Showing results for "Virginia Woolf" in Anthologies & Short Stories

A treasure chest of timeless short stories by some of the world's greatest authors.

Moments of Being was written by Virginia Woolf at various periods of her life and with various personal intentions, which explore Woolf's relationship with her past.

In this beautifully evocative essay, Virginia Woolf transforms a simple errand—a trip to buy a pencil—into a mesmerizing exploration of city life, memory, identity, and the quiet drama of everyday existence. As she drifts through the winter streets of London, Woolf captures fleeting moments, passing faces, and the rhythm of urban solitude with her signature lyricism and insight.

Step beyond the lamplight and into the gilded darkness of a vanished world. Ghost Stories from the Gilded Age is a classic ghost story anthology featuring eerie tales by female authors who defied convention—Charlotte Perkins Gilman, Edith Wharton, Kate Chopin, and more. Narrated by an all-star ensemble of Audie, SOVAS, and One Voice award winners and nominees, this haunting audiobook collection blends Gothic elegance with supernatural unease.

En La marca en la pared, Virginia Woolf lleva al lector a un viaje introspectivo, observando una mancha en la pared. La narradora, mientras intenta identificar la marca, se sumerge en una serie de reflexiones y pensamientos que abarcan desde la naturaleza de la vida hasta cuestiones filosóficas. La historia es una obra maestra del monólogo interior, representando una exploración íntima de la mente humana, que culmina en una revelación inesperada sobre la marca.

A beguiling trio of fantastical and farcical anti-fairy tales about a giantess who builds a magical “cottage of one’s own,” battles a silver-scaled sea monster, and defies governesses and gravity alike.

En Lunes o Martes, Virginia Woolf nos transporta a un mundo introspectivo y fluido, utilizando su distintivo estilo de escritura. El relato sigue el vuelo errático y simbólico de una garza, que sirve como metáfora de la búsqueda de claridad y verdad en medio del caos cotidiano. A través de breves viñetas, la narración capta fugaces momentos de la vida en Londres, explorando la intersección entre la percepción subjetiva y la realidad objetiva.

The Best of Women's Short Stories, Volume 2 is a celebration of iconic female writers from the 19th and 20th centuries; featuring eight full-length stories relating the many experiences and complexities of womanhood. This collection brings together stories by Katherine Mansfield, Mary Shelley, Elizabeth Gaskell, Kate Chopin and Jane Austen.

En «Una novela no escrita», la protagonista —alter ego de Virginia Woolf— especula sobre la vida interior y el alma de una persona mientras la observa desde el asiento de un tren.

Unabridged readings of four fictional masterpieces. Contained in this collection are four more enduring classics, read in full by some of the very best audiobook narrators. With over 32 hours of irresistible storytelling, tracked by chapter for ease of navigation, this is the perfect way to immerse yourself in these iconic works.

The Ultimate Modern Classics Collection: Volume One is the first instalment in our classics collection focusing on the most important and iconic novels, stories, and poems of the 20th century. Featuring 18 essential modern classics from Orwell, Hemingway, Fitzgerald, Woolf, and many more, and read by a cast of incredible narrators including Iwan Rheon, Ben Allen, Karen Cass, Nathan Osgood, amongst others, this is an essential addition to your library.

This wonderful collection of 18 short stories includes work by some of literature's most treasured names, including Mark Twain, Edgar Allan Poe, James Joyce, Virginia Woolf, F. Scott Fitzgerald, Oscar Wilde, and many more. This superlative treasury includes "The Cask of Amontillado" by Edgar Allan Poe; "A Piece of String" by Guy Le Maupassant; "The Story of an Hour" by Kate Chopin; "The Mark on the Wall" by Virginia Woolf; "Nuns at Lunch" by Aldous Huxley, and many more!

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

Here are short stories by the incomparable Virginia Woolf, including the story that was the original basis for the novel Mrs. Dalloway.

This story brings together Roderick Serle and Ruth Anning, two different personalities failing to communicate meaningfully. Serle is high with self-esteem and Anning on the other hand has retreated into a tiny world which excludes any dangers of engagement.

A Haunted House is a story of struggle, loss, commitment, connection, love and acceptance. It is narrated in the first person by an unnamed female narrator. A deceased man and woman roam the house for the majority of the story till they find what it is they are looking for.

Milly Masters, a housekeeper is travelling in a third class carriage of a train and the story takes us to the family in the old country house where she works. Does she have some deeper connection with the dreadful family?

The narrator notices a mark on the wall, and there starts his monologue on religion, self-reflection, nature, and uncertainties of life.

Mrs Dalloway said she would buy the gloves herself. Big Ben was striking as she stepped out into the street. It was eleven o'clock and the unused hour was fresh as if issued to children on a beach. But there was something solemn in the deliberate swing of the repeated strokes; something stirring in the murmur of wheels and the shuffle of footsteps. No doubt they were not all bound on errands of happiness. There is much more to be said about us than that we walk the streets of Westminster. Big Ben too is nothing but steel rods consumed by rust were it not for the care of H.M.'s Office of Works.

A small, dark speck becomes the starting point for a cascade of thought—quiet, precise, wandering. In a room with a fire, a cigarette, and silence thick as dust, a mind drifts from memory to philosophy, from loss to structure, from trees to snails. Virginia Woolf's voice here is both still and restless, charting the motion of consciousness as it moves without hurry or warning.