Shhh, can you hear that? Listen closely. Yeah, that's what I thought it was. It's the sound of The Worst Critics discovering a newly certified banger. Which take was the subtle, gripping banger and which was the overly complex, more stilted approach? Everything is in the audio, so listen up as we prattle on about these two films.

Join us in two weeks for our reviews of Going Places (1974) and its remake The Jesus Rolls!

Three movies enter, and well, three movies leave. In the first ever 3-parter, we decide whether or not these movies deserve to be lost and forgotten in their prime or thrust back into the spotlight with a fresh perspective. Which of the three are shining lights and which are crude, hardheaded attempts at a story.

Join us in two weeks as we give our thoughts on the Danish film, The Guilty, and its 2021 American remake!

Raging current or tepid drips? Is the older film too draining and the new one too irresistible? Or is the old one nuanced and the new one an ill-fated fling? Join us as we take a dive under the surface of the erotic movie genre and bask in the heat.

Join us in THREE weeks, yes, three, not two, THREE weeks when we review A Star is Born (1937), its 50s version and its 70s version. Don't worry, we've seen the Cooper/Gaga version.

Is the remake haunted by a ghost of the past? Could a remake ever live up to a movie as acclaimed and influential as the original film? Was Hitchcock outdone or does his spirit linger about and never allow the retelling room to breathe? See which one we preferred in the latest episode of Reboot or Deboot!

Join us in two weeks' time as we review La Piscine (1969) and its modern retelling A Bigger Splash (2015).

Sabrina Fair,

Thou art a great movie

Under a quick witted, cool screenplay

But which version was the solid, smart, and sharp suitor and which one was the vapid, foolish, and overly simple suitor? Who was the David and who was the Linus? Did we have as wonderful a time as Sabrina did or were we left out to dry like Elizabeth was? Listen now to find out our choice of bachelor... I mean movie.

Join us in two weeks when we review Rebecca (1940) and its 2020 remake!

We loved both. No, we hated both. Hold on, we hated one and loved the other. I misremembered, we just loved one and hated the other. Actually, I lied, we loved them both. But really, we hated them both. Confession was definitely a certified reboot. Wait, it was totally a deboot. John enjoyed Confession more, or was it The Invisible Guest? Or was that Noah who said that? Did we even agree on our assessment? Which train of thought is the real one? Which one did we appreciate more? Was either one even a reboot? Did we watch them at all? All I know is we clearly liked the one with the blue color palette.

Join us next time as we talk about Sabrina (1954) and Sabrina (1995)!

Changing it up this episode with a Japanese film remade in Korea. "Identity equals infinity" as one might say. Who might say that you ask? Not sure, but one might. In this episode we come to a conclusion that has eluded us until now. Find out what answer that was right here on Reboot or Deboot!

Did I forget to mention how hot Lee Joon is? It's distracting, really.

Next episode we will review Invisible Guest (2017) and compare it to Confession (2022)

It's reboot or deboot time, mane. Listen to see which we preferred, mane. Did the 80's bring something to the coke-laden table that the 30's one couldn't, mang? Were both movies a victim of their own times, mane? Which accents were more offensive, the Italian ones from the original or the Cuban ones from the remake? Find out now on the latest episode of The Worst Podcast... mane!