The CIA in Hollywood offers the first full-scale investigation of the relationship between the Agency and the film and television industries. Tricia Jenkins draws on numerous interviews with the CIA's public affairs staff, operations officers, and historians, as well as with Hollywood technical consultants, producers, and screenwriters who have worked with the Agency, to uncover the nature of the CIA's role in Hollywood.

From the New York Times, Wall Street Journal, USA Today, Publishers Weekly bestselling author of The Real Anthony Fauci comes an explosive exposé of the cover-up behind the true origins of COVID-19.

2020 saw a spike in deaths in America, smaller than you might imagine during a pandemic, some of which could be attributed to COVID and to initial treatment strategies that were not effective. But then, in 2021, the stats people expected went off the rails. The CEO of the OneAmerica insurance company publicly disclosed that during the third and fourth quarters of 2021, death in people of working age (18–64) was 40 percent higher than it was before the pandemic. Significantly, the majority of the deaths were not attributed to COVID.

The author of three books on CIA operations, Douglas Valentine began his research into the agency's activities when CIA director William Colby gave him free access to interview agency officials who had been involved in various aspects of the Phoenix program in South Vietnam. It was a permission Colby was to regret. The CIA would eventually rescind it and made every effort to impede publication of The Phoenix Program, which documented an elaborate system of population surveillance, control, entrapment, imprisonment, torture, and assassination in Vietnam.

Coup in Dallas leaves speculation and theory aside to give the hard details of who killed President John F. Kennedy, how the murder was carried out, and why Kennedy was assassinated.