Showing results for "dh lawrence" in Anthologies & Short Stories

David Herbert Richards Lawrence (1885-1930) is recognized as one of the greatest English novelists, poets, playwrights and short story writers. His works address such themes as emotional health, vitality, spontaneity and instinct, wrapped up in gripping plots which range from the poignant to the downright creepy.

The Man Who Loved Islands is a haunting story of a man who tries to control his life by making his world ever smaller by moving to increasingly smaller islands. Each one proves to be beyond his ability to control either other people or his sexual desire, and finally the last island conquers him. The story can even be seen as a metaphor of man's inexorable march to death, when we are all finally alone.

"Sun" is a sensual story of a woman rediscovering her sexuality through the power of the sun. But for the unexpected arrival of her businessman husband, she was ready to give herself to a local peasant, but is finally pulled back to respectability by her husband. But she is free to remain apart from him in the sun.

The Ultimate Classics Collection: Volume Two is the second instalment of our wide-ranging classic collections. Volume Two features 13 essential classic novels from Jane Austen; Edith Wharton; Leo Tolstoy; D.H. Lawrence, and many more, alongside selected poetry from Christina Rossetti; Elizabeth Browning; and Emily Dickinson. Read by a cast of incredible narrators including Joanne Froggatt, Adjoa Andoh, Jonathan Keeble, and many more, this is your new go-to collection to catch up on those classics you've always wanted to hear.

A wonderful collection of 50 of the best classic ghost stories ever written. 'The Missing Model' by Lettice Galbraith, 'Pomegranate Seed' by Edith Wharton, 'The Screaming Skull' by F. Marion Crawford, 'The Ghost in the Cupboard Room' by Wilkie Collins, 'The Shadow on the Blind' by Louisa Baldwin, 'A Ghost's Revenge' by Lettice Galbraith, 'The Lost Ghost' by Mary Wilkins-Freeman, 'On the Northern Ice' by Elia W. Peattie, 'The Cold Embrace' by Mary E. Braddon, 'The Dust Cloud' by E. F. Benson, and many more.

The Ultimate Classics Collection: Volume Four is the fourth instalment of our wide-ranging classic collections. Volume Four features 12 timeless works that largely focuses on the greats of American and British literature, with novels from Charles Dickens, Edith Wharton, Thomas Hardy, Victor Hugo, and others. Read by a cast of incredible narrators including Miranda Raison, Pearl Mackie, Adam Sims, David Rintoul, and more, this is a chance to expand your listening with some of the greatest authors of all time.

"Glad Ghosts" is another of Lawrence's supernatural stories, set in the archetypical country house. He doesn't attempt to explain the supernatural happenings which occur, but uses them to extol his own ideas of the power of the sex drive and the triumph of life over death.

"England, My England" is set in the years before the Great War of 1914, seen by some as an idyllic time of sunshine and peace before everything was shattered by the mechanized war. The family is placed in an idealized setting, deep in the English countryside, but there are snakes in this Garden of Eden. There is conflict between man and woman, brought to the fore by an accident to a child, and there is the seeming purposeless life led by the husband. The story ripples with the eugenic theories popular at the time, yet the conflicts are finally solved by the horror of the war.

Lawrence is at his best in this story, taken from the scenes of his childhood and based on characters he knew intimately. The main themes of the story are the class system that dominated society at the time and the pressures put on the young lovers who have to overcome it, and the position of women in society who have nothing to offer but their bodies. For the sake of security and position, one daughter makes a loveless marriage whilst the other daughter gives all that up for love.

The Woman Who Rode Away is a dark, troubling story set in the wilderness of South America. What makes this story compelling is that the woman is at the end of her personal tether and the Indians are at the end of their cultural one. They seek one another out for terrible but perhaps predictable uses. Each of them looks to the other for "salvation" in a way that expresses the desperation and futility of their situation.

In this story, Lawrence returns to the scenes of his young manhood with farming scenes and the life he experienced when courting Jessie Chambers at Haggs Farm in Nottinghamshire. Two brothers find love in two different women, both out of the ordinary for farm lads - one a German nanny, the other the wife of a tramp who begs food from the farmers. Both men are redeemed from their rivalry for each other and their suppressed sexuality by the first experiences of love on the same night.

"The Princess" of the story is a spoiled, sexless woman who is thrown in with a passionate man whom she takes into her bed and then rejects. This rejection leads to his ultimate death. Lawrence again pleads his case for the necessary domination of woman by man and shows the sterility of a life lead without sexual passion. Set against the bleak mountains of South America, it is one of Lawrence's most enduring tales.

"In Love" handles a serious subject in a light, almost comic way. A couple are engaged but have no sexual feelings for each other. The tensions, as they try to do what is expected of them, explode until a compromise is reached. But will the marriage last?

"The Undying Man" is a slightly unfinished piece, drawing its inspiration from Shelley's Frankenstein about the creation of life and the fear of death. It is interesting to speculate where Lawrence would have gone with the story, but the sound of broken glass is the most likely ending.

"Rawdon's Roof" is a slight comic piece, relying for its humor on the folly of a man throwing away his chance of happiness because of an unexplained and unlikely vow.

"The Last Laugh" is another of Lawrence's supernatural stories, set in a dreamlike snowy London. The question left open is who the three people in the story saw on the snowy evening. Perhaps Pan, returned to destroy the Christian God, as the church is destroyed in the story, and to bring love to the frigid young woman in the form of a policeman who is prevented from leaving the house. But why the other quite harmless, and Platonic lover, had to die is a mystery. Perhaps because he had made love to a Jewess?

"The Flying Fish" is unfinished, but tells the story of an Englishman, Gethin Day, returning home after years in South America. There is a hint of the homesickness Lawrence may have felt during his long exile. The bulk of the story is the time spent on the ship which is taking Day back to England. It is a ship of fools, a "plague ship", and the only positive note is the joy Day sees in the play of the flying fish and porpoises around the ship. It is tantalizing to speculate how Day would have adapted to English life again, confined to an old house in an old country.

"Smile" is one of Lawrence's shorter pieces, a thumbnail sketch of an idea. A man is relieved that his wife is dead and struggles to hide his relief when confronted with his wife's body. The relief breaks out into a smile, which he struggles to excuse. How much better it would have been, Lawrence seems to be saying, if he had just laughed out loud!

"Samson and Delilah" is set against a Cornish backdrop. Lawrence and his wife tried to settle in Cornwall during the First World War, but were hounded by the authorities and forced to leave. Lawrence pointedly describes the local people as "mindless" in this story. It is almost a Homeric story of a husband returning home after a long absence, having to fight to regain his wife. But in this story, it is the wife who is the obstacle. But she succumbs to the man's physical presence, as Lawrence demanded all women should if they were to attain happiness.

"Wintry Peacock" is, on the surface, a tale of misdirected love or even irresponsible love, the relationship between the wife and the peacock being the most strange, but it is the conspiracy of the two men in the story to prevent the truth coming out about the husband's love child that is most disturbing. The innocent are punished and the guilty get away with their sins, and the author goes laughing down the hill at the end of the story.