Showing results for "dh lawrence" in Literature & Fiction

In an Audible Exclusive performance, Holliday Grainger lends her voice to a new unabridged recording of Lady Chatterley's Lover, a novel that was banned until 1960 and is now considered to be one of the most renowned love stories of all time. This production features an exclusive introduction written and narrated by Fern Riddell, a cultural historian who specialises in sex in the Victorian and Edwardian eras.

Sons and Lovers, Lawrence's third published novel, was written by the author at the height of his literary powers. The story of class differences (the relationship between a middle-class woman and a miner) in the tough world of coal mining brought a refreshing realism to literature. It remains a challenging text and is studied widely. It is particularly effective on audiobook in the hands of Nottinghamshire reader Paul Slack.

Set in the rural midlands of England, The Rainbow revolves around three generations of Brangwens, a family deeply involved with the land and noted for their strength and vigour. When Tom Brangwen marries a Polish widow, Lydia Lensky, and adopts her daughter Anna as his own, he is unprepared for the conflict and passion that erupts between them. Their stories continue in Women in Love.

Gerald Crich, son of a wealthy colliery owner, captures the heart of Gudrun, while Ursula becomes enamored with Rupert Birkin, a school inspector - their complex relationship likely modelled on that between Lawrence, his wife Frieda, and John Middleton Murry and Katherine Mansfield. Things are far from harmonious, and the discord and conflict leads to many heated and elaborate philosophical discussions about modern society and the nature of love, while tragedy looms large.

Crowned ‘the greatest imaginative novelist of our generation’ by EM Forster, DH Lawrence has an undisputed place in England's canon of great authors. In this wide-ranging collection, dramatisations and readings of some of his major works are brought together, exploring themes such as romantic love and sexual desire, individual freedom, class division, war, the beauty of nature and the ugliness of industrialisation.

David Herbert Richards Lawrence (1885-1930) is recognized as one of the greatest English novelists, poets, playwrights and short story writers. His works address such themes as emotional health, vitality, spontaneity and instinct, wrapped up in gripping plots which range from the poignant to the downright creepy.

D.H. Lawrence tells the story of Constance Reid, also known as Lady Chatterley, who is married to Sir Clifford Chatterley, an aristocrat who becomes paralyzed from the waist down during World War I. Their marriage suffers due to Sir Clifford's disability and his obsession with his writing and intellectual pursuits. Feeling neglected and emotionally isolated, Lady Chatterley begins an affair with the gamekeeper, Oliver Mellors. Their passionate and physical relationship contrasts sharply with her cold, sterile marriage.

Constance Chatterley seeks to escape from the confines of a loveless marriage and the upper class surroundings that suffocate her. When she meets the gamekeeper of Chatterley mansion, Oliver Mellors, she is mesmerised and infatuated by his no-nonsense demeanour and passionate touch. The two soon forge a profound bond as a result of their sexual compatibility and sociopolitical views.

Sons and Lovers, D. H. Lawrence's first major novel, was also the first in the English language to explore ordinary working-class life from the inside. No writer before or since has written so well about the intimacies enforced by a tightly knit mining community and by a family where feelings are never hidden for long. When the marriage between Walter Morel and his sensitive, high-minded wife begins to break down, the bitterness of their frustration seeps into their children's lives.

The story of Lady Chatterley and her love for her husband's gamekeeper outraged the sensibilities of Edwardian England. Lawrence had already been dismissed as a purveyor of the obscene for the attitudes to sex that he had shown in The Rainbow, which had been fiercely suppressed on its publication in 1915. Chatterley, written in several versions around 1928 in Italy in the final part of Lawrence's life, was a deliberate choice on the author's part to address sex head on.

Lady Chatterley's Lover is D. H. Lawrence's last novel. First published privately in 1928, Lady Chatterley's Lover was banned from wider publication in the UK until 1960 and was the subject of censorship and book banning in the United States and elsewhere. Its erotic subject material, colorful language, and discussion of interclass relations were deemed obscene.

Kangaroo is a politically charged novel exploring post-World War I Australia through the eyes of British journalist Richard Lovat Somers. As he becomes entangled in the ideologies of both fascists and socialists, he must navigate intrigue, espionage, and personal conflicts. A novel of identity, belonging, and the undercurrents of power.

Publicada en Florencia a cuenta del autor en 1928 y prohibida en Gran Bretaña hasta 1960, cuando fue objeto de un famoso juicio por obscenidad, El amante de lady Chatterley está considerada hoy en día una de las grandes novelas del siglo XX. En sus páginas, D. H. Lawrence no solo explora con lujo de detalles el romance adúltero entre una mujer casada con un aristócrata y el guardabosques de su finca, sino que ofrece un magnífico diagnóstico de la sociedad británica del periodo de entreguerras, «una época esencialmente trágica».

Paul Morel, caught between the suffocating love of his mother and the tumultuous relationships with the women in his life, struggles to define himself. As he grows, he is torn between devotion to his mother and his own desire for independence and passion. A raw, emotional exploration of human desires, repression, and the painful journey of becoming one's own person, Sons and Lovers reveals the complexities of the ties that bind us—and the cost of breaking free.

The Ultimate Classics Collection: Volume Two is the second instalment of our wide-ranging classic collections. Volume Two features 13 essential classic novels from Jane Austen; Edith Wharton; Leo Tolstoy; D.H. Lawrence, and many more, alongside selected poetry from Christina Rossetti; Elizabeth Browning; and Emily Dickinson. Read by a cast of incredible narrators including Joanne Froggatt, Adjoa Andoh, Jonathan Keeble, and many more, this is your new go-to collection to catch up on those classics you've always wanted to hear.

The story of the physical relationship between the aristocratic protagonist Constance Chatterley and gamekeeper Oliver Mellors - which occurs right under the nose of her wheelchair-bound husband, Clifford. In exploring the class system of the early 20th century, the novel also touches upon the declining coal-mining industry, its effect on the workers, and the politics which surrounded it. Yet possibly the most important theme is the individual’s need for physical as well as intellectual satisfaction.

Lady Constance Chatterley is stuck in a loveless marriage until she crosses paths with Oliver Mellors, the estate’s gamekeeper. Embarking on a passionate affair with Mellors awakens desires in Lady Chatterley that she had never been able to explore within the confines of straight-laced society. As her journey of sexual self-discovery deepens, Lady Chatterley must navigate the clash of mind and body, industrialization and nature, and firmly established class distinctions.

D. H. Lawrence is no longer censored, but he is still on trial - and we are still unsure what the verdict should be, or even how to describe him. History has remembered him, and not always flatteringly, as a nostalgic modernist, a sexually liberator, a misogynist, a critic of genius and a sceptic who told us not to look in his novels for 'the old stable ego’, yet pioneered the genre we now celebrate as auto-fiction. But where is the real Lawrence in all of this, and how - 100 years after the publication of Women in Love - can we hear his voice above the noise?

In post-war East Midlands, in a home dominated by their difficult grandmother and aunt, Yvette and Lucille are two sisters struggling to bring joy into their lives. Their mother, having run off in a scandal, leaves the two to suffer a dysfunctional family life and oppressive domesticity. But one day, Yvette meets a free-spirited gypsy and his family, awakening her sexual desires and compounding her disenchantment.

"Tickets Please" returns Lawrence to his native Nottingham during the First World War. The social revolution of women doing jobs previously done by men also begins to change the relationship between the sexes, and the women in the story are aggressive and wanting their rights. But are they happier for conquering the flighty male in the story, or is the domination of man by woman one step too far, only generating hate and unhappiness?