Showing results for "Friedrich Nietzsche" in Classics

Ainsi Parlait Zarathoustra est l'œuvre phare de Friedrich Nietzsche, où il explore des concepts philosophiques profonds tels que le surhomme, la volonté de puissance, et la critique de la morale traditionnelle.

The Antichrist is a book by the philosopher Friedrich Nietzsche, originally published in 1895. Although it was written in 1888, its controversial content caused its publication to be delayed. The German title can be translated into English as either The Anti-Christ or The Anti-Christian, depending on how the German word Christ is translated. Nietzsche claimed in the foreword to have written the book for a very limited readership. In order to understand the book, he asserted that the reader "...must be honest in intellectual matters to the point of hardness to so much as endure my seriousness, my passion."

Nietzsche's Beyond Good and Evil takes an in-depth look at the major truths of philosophy. However, the unique approach of adding poetry and commentary to these truths makes this work both more interesting and more dynamic than the typical philosophic discussion found in most modern philosophy books. In addition, Nietzche argues that most philosophies are centered on the philosopher's attempt to explain their own bias. The work offers insight to finding the truths not only about philosophy, but also about the philosophers who wrote these insights.

The ancient Persian prophet Zarathustra descends from a life of solitude on the mountain to announce to the world that God has been supplanted by the "Superman", the divine in human form. In one of the most radical and influential works of modern philosophy, Friedrich Nietzsche lays out the new standards of morality after the "death of God".

Livre "à part", comme Nietzsche le nomma lui-même. Dans "Ainsi parlait Zarathoustra" apparaîssent pour la première fois des thèmes comme la volonté de puissance ou le surhomme. Ces idées comptent au nombre de celles qui ont le plus fortement marqué la pensée contemporaine.

"Allein gehe ich nun, meine Jünger! Auch ihr geht nun davon und allein! So will ich es. Geht fort von mir und wehrt euch gegen Zarathustra! Und besser noch: schämt euch seiner! Vielleicht betrog er euch. Der Mensch der Erkenntnis muß nicht nur seine Feinde lieben, sondern auch seine Freunde hassen können. Man vergilt einem Lehrer schlecht, wenn man immer nur der Schüler bleibt. Und warum wollt ihr nicht an meinem Kranze rupfen? Ihr hattet euch noch nicht gesucht: da fandet ihr mich. So thun alle Gläubigen; darum ist es so wenig mit allem Glauben.

After ten years of meditative solitude, the prophet Zarathustra descends from his mountain cave to preach the power of the Superman - a human divinity emancipated from the construct of God. The Superman is free to create his or her own moralities, values, notions of good and evil, and purpose in life. Although people of the town are confounded, Zarathustra resolves to persuade the herd by illuminating the heights to which they can ascend by ignoring promises of otherworldly fulfillment.

The Will to Power is an audiobook of notes compiled from the literary remains of Friedrich Nietzsche. The title derives from a work that Nietzsche himself had intended to write. The "will to power", a prominent concept in his philosophy, describes what Nietzsche believed to be the main driving force in humans.

Friedrich Nietzsches Gedichte erklingen mit Klavieren, Cellos, Geigen und der Stimme Friedrich Friedens auf wuchtig-harmonische Art und Weise ohne dabei künstlich oder kitschig zu wirken. Auf einem wilden Ritt durch die Jahrhunderte begegnet man Mitleid, Furcht, Wut, Wille, Lebensfreude und Tugendhaftigkeit.

Als Friedrich Nietzsche im Jahre 1878 sein aphoristisches Werk "Menschliches, Allzumenschliches" herausbrachte, war schlagartig klar, dass hier einer der ganz Großen der Philosophie die Weltbühne betreten hatte. Die hier vorliegende Sammlung vereint die Teile "Von den ersten und letzten Dingen", "Zur Geschichte der moralischen Empfindungen", "Aus der Seele der Künstler und Schriftsteller", "Der Mensch im Verkehr", "Der Mensch mit sich allein", sowie eine Auswahl aus seinem 1887 veröffentlichten Werk "Die fröhliche Wissenschaft".

