Showing results for "Henry Miller" in Literature & Fiction

Tropic of Cancer is regarded as a masterpiece, with Time magazine rating it as one of the 100 most important novels of the 20th century. It is an unforgettable, confessional, warts and all novel of the author and his friends riotous adventures in Paris during the Depression. It changed censorship laws in the US where it was published decades after it was written, and reading it today amplifies the debt that modern writers owe Miller.

Some of the most rewarding pages in Henry Miller's books concern his self-education as a writer. He tells, as few great writers ever have, how he set his goals, how he discovered the excitement of using words, how the books he read influenced him, and how he learned to draw on his own experience.

In his great triptych The Millennium, Bosch used oranges and other fruits to symbolize the delights of Paradise. Whence Henry Miller's title for this, one of his most appealing books; first published in 1957, it tells the story of Miller's life on the Big Sur, a section of the California coast where he lived for 15 years. Big Sur is the portrait of a place - one of the most colorful in the United States - and of the extraordinary people Miller knew there.

Henry Miller was one of the most distinctive voices in twentieth-century literature. Better known in Europe than in his native America for most of this career, he achieved international success and celebrity during the 1960s when his banned "Paris" books - beginning with Tropic of Cancer - were published here and judged by the Supreme Court not to be obscene. Until then he had toiled in relative obscurity and poverty.

Tropic of Capricorn is the sequel to Tropic of Cancer but stands alone as a fascinating account of Miller's early life in 1920's New York. As with the other Tropic it is a landmark masterpiece that was also banned on grounds of obscenity in the US. Henry Miller is undoubtedly one of America's greatest writers of the twentieth century whose contribution to literature and free speech still remain relevant and fascinating.

Henry Miller is undisputedly one of the most important American writers and Sexus like his other works was banned in English speaking countries for obscenity. It explores work, love and friendship and as with all his work is based on autobiographical experiences- in this book his passionate affair with a dance hall hostess in NY that is recounted in intimately graphic and vivid detail.

Travelling in Europe with her family, Daisy Miller, an exquisitely beautiful young American woman, presents her fellow countryman Winterbourne with a dilemma he cannot resolve. Is she deliberately flouting social convention in the outspoken way she talks and acts, or is she simply ignorant of those conventions? When she strikes up an intimate friendship with an urbane young Italian, her flat refusal to observe the codes of respectable behaviour leave her perilously exposed.

Henry Miller's gifts of profundity, humor, and spiritual sensitivity as well as his joy of living are well displayed in this collection of his insights into the human character. The pieces range from the delightfully raucous to the metaphysically illuminating, and include portraits of the famous and less-than-famous people in Miller's life. All human beings become real to the listener under Miller's penetrating mind and loving eye.

"Nur eins interessiert mich wesentlich, nämlich alles das aufzuzeichnen, was in Büchern weggelassen wird." Dieser Satz von Henry Miller bringt auf den Punkt, wofür sein Roman Wendekreis des Krebses steht: die tabulose Dokumentation menschlicher Sexualität. Autobiografisch angelegt, beschreibt der amerikanische Schriftsteller, wie er in den 1930er-Jahren in Paris lebte: mittellos, freizügig, glücklich.

"Nexus" è il terzo volume del ciclo "La crocifissione rosea", scritto tra il 1949 e il 1960, una trilogia cruciale per l'autore del "Tropico del cancro". I tre libri, inizialmente banditi dalle autorità americane, rappresentano il percorso della cosiddetta "illuminazione spirituale" di Miller attraverso l'arte e il sesso, fino alla sua piena consapevolezza di scrittore.

Henry James’s classic tale of an American girl abroad, doomed for her wild and unconventional ways.

Scritto nel 1953, "Plexus" è la seconda parte del trittico "La Crocifissione rosea", un'opera scritta da Miller negli anni che vanno dal 1949 al 1960. In questa opera autobiografica Miller racconta gli anni del suo soggiorno newyorkese e del suo incontro con la sua seconda futura moglie (nel romanzo tratteggiata con il nome di Mona). Tema costante nell'audiolibro è la vocazione artistica del giovane scrittore, che da Mona viene incoraggiato con forza a scrivere, inducendolo a rifiutare ogni impiego fisso.

Daisy Miller is a beautiful American girl abroad. Assured, flirtatious, and at odds with reserved European etiquette, she meets two men: Mr. Winterbourne, a world-weary compatriot in full pursuit, and Mr. Giovanelli, a passionate Italian with questionable motives. Unmindful of the scandals she incites and of the risks to her reputation, Daisy believes that she is also impervious to fate.

Daisy Miller is a beautiful and flirtatious rich young American visiting a Swiss spa. There she meets upper class expatriate American, Frederick Winterbourne, who is warned about her reckless ways with men by his aunt. Their relationship and Daisy's with the Italian lawyer Mr. Giovanelli leads to a climactic scene in the Coliseum in Rome, followed by tragedy and regret.

The innocent and insolent Daisy confronts the traditions of old Europe and confounds all of the people (especially the men) who surround her. All throughout the story, there are classic Jamesian views on the differences between English and American societies.

When Frederick, an American expatriate traveling in Europe, meets the commonplace, newly rich Miller family from New York, he is charmed by the daughter, Daisy, and her "inscrutable combination of audacity and innocence". The Millers have no perception of the complex code that underlies behavior in European society, and Winterbourne is astonished at the girl's unworldliness and her mother's unconcern when Daisy accompanies him to the Castle of Chillon.

Daisy Miller is one of James' most haunting characters. In this reading, Mullen brings her to life in all her innocent playfulness and melancholic yearning.

Daisy Miller is one of Henry James' shorter and earlier novels. It was written in 1878. It portrays the confused courtship of a headstrong American girl by Winterbourne, a compatriot of hers who is much more sophisticated. His pursuit of her is hampered by her own flirtatiousness, which is frowned upon by the other expatriates they meet in Switzerland and Italy.

Henry James' signature theme - the American abroad - centers here on a chatterbox, provincial (not to say ignorant) daughter of a wealthy Schenectady industrialist, as she travels through Europe with her doting, vapid mother and rambunctious young brother. She meets up with one Mr. Winterbourne, another ex-patriate, with whom she flirts before coming to a sad end.

Published in 1878, portrays the courtship of the beautiful American girl Daisy Miller by Frederick Winterbourne. Winterbourne's pursuit of her is hampered by her own flirtatiousness, which is frowned upon by the other expatriates they meet in Switzerland and Italy. The the novel coments on the contrast between American and European society that is common to James's work.