന്റെ പ്രശസ്തമായ കഥകളുടെ പരിഭാഷ.

"The Princess" of the story is a spoiled, sexless woman who is thrown in with a passionate man whom she takes into her bed and then rejects. This rejection leads to his ultimate death. Lawrence again pleads his case for the necessary domination of woman by man and shows the sterility of a life lead without sexual passion. Set against the bleak mountains of South America, it is one of Lawrence's most enduring tales.

"England, My England" is set in the years before the Great War of 1914, seen by some as an idyllic time of sunshine and peace before everything was shattered by the mechanized war. The family is placed in an idealized setting, deep in the English countryside, but there are snakes in this Garden of Eden. There is conflict between man and woman, brought to the fore by an accident to a child, and there is the seeming purposeless life led by the husband. The story ripples with the eugenic theories popular at the time, yet the conflicts are finally solved by the horror of the war.

The Woman Who Rode Away is a dark, troubling story set in the wilderness of South America. What makes this story compelling is that the woman is at the end of her personal tether and the Indians are at the end of their cultural one. They seek one another out for terrible but perhaps predictable uses. Each of them looks to the other for "salvation" in a way that expresses the desperation and futility of their situation.

In this story, Lawrence returns to the scenes of his young manhood with farming scenes and the life he experienced when courting Jessie Chambers at Haggs Farm in Nottinghamshire. Two brothers find love in two different women, both out of the ordinary for farm lads - one a German nanny, the other the wife of a tramp who begs food from the farmers. Both men are redeemed from their rivalry for each other and their suppressed sexuality by the first experiences of love on the same night.

Lawrence is at his best in this story, taken from the scenes of his childhood and based on characters he knew intimately. The main themes of the story are the class system that dominated society at the time and the pressures put on the young lovers who have to overcome it, and the position of women in society who have nothing to offer but their bodies. For the sake of security and position, one daughter makes a loveless marriage whilst the other daughter gives all that up for love.

"Glad Ghosts" is another of Lawrence's supernatural stories, set in the archetypical country house. He doesn't attempt to explain the supernatural happenings which occur, but uses them to extol his own ideas of the power of the sex drive and the triumph of life over death.

The Escaped Cock is Lawrence’s take on resurrection, the life-force, and sexuality. The man who has been crucified wakes up in the garden wounded and weakened. Disillusioned with his old companions and inspired by the zest for life of the escaped cock of the title, he decides to live anew. Journeying to the sea, he stumbles on a temple of Isis, where its priestess, who mistakes him for the lost Egyptian god Osiris, introduces him to the pleasures of the flesh.

"The Border Line" is unusual in that Lawrence dabbles in the supernatural (as he was to do again in "The Rocking-Horse Winner" two years later) and that this is less a story in the traditional sense and more an exploration of the mind of a particular woman, based on his own wife, Frieda. Katherine, in the story, realizes that her real love was her first husband, whom she should, according to Lawrence, have submitted to to gain real happiness. As Lawrence says in the story, thinking of his German wife, perhaps, "Beyond all race is the problem of man and woman."

"The Blind Man" is a delicate study of a loving relationship blighted by the man's blindness and disfigurement in the First World War. The arrival of an old friend of the woman brings into the open feelings and fears previously suppressed.

"The Rocking Horse Winner" is one of Lawrence's more popular short stories with its mixture of the supernatural and its moral lesson of the corrupting nature of the love of money. But it has nothing new to say on the subject, and without the central core of Lawrence's passion for what he is writing, it seems somewhat trite.

"Sun" is a sensual story of a woman rediscovering her sexuality through the power of the sun. But for the unexpected arrival of her businessman husband, she was ready to give herself to a local peasant, but is finally pulled back to respectability by her husband. But she is free to remain apart from him in the sun.

"The Flying Fish" is unfinished, but tells the story of an Englishman, Gethin Day, returning home after years in South America. There is a hint of the homesickness Lawrence may have felt during his long exile. The bulk of the story is the time spent on the ship which is taking Day back to England. It is a ship of fools, a "plague ship", and the only positive note is the joy Day sees in the play of the flying fish and porpoises around the ship. It is tantalizing to speculate how Day would have adapted to English life again, confined to an old house in an old country.

"Samson and Delilah" is set against a Cornish backdrop. Lawrence and his wife tried to settle in Cornwall during the First World War, but were hounded by the authorities and forced to leave. Lawrence pointedly describes the local people as "mindless" in this story. It is almost a Homeric story of a husband returning home after a long absence, having to fight to regain his wife. But in this story, it is the wife who is the obstacle. But she succumbs to the man's physical presence, as Lawrence demanded all women should if they were to attain happiness.

"Wintry Peacock" is, on the surface, a tale of misdirected love or even irresponsible love, the relationship between the wife and the peacock being the most strange, but it is the conspiracy of the two men in the story to prevent the truth coming out about the husband's love child that is most disturbing. The innocent are punished and the guilty get away with their sins, and the author goes laughing down the hill at the end of the story.

"Monkey Nuts" was written by D.H. Lawrence in 1922. "Monkey Nuts" turns the traditional love story on its head. It is the woman (the new liberated woman Lawrence had little time for) who does the chasing and the boy who is reluctant. Lawrence seems to be saying it is the unspoken love between the two men in the story which is more satisfying than the possible love between the man and the woman, which the boy rejects. Although the older man goes through the motions of chasing the girl, even he seems to realize the sterility of one-sided love.

"Her Turn" was written by D.H. Lawrence in 1912. Lawrence is at his best in this story, taken from the scenes of his childhood and based on characters he knew intimately. The scene can hardly be called a story in the traditional sense, being the altercation between a miner and his wife over the sharing of strike pay. Lawrence keeps the story lighthearted, almost comical, but the tensions of married life in hard times are just below the surface.