Доктрине прогресса (поступательного развития), которая господствовала в умах европейцев с наступлением эпохи Просвещения, Ницше противопоставил учение о вечном возвращении, о цикличности любого развития. Только сверхчеловек способен с готовностью принять бесконечное возвращение однажды пережитого, включая самые горькие минуты. Отличие такого существа от обычного человека, по Ницше, в порядке отличия человека от обезьяны.

Thus Spoke Zarathustra is the fictional account of the travels and teaching of the prophet Zarathustra. One of the more controversial aspects of Nietzsche's work is that he puts forth the idea of human evolution and the transformation of modern humans from their ape-like ancestors. Nietzsche inserts a number of controversial ideas into his fictional account of Zarathustra, including some reoccurring themes such as the superman, a self-mastered individual.

Nietzsche regarded Thus Spoke Zarathustra as his most important work, and his story of the wandering Zarathustra has had enormous influence on subsequent culture. Nietzsche uses a mixture of homilies, parables, epigrams, and dreams to introduce some of his most striking doctrines, including the Overman (Übermensch), nihilism, and the eternal return of the same. This will appeal to all listeners interested in one of the most original and inventive works of modern philosophy. Please note: This audiobook is in Russian.

Hans Paetsch liest folgende Gedichte: "Du hast gerufen - Herr ich komme", "Pinie und Blitz", "Vereinsamt" (aus: "Der Freigeist"), "Antwort" (aus: "Der Freigeist"), "Venedig", "Aus hohen Bergen", Nachgesang zu "Jenseits von Gut und Böse", "Ecce Homo", "Das Wort", "Ein Buch", "Das trunkene Lied".

Así habló Zaratustra es uno de los textos más extraordinarios e importantes de la filosofía occidental. Fue escrito por Friedrich Nietzsche entre 1883 y 1885. Lo escribió en clave de novela con la esperanza de que su apremiante anuncio de la “muerte de Dios” y del surgimiento del superhombre (übermensch) tuviera un mayor impacto tanto emocional como intelectual.

Written over 100 years ago, The Antichrist by the German philosopher Friedrich Nietzsche is a thought-provoking piece of literature in which Nietzsche urges the listener to be honest and critical in regards to previously accepted thoughts of modern Christianity. He suggests that the current basis for what is right and wrong, happiness and sadness, and other essential concepts is completely backward. Instead, every end result can be measured based on what Nietzsche calls the "will to power".

The Antichrist is a book by the philosopher Friedrich Nietzsche, originally published in 1895. The reference to the Antichrist is not intended to refer to the biblical Antichrist but is rather an attack on the slave morality and apathy of Western Christianity. Nietzsche's basic claim is that Christianity is a poisoner of western culture and perversion of the words of and practice of Jesus.

Es una de las últimas obras del filósofo alemán Friedrich Nietzsche. Aunque fue escrito en 1888, su controvertido contenido hizo que Franz Overbeck y Heinrich Köselitz retrasaran su publicación, junto con Ecce homo, hasta 1895. El libro es una crítica del cristianismo en conjunto, y de conceptos modernos como el igualitarismo y la democracia, a los cuales ve como consecuencia persistente de los ideales cristianos.

Was macht den Menschen aus? Was sind die Fehler aller Religionen? Warum sind Ideale Irrtümer? Was ist der Ursprung von Philosophie? Was ist der Ursprung des menschlichen Geistes? Warum beruht jede Gesellschaft auf Lügen und Täuschung? Warum werden Lügen und Irrtümer als Wahrheiten propagiert? Warum ist die Lüge das Fundament der menschlichen Kultur? Was macht einen außergewöhnlichen Künstler aus? Warum kritisieren wir, was wir nicht verstehen?

"The Twilight of the Idols" was written by Nietzsche in 1888 as a short introduction to his work. In it, he labels the era’s German culture as decadent and nihilistic, and criticizes certain British, French and Italian cultural figures who, in his view, represented similar tendencies. By decadence, he means a fading of life, vitality and an embrace of weakness. In contrast to those alleged representatives of cultural decadence, Nietzsche holds up historical personages like Julius Caesar, Napoleon, Goethe, Thucydides and the Sophist philosophers as healthier types.