Showing results for "Virginia Woolf" in Anthologies & Short Stories

A treasure chest of timeless short stories by some of the world's greatest authors.

What if the everyday world hides whispers of mystery, fleeting moments of wonder, and shadows you almost don’t notice? Step into the hauntingly beautiful and lyrical world of A Haunted House and Other Short Stories—a mesmerizing collection of tales that reveal the hidden currents of life, memory, and imagination. Each story offers a glimpse into Woolf’s keen observations of human emotion: from the ghostly reflections in "A Haunted House" to the fleeting impressions and fragmented lives in "Monday or Tuesday", where the ordinary becomes quietly extraordinary.

En La marca en la pared, Virginia Woolf lleva al lector a un viaje introspectivo, observando una mancha en la pared. La narradora, mientras intenta identificar la marca, se sumerge en una serie de reflexiones y pensamientos que abarcan desde la naturaleza de la vida hasta cuestiones filosóficas. La historia es una obra maestra del monólogo interior, representando una exploración íntima de la mente humana, que culmina en una revelación inesperada sobre la marca.

What can a simple mark on the wall reveal about life, thought, and the human mind? In The Mark on the Wall, Virginia Woolf delivers a masterful modernist short story that transforms an ordinary observation into a meditation on consciousness, memory, and perception. As the narrator notices a small mark on the wall, her mind wanders through memories, philosophical reflections, and intimate insights into human thought, identity, and reality.

A beguiling trio of fantastical and farcical anti-fairy tales about a giantess who builds a magical “cottage of one’s own,” battles a silver-scaled sea monster, and defies governesses and gravity alike.

En Lunes o Martes, Virginia Woolf nos transporta a un mundo introspectivo y fluido, utilizando su distintivo estilo de escritura. El relato sigue el vuelo errático y simbólico de una garza, que sirve como metáfora de la búsqueda de claridad y verdad en medio del caos cotidiano. A través de breves viñetas, la narración capta fugaces momentos de la vida en Londres, explorando la intersección entre la percepción subjetiva y la realidad objetiva.

En «Una novela no escrita», la protagonista —alter ego de Virginia Woolf— especula sobre la vida interior y el alma de una persona mientras la observa desde el asiento de un tren.

In A Haunted House, Virginia Woolf delivers a mesmerizing ghost story unlike any other—quiet, lyrical, and deeply haunting. This short work of literary fiction blends supernatural elements with psychological depth, inviting listeners into a dreamlike haunted house where spirits wander not in fear, but in search of something precious left behind.

In this beautifully evocative essay, Virginia Woolf transforms a simple errand—a trip to buy a pencil—into a mesmerizing exploration of city life, memory, identity, and the quiet drama of everyday existence. As she drifts through the winter streets of London, Woolf captures fleeting moments, passing faces, and the rhythm of urban solitude with her signature lyricism and insight.

Have you ever felt a moment pass and wished you could hold on to it forever? In "Monday or Tuesday", Virginia Woolf invites you into a quiet, shimmering world where thoughts drift, time softens, and ordinary moments reveal unexpected beauty. Through her masterful stream-of-consciousness style, Woolf captures the fragile movements of the human mind—memories flickering, emotions stirring, life unfolding in brief, luminous fragments.

Moments of Being was written by Virginia Woolf at various periods of her life and with various personal intentions, which explore Woolf's relationship with her past.

In Kew Gardens, Virginia Woolf invites you into a luminous summer afternoon at beautiful botanical gardens, where petals, sunlight, and passing conversations blend into a delicate mosaic of human experience. As couples stroll, voices drift, and thoughts wander, Virginia Woolf captures fleeting moments of memory, love, regret, and quiet revelation.

Unabridged readings of four fictional masterpieces Contained in this collection are four more enduring classics, read in full by some of the very best audiobook narrators. With over 32 hours of irresistible storytelling, tracked by chapter for ease of navigation, this is the perfect way to...

Have you ever invented a life for someone you barely know? On a quiet train, an unnamed narrator fixates on a melancholy woman she calls “Minnie Marsh” and constructs an entire life for her—filled with family dramas, hidden desires, and unspoken conflicts. But how much of what we imagine reflects reality, and how much reveals our own inner world?

«Come possiamo combinare le parole vecchie in nuove sequenze, così che esse sopravvivano, che creino bellezza, che dicano la verità?» Era questo, per Virginia Woolf, «il problema» del linguaggio letterario. Problema alla cui soluzione si dedicò con la sua riflessione teorica e con la pratica narrativa, alla ricerca di una frase elastica e flessibile, una frase femminile.

A small, dark speck becomes the starting point for a cascade of thought—quiet, precise, wandering. In a room with a fire, a cigarette, and silence thick as dust, a mind drifts from memory to philosophy, from loss to structure, from trees to snails. Virginia Woolf's voice here is both still and restless, charting the motion of consciousness as it moves without hurry or warning.

This story brings together Roderick Serle and Ruth Anning, two different personalities failing to communicate meaningfully. Serle is high with self-esteem and Anning on the other hand has retreated into a tiny world which excludes any dangers of engagement.

A Haunted House is a story of struggle, loss, commitment, connection, love and acceptance. It is narrated in the first person by an unnamed female narrator. A deceased man and woman roam the house for the majority of the story till they find what it is they are looking for.

Milly Masters, a housekeeper is travelling in a third class carriage of a train and the story takes us to the family in the old country house where she works. Does she have some deeper connection with the dreadful family?

The narrator notices a mark on the wall, and there starts his monologue on religion, self-reflection, nature, and uncertainties of life.