Tess has worked hard to keep her past buried, where it belongs. Now she’s the wife to a respected professor at an elite boarding school, where she also teaches. Her 17-year-old son, Rudy, whose dark moods and complicated behavior she’s long worried about, seems to be thriving: He has a lead role in the school play and a smart and ambitious girlfriend. Tess tries not to think about the mistakes she made 18 years ago, and mostly, she succeeds.

Journalist Joan Lurie has written a seething article exposing a notorious newspaper tycoon as a sexual predator. But the night it goes live, she is brutally attacked. Traumatized and suffering the effects of a concussion, she moves into a highly secure apartment in Manhattan called the Refuge, which was at one time a Magdalen Laundry. Joan should be safe here, so how can she explain the cryptic incidents that are happening?

Alice gets off a bus in the middle of a snowstorm in Delphi, NY. She is fleeing an abusive relationship and desperate to protect Oren, 10 years old, a major Star Wars fan and wise beyond his years. Though Alice is wary, Oren bonds nearly instantly with Mattie, a social worker in her 50s who lives in an enormous, rundown house in the middle of the woods. According to protocol, Mattie should take Alice and Oren to a local shelter; instead, she brings them home for the night. What she doesn't say is that Oren reminds her of her little brother, who died 30 years ago at the age of 10.

When Daphne Marist and her infant daughter, Chloe, pull up the gravel drive to the home of Daphne's new employer, it feels like they've entered a whole new world. Tucked in the Catskills, the stone mansion looks like something out of a fairy tale, its lush landscaping hiding the view of the mental asylum just beyond its border. Daphne secured the live-in position using an assumed name and fake credentials, telling no one that she's on the run from a controlling husband who has threatened to take her daughter away.

At seventeen, Avaline Hall has already buried her mother, survived a horrific factory fire, and escaped from an insane asylum. Now she's on her way to Blythewood Academy, the elite boarding school in New York's mist-shrouded Hudson Valley that her mother attended - and was expelled from. Though she's afraid her high society classmates won't accept a factory girl in their midst, Ava is desperate to unravel her family's murky past, discover the identity of the father she's never known, and perhaps finally understand her mother's abrupt suicide.

Rice Moore is just beginning to think his troubles are behind him. He’s found a job protecting a remote forest preserve in Virginian Appalachia where his main responsibilities include tracking wildlife and refurbishing cabins. It’s hard work, and totally solitary - perfect to hide away from the Mexican drug cartels he betrayed back in Arizona. But when Rice finds the carcass of a bear killed on the grounds, the quiet solitude he’s so desperately sought is suddenly at risk.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

In Edwardian Suffolk, a manor house stands alone in a lost corner of the Fens: a glinting wilderness of water whose whispering reeds guard ancient secrets. Maud is a lonely child growing up without a mother, ruled by her repressive father. When he finds a painted medieval devil in a graveyard, unhallowed forces are awakened. Maud's battle has begun. She must survive a world haunted by witchcraft, the age-old legends of her beloved fen - and the even more nightmarish demons of her father's past.

The Velkwood Vicinity was the topic of occult theorists, tabloid one-hour documentaries, and even some pseudo-scientific investigations as the block of homes disappeared behind a near-impenetrable veil that only three survivors could enter—and only one has in the past twenty years, until now.

Grace Holloway keeps to herself. Since narrowly escaping death at the hands of the man who kidnapped her, she’s thrown herself into the small inn she runs in Rock Harbor, Maine. It’s quiet, quaint and, in the off-season, completely isolated—the perfect place for Grace to keep her own secrets. But Grace isn’t the only one with something to hide, and Rock Harbor isn’t just a sleepy vacation town. Someone is taking young women—girls who look an awful lot like Grace did when she was kidnapped so many years ago.

In a quest for a simpler life, Helen and Nate have abandoned the comforts of suburbia to take up residence on 44 acres of rural land where they will begin the ultimate, aspirational do-it-yourself project: building the house of their dreams. When they discover that this beautiful property has a dark and violent past, Helen, a former history teacher, becomes consumed by the local legend of Hattie Breckenridge, a woman who lived and died there a century ago. 

Is there something wrong with Ginette Cox? It’s what everyone seems to think. When a doctor suggests that what she might need is less excitement, she packs up and moves from New York City to a house in suburban NY: 19 Howard Ave. The town offers Ginette little in the way of entertainment in 1959, but at least she has interesting neighbors. Whether it’s the little girl with her doll or the couple and their mother-in-law, Ginette watches them from her window and makes up names and stories for them.

Sydney Green is Brooklyn born and raised, but her beloved neighborhood seems to change every time she blinks. Condos are sprouting like weeds, FOR SALE signs are popping up overnight, and the neighbors she’s known all her life are disappearing. To hold onto her community’s past and present, Sydney channels her frustration into a walking tour and finds an unlikely and unwanted assistant in one of the new arrivals to the block - her neighbor, Theo. But Sydney and Theo’s deep dive into history quickly becomes a dizzying descent into paranoia and fear.

In Metsan Valo, her family home on Lake Superior, Anni Halla’s beloved grandmother has died. Among her fond memories, what Anni remembers most vividly is her grandmother’s eerie yet enchanting storytelling. By firelight she spun tall tales of spirits in the nearby forest and waters who could heal - or harm - on a whim. But of course those were only stories.

Tim and Abi have always been different from their peers. Precociously bright, they spend their evenings in their parents' attic discussing the macabre and unexplained, zealously re-reading books on folklore, hauntings and the supernatural. In particular, they are obsessed with photographs of ghostly apparitions and the mix of terror and delight they provoke in their otherwise boring and safe childhoods. But when Tim and Abi decide to fake a photo of a ghost to frighten an unpopular school friend, they set in motion a deadly and terrifying chain of events.