Showing results for title "The Mill on the Floss", by author "George Eliot" in Classics

'If life had no love in it, what else was there for Maggie?' The Mill on the Floss, first published in 1860, is considered one of George Eliot's most autobiographical works. Having formed a complex bond with her own family, George Eliot, now known to the public as Mary Ann Evans, depicts the loving yet volatile relationship between the Tulliver siblings and their doting father. Spanning over a period of 10 years, The Mill on the Floss follows the coming of age of the beautiful and idealistic Maggie.

The collected BBC radio adaptations of George Eliot’s pioneering Victorian novels, known for their realism and psychological insight. Includes Adam Bede, The Mill on the Floss, Silas Marner, Middlemarch and Daniel Deronda.

Brought to you by Penguin. Brought up at Dorlcote Mill, Maggie Tulliver worships her brother, Tom, and is desperate to win the approval of her parents, but her passionate, wayward nature and her fierce intelligence bring her into constant conflict with her family. As she reaches adulthood, the clash between their expectations and her desires is painfully played out as she finds herself torn between her relationships with three very different men: her proud and stubborn brother, a close friend who is also the son of her family's worst enemy, and a charismatic but dangerous suitor.

The Mill on the Floss is one of the great works of English literature. It is perhaps the most autobiographical of all Eliot's novels. The relationship between its heroine, Maggie Tulliver, and her brother, Tom, closely resembles that of George Eliot and her own brother, Isaac. The subject of sibling affection was clearly a deeply poignant one for George Eliot - she also wrote a series of beautiful and evocative sonnets entitled 'Brother and Sister'.

This carefully curated anthology brings together the most iconic romantic tales of all time—each filled with complex characters, sweeping emotions, and timeless narratives that will captivate your heart. From the fiery romance of Wuthering Heights to the quiet yearning of A Room with a View, these stories are a perfect blend of forbidden love, tragic endings, and tender moments of connection.

Maggie Tulliver has two lovers: Philip Wakem, son of her father’s enemy, and Stephen Guest, already promised to her cousin. But the love she wants most in the world is that of her brother Tom. Maggie’s struggle against her passionate and sensual nature leads her to a deeper understanding and to eventual tragedy

First published in 1861, The Mill on the Floss was a best-seller in its day. This classic novel explores the traditions and moral expectations of an English rural community. Maggie Tulliver is a girl of uncontrollable romantic ideals. But her brother, along with most of society, cannot accept her brashness and vitality. Narrator Jill Tanner gracefully unfolds this tragic tale of love and loss.

First published in three volumes in 1860 it tells the story of Tom and Maggie Tulliver, a brother and sister growing up on the river Floss. Maggie is deeply attached to her brother but their conflicting temperaments and outlook produce only stress and misunderstanding until they are finally reconciled in a moment of revelation before tragedy overtakes them.

This novel is based on George Eliot's own experiences of provincial life, is a masterpiece of ambiguity in which moral choice is subjected to the hypocrisy of the Victorian age. As the headstrong Maggie Tulliver grows into womanhood, the deep love which she has for her brother Tom turns into conflict, because she cannot reconcile his bourgeois standards with her own lively intelligence. Maggie is unable to adapt to her community or break free from it, and the result, on more than one level, is tragedy.

Bright, willful Maggie Tulliver longs for acceptance from Tom, her obstinately responsible brother whom she cherishes above all. As their father falls ill and loses Dorlcote Mill in a lawsuit, Maggie and Tom are forced down two divergent paths in life, each dictated by familial and societal expectations. Wasting away in the Tullivers' home, Maggie is soon inspired to follow her heart and lead a life of passion and impulse, which results in her brother renouncing her. As the siblings drift apart, only tragedy along the River Floss can bring them together again.

The Mill on the Floss is a novel by George Eliot (Mary Ann Evans), which was first published in 1860. The book chronicles the lives of Tom and Maggie Tulliver, who are siblings growing up at Dorlcote Mill situated at the junction of the River Floss and the River Ripple. Maggie is the main character, and the story begins when she is nine years old, 13 years into her parents' marriage. The most important threads concern her relationship with her brother and her romantic relationships with Philip Wakem and Stephen Guest.

This powerful and moving 1860 novel is believed to be George Eliot’s most autobiographical novel. She was certainly referencing personal experience when she wrote the character of Maggie Tulliver.

"The Mill on the Floss" is George Eliot’s second novel, and was published in 1860, only a year after her first, "Adam Bede". It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear.

Mary Ann Evans (1819-1880), known by her pen name George Eliot, was one of the leading writers of the Victorian era. Her novels are known for their realism and psychological insight. Four of them are included in this volume: Middlemarch, Daniel Deronda, The Mill on the Floss, and The Lifted Veil.

Why is this feeling of regret so familiar to her? Why must she always wish she had done something different? Maggie Tulliver and her brother, Tom, grow up in the mill on the River Floss. Although Maggie adores Tom, she often finds him cruel and cold. All she wants is for life to be full and warm.The Tulliver family’s traditional way of living is threatened by changes beyond their control. Will the educated world of lawyers and lawsuits destroy what generations have enjoyed?

’If life had no love in it, what else was there for Maggie?’ Tragic and moving, The Mill on the Floss is a novel of grand passions and tormented lives. As the rebellious Maggie's fiery spirit and imaginative nature bring her into bitter conflict with her narrow provincial family, most painfully with her beloved brother Tom, their fates are played out on an epic scale. George Eliot drew on her own frustrated rural upbringing to create one of the great novels of childhood, and one of literature's most unforgettable heroines.

Maggie Tulliver has two lovers: Philip Wakem, son of her father's enemy; and Stephen Guest, already promised to her cousin; but the love she wants most in the world is that of her brother Tom. Maggie's struggle against her passionate and sensual nature leads her to a deeper understanding and to eventual tragedy.

Emily Watson, star of the BBC adaptation, reads this classic story of Tom and Maggie Tulliver: brother and sister torn apart by the ignorance of one and the spirit of the other.

Maggie and Tom, brother and sister, try to save their livelihood as their parents flounder in the face of modernization. Maggie befriends the disabled son of a family rival in an attempt to build bridges, and Tom fights hard to reclaim the family property. Having drifted apart, they are brought back together in the novel's dramatic and moving conclusion.

Maggie Tulliver, whose father owns a mill perched on the banks of the River Floss, is intelligent and imaginative beyond the understanding of her community, her relatives, and particularly her brother Tom. Despite their opposite temperaments, Maggie and Tom are united by a strong bond. But this bond suffers when Tom's sense of family honor leads him to forbid her to associate with the one friend who appreciates her intelligence and imagination.