Showing results for "audiobook" in African

The Teeth of GiantsIn the most savage wilderness on the planet, the Chinese crime cartels hunted the elephants for their ivory. And nobody dared to cross them... Could one man help to put an end to this horrific trade? He was an old friend. His death was suspicious. At the least, ex-special forces soldier Jason Green had to return to Africa to pay his respects. He never intended to get caught up in the murky world of the illegal ivory trade. And falling for a hot-blooded television reporter wasn't part of the plan either.

An epic take on the white slave trade by Barbary pirates, centreing on the most famous buccaneer of the Salle Rovers—Jan Janszoon Van Haarlem. This novel-length narrative poem is set over six books, all interconnected but each telling its own separate and unique story.

Learning to kick a football in a suburban schoolyard. Finding your feet as a young black dancer. Discovering your grandfather’s poetry. Meeting Nelson Mandela at your local church. Facing racism from those who should protect you. Dreading a visit to the hairdresser. House-hopping across the suburbs. Being too black. Not being black enough. Singing to find your soul, and then losing yourself. Welcome to African Australia. Compiled by award-winning author Maxine Beneba Clarke, with curatorial assistance from writers Ahmed Yussuf and Magan Maga.

Laurel Sibanda is a Zimbabwean-British writer and poet currently living in Southeast England. She holds a Bachelor of Arts degree in English with American Literature. This is her first poetry collection, exploring identity, mental health, generational trauma, and her relationship with poetry.

Avant, Gabriel faisait les quatre cents coups avec ses copains dans leur coin de paradis. Et puis l'harmonie familiale s'est disloquée en même temps que son "petit pays", le Burundi, ce bout d'Afrique centrale brutalement malmené par l'Histoire. Plus tard, Gabriel fait revivre un monde à jamais perdu. Les battements de cœur et les souffles coupés, les pensées profondes et les rires déployés, le parfum de citronnelle, les termites les jours d'orage, les jacarandas en fleur.

Inventory of a Life Mislaid follows Marina Warner’s beautiful, penniless young mother Ilia as she leaves southern Italy in 1945 to travel alone to London. Her husband, an English colonel, is still away in the war in the East as she begins to learn how to be Mrs Esmond Warner, an Englishwoman.

The Willie Lynch Letter and the Making of a Slave is a study of slave making. It describes the rationale and the results of Anglo Saxon's ideas and methods of insuring the master/slave relationship. The infamous Willie Lynch letter gives both African and Caucasian students and teachers some insight, concerning the brutal and inhumane psychology behind the African slave trade.

I want you to know that I see you. I want you to know that even if no one else does, even if you are a ghost in this bookshop, or just the static floating across the screen of your computer, wherever you’re reading this, I see you. I see you in the dark and I see you in the grey. I see you as a story, as words I have spoken or may yet speak. Maybe only in a memory or a dream. I see your hands and your arms and your body and your legs and your face and I see what you have been and what you will be.

Ladies and gentlemen, prepare to immerse yourself in the powerful words of a true hero. "I Write What I Like: by Steve Biko" is not just an audiobook; it's a journey through the inspiring writings of the renowned anti-apartheid activist, Steve Biko. Within these audio pages, you will discover a carefully curated collection of Biko's writings, spanning from 1969, when he assumed the presidency of the South African Student Organisation, to 1972, a year when he was silenced and prohibited from publishing his thoughts.

With her first full-length poetry collection, Warsan Shire introduces us to a girl who, in the absence of a nurturing guide, makes her own stumbling way toward womanhood. Drawing from her own life and the lives of loved ones, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women and teenage girls.

A new century, and a time of celebration, for family, marriages and children, and a necessity to expand the business. It is also a time for sadness, suffering and loss; Mother Africa does not change her rules for anyone. When all is against the Langbourne brothers, a higher loyalty must prevail.

Blossoms of the Savannah follows the lives of two young sisters on the verge of womanhood. Taiyo and Resian both become aware of the conflict between their personal dreams and their duty to the Nasila tradition and culture. H. R. Ole Kulet addresses the elusive concerns of female genital mutilation and early marriages among the Maa community of the Massai and captures the listener's imagination as he traces the girls' excruciatingly painful steps to victory.

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

Arrested in 1962 as South Africa's apartheid regime intensified its brutal campaign against political opponents, 44-year-old lawyer and African National Congress activist Nelson Mandela had no idea that he would spend the next 27 years in jail. During his 10,052 days of incarceration, Mandela wrote hundreds of letters to unyielding prison authorities, fellow activists, government officials, and, most memorably, his courageous wife, Winnie, and his five children. Now, 255 of these letters, a majority of which were previously unpublished, provide the most intimate portrait of Mandela since Long Walk to Freedom.

Eine Road-Novel über die Phantome der Vergangenheit, über Scham und über Wut und darüber, was es bedeutet, bei sich zu sein. Adikous Herkunft ist verschwommen, die Spuren ihrer Familiengeschichte sind verwischt, sie weiß nicht einmal, wie man ihren Namen richtig ausspricht. Dann, in einem drückend heißen Sommer, hält sie es in Paris nicht mehr aus. Adikou fliegt nach Lomé, Togo, dem Herkunftsort ihres Vaters, den sie nicht kennt.

Shining a light on the remarkable, untold stories of reconciliation in Rwanda since the genocide in 1994, Kill the Devil is a love story between a survivor and a perpetrator of genocide in a lesson for our times and for all time.

After repeatedly overcoming harrowing experiences and insurmountable obstacles, Fiori decoded her own steps to survival, transformation, and success, creating a framework that empowers others to do the same. This framework is now available to you in her audiobook Defy Your Destiny.

En 1994, alors que l'Algérie s'enfonce dans la violence, ses parents choisissent de retourner s'y installer avec leurs enfants. Le lendemain de leur arrivée, la voiture familiale tombe sur un faux barrage tenu par le GIA, le Groupe islamique armé, premier événement d'une série de tragédies liées à la décennie noire. Pourquoi ses parents ont-ils voulu rentrer alors que tous ceux qui le peuvent fuient le pays ? Comment se construire lorsque le passé hante et dévore vos nuits ?

Trois femmes, trois histoires, trois destins liés. Ce roman polyphonique retrace le destin de la jeune Ramla, arrachée à son amour pour être mariée à l'époux de Safira, tandis que Hindou, sa sœur, est contrainte d'épouser son cousin. Patience ! C'est le seul et unique conseil qui leur est donné par leur entourage, puisqu'il est impensable d'aller contre la volonté d'Allah. Comme le dit le proverbe peul : "Au bout de la patience, il y a le ciel." Mais le ciel peut devenir un enfer. Comment ces trois femmes impatientes parviendront-elles à se libérer ?

“The poet is endemic with life itself,” Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. “This being the ballet of the forgotten,” he writes as diasporic witness, “of refracted boundary points as venom.” The volume’s opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo.